A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
A convicted murderer on Death Row and the nun who befriends him. Through the portrayal of finely drawn characters and their interactions as the days, hours, and minutes tick down to the condemned man's execution, powerful emotions are unleashed. While Matthew Poncelet and Sister Prejean desperately try to gain a stay of execution from the governor or the courts, scenes are intercut from the brutal crime, gradually revealing the truth about the events that transpired. In addition to her temporal help, the nun also tries to reach out spiritually and assist as a guide to salvation. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
In reality, Elmo Patrick Sonnier and Robert Lee Willie, both inmates on whom Sean Penn's character Matthew Poncelet is based on, were executed by the electric chair in Louisiana in 1984; by 1993, Louisiana switched that penalty to lethal injection as the most humane way to execute. Both Tim Robbins and Helen Prejean opted to use lethal injection in the film instead of the electric chair because, according to Prejean's interview, "We don't want to give people the moral (of the most humane death) out whereby people could say 'Oh well, we used to do electrocution but that's too barbaric so now we are humane and inject them'." See more »
The shoulder straps disappear after Matthew's death. See more »
Tell me something sister, what is nun doing in a place like this. Shouldn't you be teaching children? Didn't you know what this man has done? How he killed them kids?
Sister Helen Prejean:
What he was involved with was evil. I don't condone it. I just don't see the sense of killing people to say that killing people's wrong.
You know what the Bible say, 'An eye for an eye'.
Sister Helen Prejean:
You know what else the Bible ask for death as a punishment? For adultery, prostitution, homosexuality, trespass upon sacred grounds, profane in a...
[...] See more »
This Film Was Edited On Old Fashioned Machines. This credit was inspired by John Ottman, editor of 'The Usual Suspects'. Ottman had wanted to put "edited on a piece of s*** Steenbeck" at the end of his movie, but settled for the more subtle "Edited on film". Tim Robbins heard about this, and decided to put his own variation of the line on the credits of 'Dead Man Walking.' See more »
I'm astonished how a filmmaker notorious for his political left-wing fervor could make such a subtle, non-sanctimonious picture. If you're for capital punishment, you'll still be for it after seeing this. If you're against capital punishment, you'll still be against it. But whatever your stance is, this movie will, at the very least, make you reflect on why you feel the way you do. There's not one false note in the film.
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