Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A convicted murderer on Death Row and the nun who befriends him. Through the portrayal of finely drawn characters and their interactions as the days, hours, and minutes tick down to the condemned man's execution, powerful emotions are unleashed. While Matthew Poncelet and Sister Prejean desperately try to gain a stay of execution from the governor or the courts, scenes are intercut from the brutal crime, gradually revealing the truth about the events that transpired. In addition to her temporal help, the nun also tries to reach out spiritually and assist as a guide to salvation. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
One of the victims' surnames is Delacroix. Coincidentally, this name also turns up in another drama about the death penalty, The Green Mile (1999), but there it was the name of the death row inmate played by Michael Jeter. See more »
When Sister Helen is talking to Hilton Barber outside the court house just after the first clemency hearing, he calls her "Susan" for Susan Sarandon instead of "Helen". See more »
Do you have any last words, Poncelet?
Yes, I do.
Mr. Delacroix, I don't wanna leave this world with any hate in my heart. I ask your forgiveness for what I done. It was a terrible thing I done, taking your son away from you.
[Softly to his wife]
How about us?
Mr. and Mrs. Percy, I hope my death gives you some relief.
See more »
This Film Was Edited On Old Fashioned Machines. This credit was inspired by John Ottman, editor of 'The Usual Suspects'. Ottman had wanted to put "edited on a piece of s*** Steenbeck" at the end of his movie, but settled for the more subtle "Edited on film". Tim Robbins heard about this, and decided to put his own variation of the line on the credits of 'Dead Man Walking.' See more »
I'm astonished how a filmmaker notorious for his political left-wing fervor could make such a subtle, non-sanctimonious picture. If you're for capital punishment, you'll still be for it after seeing this. If you're against capital punishment, you'll still be against it. But whatever your stance is, this movie will, at the very least, make you reflect on why you feel the way you do. There's not one false note in the film.
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