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| Susan Sarandon | ... | Sister Helen Prejean | |
| Sean Penn | ... | Matthew Poncelet | |
| Robert Prosky | ... | Hilton Barber | |
| Raymond J. Barry | ... | Earl Delacroix | |
| R. Lee Ermey | ... | Clyde Percy | |
| Celia Weston | ... | Mary Beth Percy | |
| Lois Smith | ... | Helen's mother | |
| Scott Wilson | ... | Chaplain Farlely | |
| Roberta Maxwell | ... | Lucille Poncelet | |
| Margo Martindale | ... | Sister Colleen | |
| Barton Heyman | ... | Capt. Beliveau | |
| Steve Boles | ... | Sgt. Neal Trapp | |
| Nesbitt Blaisdell | ... | Warden Hartman | |
| Ray Aranha | ... | Luis Montoya | |
| Larry Pine | ... | Guy Gilardi | |
| Gil Robbins | ... | Bishop Norwich | |
| Kevin Cooney | ... | Gov. Benedict | |
| Clancy Brown | ... | State trooper | |
| Adele Robbins | ... | Prison nurse | |
| Michael Cullen | ... | Carl Vitello | |
| Peter Sarsgaard | ... | Walter Delacroix | |
| Missy Yager | ... | Hope Percy | |
| Jenny Krochmal | ... | Emily Percy | |
| Jack Black | ... | Craig Poncelet | |
| Jon Abrahams | ... | Sonny Poncelet | |
| Arthur Bridgers | ... | Troy Poncelet | |
| Steve Carlisle | ... | Helen's brother | |
| Helen Hester | ... | Helen's sister | |
| Eva Amurri | ... | Helen (9 years old) | |
| Jack Henry Robbins | ... | Opossum kid #1 | |
| Gary 'Buddy' Boe | ... | Opossum kid #2 | |
| Amy Long | ... | Opossum kid #3 | |
| Dennis F. Neal | ... | Henry | |
| Molly Bryant | ... | Nellie | |
| Pamela Garmon | ... | Mirabeau | |
| Adrian Colon | ... | Reporter | |
| John D. Wilmot | ... | Supporter | |
| Margaret Lane | ... | Reporter #1 | |
| Sally Ann Roberts | ... | Reporter #2 | |
| Alec Gifford | ... | Reporter #3 | |
| John Hurlbutt | ... | Reporter #4 | |
| Mike Longman | ... | News anchor | |
| Pete Burris | ... | Parent #1 | |
| Joan Glover | ... | Parent #2 | |
| Florrie Hathorn | ... | Parent #3 | |
| Lenore Banks | ... | Parent #4 | |
| Idella Cassamier | ... | Idella | |
| Marlon Horton | ... | Herbie | |
| Kenitra Singleton | ... | Kenitra | |
| Palmer Jackson | ... | Palmer | |
| Johnathan Thomas | ... | Johnathan | |
| Walter Breaux Jr. | ... | Guard #1 | |
| Scott Sowers | ... | Guard #2 | |
| Cortez Nance Jr. | ... | Guard #3 | |
| Adam Nelson | ... | Guard #4 | |
| Dalvin Ford | ... | Guard #5 | |
| Derek Steeley | ... | Guard #6 | |
| Jeremy Knaster | ... | Guard #7 | |
| Mary Robbins | ... | Aide to Gov. Benedict | |
| Miles Robbins | ... | Boy in church | |
| rest of cast listed alphabetically: | |||
| Marcus Lyle Brown | ... | Parole Board Member (uncredited) | |
| Joanna Doherty | ... | Nun (uncredited) | |
| Anthony Michael Frederick | ... | Trustee (uncredited) | |
| Rawleigh Moreland | ... | La. Senator (uncredited) | |
| Helen Prejean | ... | Woman at vigil (uncredited) | |
| Codie Scott | ... | Cop (uncredited) | |
Directed by | |||
| Tim Robbins | |||
Writing credits(WGA) | ||
| Helen Prejean | (book "Dead Man Walking") (as Sister Helen Prejean C.S.J.) | |
| Tim Robbins | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Eric Fellner | .... | executive producer | |
| Jon Kilik | .... | producer | |
| Allan F. Nicholls | .... | associate producer (as Allan Nicholls) | |
| Tim Robbins | .... | producer | |
| Mark Seldis | .... | associate producer | |
| Rudd Simmons | .... | producer | |
| Bob White | .... | associate producer | |
Original Music by | |||
| David Robbins | |||
Cinematography by | |||
| Roger Deakins | (as Roger A. Deakins) | ||
Film Editing by | |||
| Lisa Zeno Churgin | |||
| Ray Hubley | |||
Casting by | |||
| Douglas Aibel | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Tom Warren | |||
Costume Design by | |||
| Renee Ehrlich Kalfus | (as Renée Ehrlich Kalfus) | ||
Makeup Department | |||
| Michal Bigger | .... | key makeup artist | |
| Marilyn Carbone | .... | makeup designer: Ms. Sarandon | |
| Allison Gordin | .... | assistant makeup artist: New Orleans | |
| Michael Kriston | .... | hair stylist: Mr. Penn | |
| Aaron F. Quarles | .... | key hair stylist | |
| Lizz Scalice | .... | additional hair stylist: New York | |
| Donna Spahn | .... | assistant hair stylist: New Orleans | |
