A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
A convicted murderer on Death Row and the nun who befriends him. Through the portrayal of finely drawn characters and their interactions as the days, hours, and minutes tick down to the condemned man's execution, powerful emotions are unleashed. While Matthew Poncelet and Sister Prejean desperately try to gain a stay of execution from the governor or the courts, scenes are intercut from the brutal crime, gradually revealing the truth about the events that transpired. In addition to her temporal help, the nun also tries to reach out spiritually and assist as a guide to salvation. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Because Peter Sarsgaard and Missy Yager's brutal rape scene was filmed in the mud, every time they did a new take they had to get up, get showered, get dressed, put new makeup on and do it again. It took all night to film. See more »
As a nun, Sister Helen has her ring on her right hand instead of her left, as it should be for a married woman. See more »
Sister Helen Prejean:
I want the last face you see in this world to be the face of love, so you look at me when they do this thing. I'll be the face of love for you.
See more »
This Film Was Edited On Old Fashioned Machines. This credit was inspired by John Ottman, editor of 'The Usual Suspects'. Ottman had wanted to put "edited on a piece of s*** Steenbeck" at the end of his movie, but settled for the more subtle "Edited on film". Tim Robbins heard about this, and decided to put his own variation of the line on the credits of 'Dead Man Walking.' See more »
"Dead Man Walking" is one of the most powerful movies I have ever seen. I find it hard to believe that anyone, after having seen the movie, could feel indifferent about the film or its message. Tim Robbins does not try to impose his ideas and beliefs on the viewers, but manages to make a film that are in most ways sympathetic to both views on the death penalty -- whether it is right to murder a murderer or not. I have always known where I stand in this question, even as a child, and this movie -- despite the fact that it does not really take any sides -- made me even surer in my conviction that it can never be right to murder *anyone*.
Sean Penn is absolutely brilliant in his portrayal of Matthew Poncelet, his nomination for an Academy award was very well-deserved. Even if Nicolas Cage does a great job in "Leaving Las Vegas", I would have been happier if Penn had won the award. Susan Sarandon is also brilliant and she deserved the Academy award she won. And Tim Robbins certainly deserves the vote I have given this film: 9/10!
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