2 items from 2017
Canadian micro-publisher Spectacular Optical is pleased to announce a new book focused on the career of French fantasy and horror filmmaker Jean Rollin, Lost Girls: The Phantasmagorical Cinema of Jean Rollin, penned by all women critics, scholars and film historians.
Set to be released in the summer of 2017, this collection of essays covers the wide range of Rollin’s career from 1968’s Le Viol Du Vampire through his 2010 swansong, Le Masque De La Meduse, touching upon his horror, fantasy, crime and sex films—including many lesser seen titles. The book closely examines Rollin’s core themes: his focus on overwhelmingly female protagonists, his use of horror genre and exploitation tropes, his reinterpretations of the fairy tale and fantastique, the influence of crime serials, Gothic literature and the occult, as well as much more.
From the press release:
Lost Girls is the third book in Spectacular Optical’s ongoing series »
- Phil Wheat
David’s Quick Take for the tl;dr Media Consumer:
Mr. Freedom begins with a wail of sirens as Chicago cops swarm in to crack the skulls of rioters and looters. It ends with a catastrophic explosion that levels a city block in Paris and mutilates the body of the movie’s titular hero. In between all that, against a backdrop of Cold War intrigue and superpower paranoia run amok, we see scenes involving overt racist mockery, rape as a spectator sport, sacrilege, poisoning, prostitution, assassination, the sexist degradation of women and a pervasive attitude of unmitigated cynicism and ridicule toward the aspirations of the USA as a bulwark of liberty, democracy and decency against the forces of tyranny and oppression around the world. All the necessary ingredients for a robust satirical take-down of good old fashioned patriotism, American-style! The politics are radical, the humor is often guttural, and the »
- David Blakeslee
2 items from 2017
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