| Martin Kemp | ... | Jack Morris | |
| Alexandra Paul | ... | Rebecca Snow | |
| Adam Ant | ... | Manny | |
| Grace Jones | ... | Masako Yokohama | |
| Henry Gibson | ... | Dr. Knutsen | |
| James Hong | ... | Tojo Yokohama | |
| Nils Allen Stewart | ... | Morgan's head thug | |
| Robert Hays | ... | Morgan | |
| Chris Weeks | ... | Marcel | |
| Kalique Asharri | ... | Morgan's thug | |
| Catherine Dao | ... | Hotel clerk | |
| Yan Birch | ... | Princess Paula | |
| Barbara Ann Moore | ... | Hope | |
| Kiana Tom | ... | Anastasia | |
| Ron Devon | ... | Rebel leader | |
| Christopher Douglas | ... | Daniel (crewman) | |
| Judy Carmen | ... | Olive | |
| Jason Stuart | ... | Street vendor | |
| Danika Kohler | ... | Street girl | |
| James C. Burns | ... | Club dancer | |
| rest of cast listed alphabetically: | |||
| Rob Johnston | ... | Sanitation worker (uncredited) | |
Directed by | |||
| Erik Fleming | |||
Writing credits | ||
| James Robinson | (story) | |
| James Robinson | (screenplay) and | |
| James Goldman | (screenplay) (as Winston Beard) | |
Original Music by | |||
| Tom Hiel | |||
| Steve Hunter | |||
Cinematography by | |||
| Denis Maloney | |||
Film Editing by | |||
| Rebecca Ross | |||
Casting by | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Brian Kasch | (as Brian Spencer Kasch) | ||
Set Decoration by | |||
| Jeff Bell | |||
Costume Design by | |||
| Paris Libby | |||
Makeup Department | |||
| Ela Barczewska | .... | key hair stylist (as Elizabeth Barczewska) | |
| Ela Barczewska | .... | key makeup artist (as Elizabeth Barczewska) | |
| Lori A. Depp | .... | makeup artist | |
| Asia Geiger | .... | assistant hair stylist | |
| Asia Geiger | .... | assistant makeup artist | |
| Kasia Przyborowski | .... | assistant hair stylist | |
| Kasia Przyborowski | .... | assistant makeup artist | |
Production Management | |||
| Dennis Sugasawara | .... | production manager | |
| Jonas Thaler | .... | executive in charge of production | |
Art Department | |||
| John Banner | .... | tattoo artist | |
| Ela Barczewska | .... | tattoo artist (as Elizabeth Barczewska) | |
| Dominique Gomez | .... | art swing gang | |
| Darla R. Hitchcock | .... | set dresser | |
| R. Cole Izsak | .... | art swing gang | |
| Toby Krasny | .... | assistant set decorator | |
| Shannon McGinnis | .... | property assistant | |
| Matthew Mitchell | .... | art swing gang | |
| Duncan Rouleau | .... | storyboard artist | |
| Blanche Sindelar | .... | property master | |
Special Effects by | |||
| Richard Burton | .... | special effects props | |
| Steve Cotroneo | .... | lead special effects props | |
| Jessica Fineberg | .... | special effects props assistant | |
| Beverley Hartigan | .... | special effects coordinator | |
| Necia Krueger | .... | special effects props assistant | |
| Thomas Ordorff | .... | special effects assistant | |
| Larry Pardini | .... | special effects props assistant | |
Visual Effects by | |||
| Vince De Quattro | .... | digital effects artist | |
| Lindy DeQuattro | .... | technical director (as Lindy Wilson) | |
| Steven Robiner | .... | visual effects supervisor | |
Stunts | |||
| Kurt D. Lott | .... | stunts | |
| Patrick J. Statham | .... | stunt coordinator | |
Casting Department | |||
| Dean E. Fronk | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Halima Fielding | .... | wardrobe supervisor | |
| Nacole Raphaelin | .... | wardrobe assistant | |
Editorial Department | |||
| Ray Morfino | .... | color timer | |
Music Department | |||
| Kevin Benson | .... | music supervisor | |
| Daniel Graeff | .... | executive in charge of music | |
| Jeff King | .... | music editor | |
Transportation Department | |||
| Randy Lovelady | .... | transportation captain | |
| Mike Painter | .... | transportation coordinator | |
| Todd Painter | .... | driver (1995) | |
Other crew | |||
| Troy Bass | .... | production assistant | |
| Gail Blumenthal | .... | production executive | |
| P. Todd Coe | .... | production coordinator | |
| Marshall V. Davidson | .... | assistant: Mr. Colichman | |
| Matthew M. Goosin | .... | production assistant | |
| Carlos Hunt | .... | production assistant | |
| Alletta Y.L. Kriak | .... | assistant: Mr. Copeland | |
| Samuel B. Kuperstein | .... | production assistant | |
| Mike James Masumoto | .... | production assistant | |
| Leslie A. Morrow | .... | location manager | |
| Mark O'Neill | .... | aircraft pilot | |
| Robert Pfeffer | .... | production accountant | |
| Duncan Rouleau | .... | tattoo designer | |
| Douglas Salkin | .... | post-production audio coordinator | |
| Lee Schauer | .... | production executive | |
| Bill H. Schwocho | .... | craft service | |
| Rod Stone | .... | helicopter pilot | |
| Eva Zelder | .... | script supervisor | |
| Monica Zelder | .... | production coordinator | |
| Christine Cobb | .... | assistant production accountant (uncredited) | |
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| Executive Target | Never Say Never Again | Moonraker | The Matrix | Lewis & Clark & George |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb USA section |
A good deal of scenic travelogue footage fixes the location in this futuristic affair as being an unidentified but exotic Asian island, ipso facto ruled by a villainous technology mogul, Morgan Wells, played in his best deadpan manner by Robert Hays, who has financed development of a preposterous weapon that is engineered to translocate the minds of its outer directed human targets into a permanent condition of virtual reality. Wells' mistress, Rebecca (Alexandra Paul), weary of his harsh treatment of her, steals a CD-ROM which contains encrypted data requisite for the weapon's implementation, with the hope of capitalizing her escape and freedom but understands she will not be able to achieve her objective alone, thereby luring naive Jack Morris (Martin Kemp), navigator aboard the tycoon's yacht, to aid her in her flight. Jack and his Cockney shipmate Manny (Adam Ant) have their shore leave interrupted by Rebecca's plans, particularly so since Morris permits feelings of compassion to bring him into a romantic involvement with the waifish temptress, who induces him into having the stolen data tattooed upon his back within a dragon-like design, and soon Wells and an opposition troupe are literally after Jack's hide (the original title was Sailor's Tattoo). The comic book background of scriptor James Robinson is easily visible throughout this low budget film as there is but meagre development of his characters, and neophtye director Erik Fleming is not yet adept in the craft of pacing, but there are scintillas of wit, and savoury acting turns from James Hong and from Hays as a wryly devilish Wells.