| Photos (See all 10 | slideshow) |
| James Earl Jones | ... | Rev. Stephen Kumalo | |
| Tsholofelo Wechoemang | ... | Child | |
| Richard Harris | ... | James Jarvis | |
| Charles S. Dutton | ... | John Kumalo | |
| Dolly Rathebe | ... | Mrs. Kumalo | |
| Ramalao Makhene | (as Ramolao Makhene) | ||
| Jack Robinson | ... | Ian Jarvis | |
| Jennifer Steyn | ... | Mary Jarvis | |
| Patrick Ndlovu | ... | Man 1 | |
| Darlington Michaels | ... | Man 2 | |
| King Twala | ... | Man 3 | |
| Somizi Mhlongo | ... | Young Thief | |
| Sam Ngakane | ... | Mafolo | |
| Vusi Kunene | ... | Theophilus Msimangu | |
| John Whiteley | ... | Father Vincent | |
| Lillian Dube | ... | Mrs. Lithebe | |
| Tembsie Times | ... | Shebeen Queen | |
| Tiny Masilio | ... | Brothel Singer | |
| Babes Jazz Band | ... | Jazz Band | |
| Dambisa Kente | ... | Gertrude Kumalo | |
| Fats Bookholane | ... | Brothel Man | |
| George Phologane | ... | Brothel Man | |
| Morena Sefatsa | |||
| Sydney Chama | ... | Dubula | |
| Moses Rakharebe | ... | Tomlinson | |
| Ron Smerczak | ... | Captain van Jaarsveld | |
| Tobias Sikwayo | ... | Thomas | |
| Anne Curteis | ... | Mrs. Jarvis | |
| Abigail Kubeka | ... | Mrs. Mkize | |
| Jerry Mofokeng | ... | Hlabeni | |
| Grace Mahlaba | ... | Nurse | |
| Ian Roberts | ... | Evans | |
| Leleti Khumalo | ... | Katie (as Leleti Kumalo) | |
| Jonathan Rands | ... | Glyn Henderson | |
| Shirley Johnston | ... | Barbara Henderson | |
| Ben Kruger | ... | Police Officer 1 | |
| Dan Robbertse | ... | Police Officer 2 | |
| Eric Miyeni | ... | Absolom Kumalo | |
| Patrick Shai | ... | Robert Ndela | |
| Robert Whitehead | ... | Carmichael | |
| David Clatworthy | ... | Clerk of the Court | |
| Themba Ndaba | ... | Matthew Kumalo | |
| Louis Seboko | ... | Johannes Pafuri | |
| Graham Armitage | ... | Judge | |
| Greg Latter | ... | Prosecutor | |
| Thomas Hall | ... | Court Usher | |
| Chris Steyn | ... | Warder 1 | |
| Antonio Rodrigues | ... | Warder 2 | |
| Stuart Monthieth | ... | Warder 3 | |
| Alfred D. Nokwe | ... | Old Man | |
| Lorraine Nyathikazi | ... | Apron Women | |
| David Phetoe | ... | Black Priest |
Directed by | |||
| Darrell Roodt | |||
Writing credits(in alphabetical order) | ||
| Ronald Harwood | ||
| Alan Paton | novel | |
Produced by | |||
| Anant Singh | .... | producer | |
| Helena Spring | .... | associate producer | |
| Harry Alan Towers | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Paul Gilpin | |||
Film Editing by | |||
| David Heitner | |||
Production Design by | |||
| David Barkham | |||
Art Direction by | |||
| Roland Hunter | |||
Set Decoration by | |||
| Emilia Roux | |||
Costume Design by | |||
| Ruy Filipe | |||
Makeup Department | |||
| Megan Tanner | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Eugene Bezuidenhoudt | .... | second assistant director | |
| Graham Hickson | .... | first assistant director | |
| Greg Rethman | .... | assistant director: third unit | |
| Michael Swan | .... | second unit director | |
| Andre Weavind | .... | co-second assistant director | |
Sound Department | |||
| Don Brown | .... | sound recordist: UK insert | |
| Charlotte Buys | .... | foley editor | |
| Nicky De Beer | .... | sound designer | |
| Elinor Hardy | .... | adr editor | |
| Sharron Hawkes | .... | adr editor | |
| Hal Levinsohn | .... | adr supervisor: American unit | |
| Ivan Milborrow | .... | boom operator | |
| David O'Reilly | .... | assistant adr editor | |
| Mark Phillips | .... | adr and foley recordist | |
| Mark Phillips | .... | sound re-recording mixer | |
| Colette Russouw | .... | dialogue editor | |
| Dan Edelstein | .... | sound editor: US release (uncredited) | |
Special Effects by | |||
| Hans Van der Zanden | .... | rain effects | |
| Luke van der Zanden | .... | rain effects | |
| Janek Zabielski | .... | smoke effects | |
| Stefan Zabielski | .... | smoke effects | |
Visual Effects by | |||
| Mark Dornfeld | .... | visual effects supervisor | |
| Donnine Livingston | .... | visual effects coordinator | |
Stunts | |||
| Gavin Mey | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Harmon Cusack | .... | director of photography: second unit | |
Casting Department | |||
| David H. Kramer | .... | adr voice casting (uncredited) | |
Editorial Department | |||
| Megan Gill | .... | first assistant editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Cliff Kohlweck | .... | music editor (as Clif Kohlweck) | |
| Shawn Murphy | .... | score mixer | |
| Nic Raine | .... | orchestrator | |
| Christian Rutherford | .... | orchestra coordinator | |
| Nicky Ryan | .... | music producer | |
Transportation Department | |||
| Dirk Buchmann | .... | action vehicle coordinator | |
Other crew | |||
| Susan Bradley | .... | title designer | |
| Johnny Clur | .... | helicopter pilot (as John Clur) | |
| Elloise Dover | .... | assistant: Mr. Dutton | |
| Christopher Gambale | .... | assistant to Harvey Weinstein | |
| Rosalind Lurie | .... | title graphics designer | |
| Dezi Rorich | .... | unit publicist | |
| Gloria Stravino | .... | production accountant | |
| Gert Uys | .... | helicopter pilot: third unit | |
| V. Renee Taylor | .... | mix assistant: New York (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb South Africa section |
Apartheid was a grotesque social experiment aimed at perpetuating the evils of colonialism after the age of empires was past; white liberal Alan Paton one of its most celebrated literary critics. Darrell Roodt's film of perhaps his most famous book, Cry, the Beloved Country', stars Richard Harris and James Earl Jones (better known as the voice of Darth Vader, which leads to some unintentionally comic moments) and is not an awful film; but politically, it misses its targets. Aided by some slushy background music, it invests most of its black characters with a frankly ludicrous level of dignity; while oddly underplaying its depiction of the routine dehumanisation that black people suffered under white rule. In consequence, the film's only real anger appears directed not at the system but at Jones's brother, a nasty and opportunist anti-apartheid campaigner, which was surely not quite the original point. At the end of the film, an impassioned quote from Paton appears on the screen; it's a shame it seems so unconnected with what has preceded it.