| Stacy Kelly | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Nancy Kriegel | .... | production supervisor | |
| Rudd Simmons | .... | unit production manager | |
| Graham Stumpf | .... | post-production supervisor | |
Sound Department | |||
| Gary Chester | .... | sound mixing engineer | |
| Gary Chester | .... | sound recording engineer | |
| Anthony J. Ciccolini III | .... | dialogue editor (as Anthony 'Chic' Ciccolini III) | |
| Rick Dior | .... | sound re-recording mixer | |
| Scott Dior | .... | sound recordist | |
| Bradford L. Hohle | .... | stereo sound consultant: Dolby | |
| Joel Holland | .... | sound recordist | |
| George A. Lara | .... | foley mixer (as George Lara) | |
| Hal Levinsohn | .... | adr editor | |
| Tod A. Maitland | .... | sound mixer | |
| James Murray | .... | second assistant sound recording engineer (as Jim Murray) | |
| Yvette Nabel | .... | assistant sound editor | |
| Bob Olari | .... | sound recordist | |
| T.J. O'Mara | .... | boom operator | |
| Daniel Pagan | .... | apprentice sound editor | |
| Harry Peck Bolles | .... | dialogue editor | |
| Charleen Richards | .... | adr mixer: Los Angeles | |
| Dan Sable | .... | supervising sound editor | |
| Lynn Sable | .... | sound editor | |
| Brian Vancho | .... | foley walker (as Bryan Vancho) | |
| Yvonne Yedibalian | .... | assistant sound recording engineer | |
| Paul J. Zydel | .... | adr mixer: New York (as Paul Zydel) | |
Casting Department | |||
| Jordan Beswick | .... | casting assistant | |
| Vicki Cosentino | .... | extras casting: New York | |
| Rebecca Gibson | .... | casting assistant: New Orleans | |
| Tracy Kilpatrick | .... | local extras casting: New Orleans | |
| Grant Wilfley | .... | extras casting: New York | |
Costume and Wardrobe Department | |||
| Kim Marie Druce | .... | assistant costume designer | |
| Alix Hester | .... | wardrobe production assistant: New York | |
| Bonney Langfitt | .... | additional wardrobe: New Orleans | |
| Gina Lombardino | .... | assistant wardrobe | |
| Jeanne Normand | .... | assistant wardrobe | |
| Hartsell Taylor | .... | wardrobe supervisor | |
| Peter White | .... | wardrobe supervisor | |
Editorial Department | |||
| Julie Daggett | .... | editing production assistant: New Orleans | |
| Barry Gastelu | .... | post-production intern | |
| Agnes Grandits | .... | second assistant editor (as Agnès Challe-Grandits) | |
| Allison R. Hebble | .... | post-production assistant: Tim Robbins | |
| Kristen M. Johnson | .... | assistant editor (as Kristen Johnson) | |
| Clare Larson | .... | first assistant editor | |
| Chris Lechler | .... | apprentice editor: New Orleans | |
| Sandra Nash | .... | apprentice editor | |
| Eddie Nichols | .... | apprentice editor | |
| James Nichols Jr. | .... | apprentice editor | |
| Anne O'Brien | .... | apprentice editor | |
| Angela Organ | .... | apprentice editor | |
| Tom Salvatore | .... | color timer | |
| Shawna Starkman | .... | assistant editor | |
| Chris Talbott | .... | post-production assistant | |
| Michael J. Wechsler | .... | apprentice editor | |
| Mary Wigmore | .... | post-production assistant | |
| Sara Corrigan | .... | apprentice editor (uncredited) | |
Music Department | |||
| Farrukh Fateh Ali Khan | .... | musician: harmonium and vocals | |
| John Beal | .... | musician: bass | |
| David Richard Campbell | .... | orchestrator (as David Campbell) | |
| Frank Centeno | .... | musician: bass guitar | |
| Mino Cinélu | .... | musician: percussion, wood flute and accordion | |
| Ry Cooder | .... | music producer: songs | |
| Ry Cooder | .... | musician: additional guitar | |
| Joel Diamond | .... | musician: hammond organ | |
| David Düsing | .... | choral contractor | |
| Seamus Egan | .... | musician: uilleann pipes and bouzoki | |
| Norwood Fisher | .... | musician: bass guitar | |
| Phillip Fisher | .... | musician: drums | |
| Eric Friedlander | .... | musician: violincello | |
| Juliet Haffner | .... | orchestral contractor | |
| Juliet Hafner | .... | musician: viola | |
| Dildar Hussain | .... | musician: tabla | |
| Julianne Jordan | .... | music project manager (as Julianne Kelley) | |
| David Klotz | .... | music assistant | |
| Gale Limansky | .... | soloist | |
