The film is set in Northern Ireland shortly after 1994 cease-fire. Hazel is a Protestant and Malachy a Catholic. Romance between them is threatened by Rohan (leader in militant underground ... See full summary »
The story of Eddie, a small town ex con, who discovers he has talent for selling anything and everything. Eddie sees a way to rise above the low life by setting up on his own; what he ... See full summary »
The Old Testament story of Abraham and the trials he endures. Commanded by God to lead his family to the promised land of Canaan with the promise that if he does so, his descendants will ... See full summary »
The once-reknowned escape-artist and magician, Kandinsky, is now reduced to confounding the staff and inmates of his retirement home. His one regret in life is never mastering an underwater... See full summary »
South African church minister Steven Kumalo is summoned from his village to Johannesburg. There he finds that his son Absolom has been jailed in connection with a robbery in which a white man was killed. The father of the white man, James Jarvis, is a supporter of apartheid, the separation of the races which is the law of South Africa. When they encounter each other, both Kumalo and Jarvis come to unexpected realizations not only about their sons, but about the nature of their own humanity. Written by
Jim Beaver <firstname.lastname@example.org>
The background instrumental music in the movie is the same as the theme song from the movie Zulu (1964). See more »
Sir... to my knowledge, your son never said... he believed in something, unless he believed it.
I would like nothing better... than to understand my boy.
He's the only man I've ever met, black or white, who saw me for what I am. What I really am.
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It's been a long time since I read the Alan Paton book upon which this film is based. Paton was banned in his own country and officially silenced but the book was universally popular throughout the 1960s.
James Earl Jones once again renders a bravura performance as the African minister whose son has accidentally killed a white man. One can feel his grief and his burden as he tries to straighten the mess out. His son has confessed but others involved have denied knowledge of the offense.
Richard Harris plays an equally difficult role that of Mr Jarvis the white boy's father. One feels his grief and pain especially when he finds to his surprise that his son had disowned "baaskap," the over-lordship of the white race, something accepted as a given by most whites without a second thought just as the white housewife perfunctorily dismissed the black cleric in priestly garb as if he were a pesty door to door salesman.
Will mercy be extended to the preacher's son who accidentally pulled the trigger and cooperated with authorities or will he suffer the ultimate penalty while accomplices go free? Yet for all the misery the movie, surprisingly without excessive preaching, ends on a flicker of hope for the future.
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