In the back country of South Africa, black minister Stephen Kumalo (Canada Lee) journeys to the city to search for his missing son, only to find his people living in squalor and his son a ... See full summary »
Vernon Johns, a brilliant man coupled with an eloquent speaker, upsets his community through his radical ideas on social change and economic independence of blacks. From his pulpit, he ... See full summary »
The film is set in Northern Ireland shortly after 1994 cease-fire. Hazel is a Protestant and Malachy a Catholic. Romance between them is threatened by Rohan (leader in militant underground ... See full summary »
Making good on a promise he made to his dying wife, a widower (Jones) opens a reading room, a place where people can learn to read. Despite his goodwill, problems in the neighborhood threaten his establishment.
Georg Stanford Brown
James Earl Jones,
South African church minister Steven Kumalo is summoned from his village to Johannesburg. There he finds that his son Absolom has been jailed in connection with a robbery in which a white man was killed. The father of the white man, James Jarvis, is a supporter of apartheid, the separation of the races which is the law of South Africa. When they encounter each other, both Kumalo and Jarvis come to unexpected realizations not only about their sons, but about the nature of their own humanity. Written by
Jim Beaver <firstname.lastname@example.org>
The background instrumental music in the movie is the same as the theme song from the movie Zulu (1964). See more »
Sir... to my knowledge, your son never said... he believed in something, unless he believed it.
I would like nothing better... than to understand my boy.
He's the only man I've ever met, black or white, who saw me for what I am. What I really am.
See more »
I could not believe as I read other reviewers of this movie that they thought it "irrelevant"! The struggle for equality, peace and love is NEVER irrelevant. This was a movie that by any standards is brillant and moving. James Earl Jones does a magnificent job of playing the main character with dignity and restraint. He makes you suffer with him as a result. A drama coach I once had told me, don't you cry, let them cry. He does both through his amazing minimalist acting. He doesn't waste himself on meaningless gestures & histronics, he lets you see the suffering of his soul. Equally brillant is Richard Harris as the father of the son killed by Jones' son. These two men are brought together in the worst of circumstances and that is when the true character of the man is revealed. Despite all his racist comments earlier in the movie, he overcomes his own self-hate (translated to Africans) to see the bigger picture that his own son knew all along. Someone once said, you cannot hate anything in someone else, unless it reflects something you hate within yourself. Through the pain & death of his son, he transcends his own sense of self-loathing. He sees with the eyes of love that people are just people, no matter what color their skin is. A movie that communicates that is never irrelevant or unimportant.
22 of 24 people found this review helpful.
Was this review helpful to you?