| Richard Locker | .... | musician: violincello | |
| Jill Meyers | .... | music business affairs | |
| Alison Miner | .... | music consultant: New Orleans | |
| Eugene J. Moye | .... | musician: violincello (as Eugene Moye) | |
| Patrick Mullins | .... | music editor | |
| Annie Ohayon | .... | music consultant: New York | |
| Frankie Pine | .... | music licensing manager | |
| Susan Pray | .... | musician: viola | |
| David Ratajczak | .... | musician: drums | |
| David Robbins | .... | music supervisor | |
| David Robbins | .... | musician: electric and acoustic guitars | |
| Gil Robbins | .... | choral arrangement | |
| Gil Robbins | .... | conductor | |
| Ira Selsky | .... | music business affairs | |
| Dawn Soler | .... | executive in charge of music (as Dawn Solér) | |
| David Spinozza | .... | additional musician: guitar | |
| Georgi Sviridov | .... | composer: song "Sacred Love" | |
| John Vartan | .... | musician: oud, kementci and tambour | |
| Ron Wasserman | .... | musician: bass | |
| Frederic Zlotkin | .... | musician: violincello | |
Other crew | |||
| Eva Amurri | .... | adr loop group | |
| Sallie Jones Arata | .... | assistant production coordinator: New Orleans | |
| Lee Arenberg | .... | adr loop group | |
| Scott August | .... | set production assistant: New Orleans | |
| Marcus Barben | .... | assistant chef: New Orleans | |
| Ned Bellamy | .... | adr loop group | |
| Debbie Berins | .... | office personal assistant: New Orleans | |
| Susie Blanchard | .... | set medic: New Orleans | |
| Brian Brophy | .... | adr loop group | |
| Molly Bryant | .... | adr loop group | |
| Eva Z. Cabrera | .... | script supervisor | |
| David Carmel | .... | assistant: Tim Robbins | |
| Cynthia Carriere | .... | location production assistant: New Orleans | |
| Greg Cattano | .... | security production assistant: New York | |
| Kayla Chaillot | .... | craft service: New Orleans | |
| Liza Chasin | .... | president of development and production: Working Title | |
| Holly Cherry | .... | assistant: Sean Penn | |
| Rashid Chinchanwala | .... | head of finance: Working Title | |
| Kay Collyer | .... | legal service | |
| Adrian Colon | .... | set production assistant: New Orleans | |
| Pierce Cravens | .... | adr loop group | |
| Christine Donatelli | .... | set production assistant: New Orleans | |
| Howard Fabrick | .... | legal service | |
| Jeremy Fader | .... | office personal assistant: New York | |
| Abby Fender | .... | adr loop group | |
| David 'Flip' Filippi | .... | set production assistant: New York | |
| Jeff Foster | .... | adr loop group | |
| Brad Fox | .... | tattoo artwork performer | |
| Jane Frazer | .... | head of production: Working Title | |
| Bonnie Friedman | .... | production secretary: New Orleans | |
| Lisa Gaede | .... | set production assistant: New York | |
| Kyle Gass | .... | adr loop group | |
| Shelley Geiler | .... | assistant to producers | |
| Chris Gilmer | .... | key set production assistant | |
| Michele Giordano | .... | production coordinator (as Michelle Giordano) | |
| Jill Goldstein | .... | legal service | |
| Oliver Goodenough | .... | legal service | |
| Brad 'Mo' Gremillion | .... | chef: New Orleans | |
| Joe Grimm | .... | adr loop group | |
| Dana A. Hanby | .... | assistant location manager: New Orleans | |
| Nancy Hartmann | .... | intern: New Orleans | |
| Gretchen Hatz | .... | office personal assistant: New York | |
| Gerry Hawkins | .... | title designer | |
| Hillary Hawkins | .... | adr loop group | |
| Allison R. Hebble | .... | assistant: Susan Sarandon | |
| Barbara Heller | .... | location manager: New Orleans | |
| Dionna Hickman | .... | adr loop group | |
| Billy Hinshelwood | .... | legal service | |
| Aldis Hodge | .... | adr loop group | |
| Edwin Hodge | .... | adr loop group | |
| Rachel Holroyd | .... | legal advisor: Working Title | |
| Lys Hopper | .... | location coordinator: New York | |
| Elston Howard | .... | assistant location manager: New Orleans | |
| Delroy Hunter | .... | parking coordinator: New York | |
| Ron James | .... | assistant: David Robbins | |
| Steven Josephs | .... | assistant chef: New Orleans | |
| Cole Kazdin | .... | intern: New York (as Nicole Kazdin) | |
