Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
The story of a young man, Jason (Allen Payne) who must confront his trauma-induced insecurity about love, as well as a sense of owed responsibility to his mother and troubled brother Joshua... See full summary »
Jada Pinkett Smith,
This action film, directed by the Hughes brothers, depicts a heist of old bills, retired from circulation and destined by the government to be "money to burn." However, more broadly, it addresses the issues of Black Americans' involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960's. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
All Police Officers depicted in this movie are from the fictional 53rd Precinct. This Precinct was also used in the television series Car 54, Where Are You? (1961) and Baretta (1975). See more »
When Jose blows up the armored car with the ordinance, the back of the truck raises up in the air and falls back down on top of a heavy metal pole revealing that the pole is what caused the armored car to jump up into the air when it shot out of the bottom of the truck and not the explosion. See more »
It's better to check out than to go home all fucked up.
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Albert and Allen Hughes direct, produce and co-write (with Michael Henry Brown) this tale about Anthony Curtis (Larenz Tate), a South Bronx boy who goes off to fight in Vietnam, to then return after his tours of duty to find things just aren't the same anymore. The follow up to their incendiary debut, Menace II Society, the Hughes brothers deliver another in your face picture that is quite frankly on a perpetual downer. This is no bad thing, though, as long as you are not looking to be cheered up.
That's Uncle Sam for you! Mean Green.
The pic very much harks back to the glory days of film noir in the 40s and 50s, where some talented film makers began to tell stories of returning war veterans finding what they left behind is now alien to them - with some characters, as is the case here - deeply scarred by their experiences. Add in some gangster elements and the coup de grâce that is the scintillating heist, and clearly the brothers have seen many an old classic film. That the narrative is tried and tested stops the piece hitting greater heights, this in spite of some super acting (especially Tate and the always value for money Keith David) and the hard hitting violence that pierces the senses. Predictable yet potent, and certainly memorable, it's well worth a look for the tough of mind and the classic era film of heart. 7/10
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