A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
A convicted murderer on Death Row and the nun who befriends him. Through the portrayal of finely drawn characters and their interactions as the days, hours, and minutes tick down to the condemned man's execution, powerful emotions are unleashed. While Matthew Poncelet and Sister Prejean desperately try to gain a stay of execution from the governor or the courts, scenes are intercut from the brutal crime, gradually revealing the truth about the events that transpired. In addition to her temporal help, the nun also tries to reach out spiritually and assist as a guide to salvation. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
In reality, Elmo Patrick Sonnier and Robert Lee Willie, both inmates on whom Sean Penn's character Matthew Poncelet is based on, were executed by the electric chair in Louisiana in 1984; by 1993, Louisiana switched that penalty to lethal injection as the most humane way to execute. Both Tim Robbins and Helen Prejean opted to use lethal injection in the film instead of the electric chair because, according to Prejean's interview, "We don't want to give people the moral (of the most humane death) out whereby people could say 'Oh well, we used to do electrocution but that's too barbaric so now we are humane and inject them'." See more »
When Sister Helen and Mr. Delacroix are first speaking in his living room, a crew member wanders into the background outside the window and then quickly runs out. See more »
This Film Was Edited On Old Fashioned Machines. This credit was inspired by John Ottman, editor of 'The Usual Suspects'. Ottman had wanted to put "edited on a piece of s*** Steenbeck" at the end of his movie, but settled for the more subtle "Edited on film". Tim Robbins heard about this, and decided to put his own variation of the line on the credits of 'Dead Man Walking.' See more »
How do you know if a movie is good or not? It is the impact it has on you that makes the difference. "Dead Man Walking" upset me a great deal. I watched it twice. I don't know if I will be strong enough to watch it again. No, I did not feel good at all after watching it, but the film was as successful as it can be.
Robbins did a great job in incorporating all aspects of this controversial topic. He avoided making an argument that could easily be seen as biased or subjective. I hope that many people get to see "Dead Man Walking". I believe that anyone who supports or opposes the death penalty so enthusiastically should see the movie.
I don't know what else it could take to finally convince everyone that this relic from ancient times does not have a place in modern society anymore.
The movie itself does not make an argument for or against death penalty. It describes reality. The reality is the best argument against the death penalty.
A 10/10 for great performances, good filmmaking, and for the most important film made in years
Thank you, Tim Robbins!
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