| Candice Kersh | .... | legal service | |
| Genevieve King | .... | intern: New Orleans | |
| Israel Larios | .... | craft service: New York | |
| Melissa Logan | .... | accounting assistant: New York | |
| Joseph Lombardi | .... | accounting assistant: New York (as Joe Lombardi) | |
| M.J. Magbanua | .... | assistant production coordinator: New York | |
| Jill Meyers | .... | legal affairs | |
| Gary Miller | .... | chef: New Orleans | |
| Tim Monich | .... | dialect coach | |
| Anthony Monteforte | .... | craft service: New York | |
| Katherine Ann Moore | .... | publicist: New Orleans (as Katherine Moore) | |
| Angela Morrison | .... | head of business affairs: Working Title | |
| Tricia Parks | .... | adr loop group | |
| Victoria Person | .... | office personal assistant: New Orleans | |
| Dina Platias | .... | adr loop group | |
| Steve Porter | .... | adr loop group | |
| Brian Powell | .... | adr loop group | |
| Helen Prejean | .... | consultant (as Sister Helen Prejean, C.S.J.) | |
| Jason Clark Ramsey | .... | production secretary: New York | |
| Michael Remacle | .... | office personal assistant: New York | |
| Kathleen Richter | .... | assistant production accountant: New Orleans | |
| Adele Robbins | .... | adr loop group | |
| Jack Henry Robbins | .... | adr loop group | |
| Dean Robinson | .... | adr loop group | |
| James Roque | .... | set production assistant (as James Roque Jr.) | |
| Ben Rothman | .... | adr loop group | |
| Albert G. Ruben | .... | insurance | |
| Joe Russo | .... | office personal assistant: New Orleans | |
| Peter Schön | .... | assistant production coordinator: New York (as Peter Schon) | |
| Carla M. Schorr | .... | assistant production accountant: New York | |
| Ira Selsky | .... | legal affairs | |
| Patrick Sheedy | .... | post-production accountant | |
| Mindy Sheldon | .... | production accountant: New York | |
| Ron Terry | .... | craft service: New Orleans | |
| Patti Tippo | .... | adr loop group | |
| Cari Dean Whittemore | .... | adr loop group | |
| Robb Williams | .... | assistant sound mixing engineer | |
| Anne Wilson | .... | production accountant: New Orleans (as Anne Moosman) | |
| Dawn Wolf | .... | craft service: New York | |
| Eric David Zoback | .... | stage manager: New York | |
| Shirley Davis | .... | assistant production coordinator: New York (uncredited) | |
| Nicole DuBois | .... | body double: Missy Yager (uncredited) | |
Thanks | |||
| Simone Abkarian | .... | special thanks | |
| Farrukh Fateh Ali Khan | .... | thanks (as The Ali Khan Family) | |
| Nusrat Fateh Ali Khan | .... | thanks (as The Ali Khan Family) | |
| Rahat Ali Khan | .... | thanks (as The Ali Khan Family) | |
| Barry Ancelet | .... | special thanks | |
| Jason Barry | .... | special thanks | |
| Thelma Bledsoe | .... | dedicatee | |
| Brigid Boden | .... | special thanks | |
| Sharon Boyle | .... | special thanks | |
| Clancy Brown | .... | special thanks | |
| Burl Cain | .... | special thanks | |
| Kimberly M. Carbo | .... | special thanks | |
| Gayle Carpenter | .... | special thanks | |
| Sam Caruso | .... | special thanks | |
| Steve Castellano | .... | special thanks | |
| Sam Cohn | .... | special thanks | |
| Ry Cooder | .... | special thanks | |
| Cindy Cook | .... | special thanks | |
| Maureen Crowe | .... | special thanks | |
| David Daugherty | .... | special thanks | |
| Rashid Ahmed Din | .... | special thanks | |
| Arlene Donovan | .... | special thanks | |
| Deana Elwell | .... | special thanks | |
| O.P. Donald Everard | .... | special thanks | |
| Rick Finkelstein | .... | special thanks | |
| Sister Lillian Flavin | .... | special thanks | |
| Peter Gabriel | .... | special thanks | |
| Elaine Goldsmith-Thomas | .... | special thanks | |
| Peter D. Graves | .... | special thanks (as Peter Graves) | |
| Samantha Hart | .... | special thanks | |
| Nadine Hasan | .... | special thanks | |
| Ken Hertz | .... | special thanks | |
| Hyatt Hood | .... | special thanks | |
| Elton Jones | .... | special thanks | |
| Malcolm Joseph | .... | special thanks | |
| Dr. Katz | .... | special thanks | |
| Michael Kelly | .... | special thanks | |
| Erin Kovel | .... | special thanks | |
| Michael Kuhn | .... | special thanks | |
| Barry Levine | .... | special thanks | |
| Sister Margaret Maggio | .... | special thanks | |
| Norik Manoukian | .... | special thanks | |
| R. Dwayne McFatter | .... | special thanks | |
| Tom Mikkelsen | .... | special thanks | |
| Marc H. Morial | .... | special thanks | |
| Grant Morris | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Pliny Porter | .... | special thanks | |
| Kieran Alexander Presley | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Chelsea Robbins | .... | special thanks | |
| Gabrielle Robbins | .... | special thanks | |
| Lee Robbins | .... | dedicatee | |
| Thiery Robbins | .... | special thanks | |
| Julia Roberts | .... | special thanks | |
| Michael Sartisky | .... | special thanks | |
| Russell Schwartz | .... | special thanks | |
| Patti Scialfa | .... | special thanks | |
| Marjolaine Sebagh | .... | special thanks | |
| Jody Silverman | .... | special thanks | |
| Jack Snyder | .... | special thanks | |
| Bruce Springsteen | .... | special thanks | |
| Roger Stein | .... | special thanks | |
| Stewart Till | .... | special thanks | |
| Nicole Vaudry | .... | special thanks | |
| Eddie Vedder | .... | special thanks | |
| Keith Villere | .... | special thanks | |
| Bart Walker | .... | special thanks | |
| Suzanne Weinert | .... | special thanks | |
| Mark Wolfe | .... | special thanks | |
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I haven't seen many films that really, truly made me rethink a long-held position or opinion on a thorny issue, but "Dead Man Walking" is one of them.
I read Sr. Helen Prejean's book, upon which this film was based, when it first came out in 1993. At that time I was utterly supportive of capital punishment -- to quote the script, I felt anyone who committed crimes horrible enough to land them on Death Row was an "expendable human being, suckin' up tax dollars." I also had personal experience with the issue when an entire family whom I knew in my childhood were slaughtered by a man who is now on Death Row for his crimes.
As you might imagine, I was disgusted with Sr. Helen's book. I thought that trotting to death row and holding the hand of some scumbag who'd killed innocent people was about the lowest thing anyone could do, and as a Catholic I was offended by the seeming hypocrisy of it.
Because I had disliked the book, I never saw the film until about two weeks ago, when I bought a remaindered copy of it in a video store. I have watched it four times since then, mostly because I am trying to work out my feelings on it. I am still a supporter of capital punishment, but it's going to be less easy for me to ignore the fact that (to quote again), "There's nobody with money on Death Row" -- and quite a few more blacks, now that I think of it, AND the fact that, like Matthew Poncelet's character, the men who are being executed are human beings who have feelings and fears. It's easy to jeer at Matthew on the day before his execution, fretting nervously about whether the lethal injection will "hurt," like a little boy at the doctor's office for a penicillin shot, since his victims' last moments certainly "hurt." What isn't easy is to realize that while the victims of these inmates didn't know they were about to die until it was too late, the inmates themselves have what seems like a blessing at first, but upon deeper examination is the greatest curse: knowing the exact hour and day they will die, and having to face it day by day, hour by hour, minute by minute.
I'm sorry if this review offends people who are sincere death penalty supporters. I still consider myself to be one, but my thinking has been reformed somewhat and I'm more ready to listen to the opponents and try to make compromises; maybe that's what this issue needs more than anything. I will say finally that ONE part of this film did offend me as a Catholic: the symbolic "crucifixion" of Poncelet during the "last words" scene. That was the one place where Robbins strayed from his even-handed approach to the issue -- the only one I could find.
In all, this was a fine film that made me rethink an explosive issue, and I recommend it highly to anyone debating the pros and cons.