(1995)

Critic Reviews

66

Metascore

Based on 20 critic reviews provided by Metacritic.com
100
The submarine drama, which opens today, has everything you could want from an action thriller and a few other things you usually can't hope to expect: an excellent script, first-rate performances and a story that has more to do with individuals than explosions.
91
Entertainment Weekly
Directed by Tony Scott, Crimson Tide is the kind of sumptuously exciting undersea thriller that moves forward in quick, propulsive waves.
88
Oddly enough, Crimson Tide develops into an actors' picture, not just an action movie. There are a lot of special effects, high-tech gadgets and violent standoffs, yes, but the movie is really a battle between two wills.
80
Empire
Equipped with liberal helpings of square-jawed top quality Hollywood thespianism, and that expensive, highly commercial Tony Scott gloss-finish, this submarine-set mutiny thriller is about as good as it gets.
75
ReelViews
It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with a little extra imagination, it could have been a whole lot more.
75
It's too slick to be truly disturbing, but it's that slickness that keeps you on the edge of your chair.
75
Christian Science Monitor
The movie has nothing intelligent to say about post-cold-war tensions or anything else, but it's great fun to watch Gene Hackman and Denzel Washington square off in a submarine that looks like a cross between the Starship Enterprise and something you'd get in a cereal box.
70
The scenario may be dumb and predictable, with a wimpy ending to boot, but it's also sort of fun.
67
Go see it, get the adrenaline rush, and then go home and forget about it. It's noisy and fun, but that's all it is.
40
Chicago Reader
Behind all the macho bluster stand (or, it would appear, sit) director Tony Scott, writers Michael Schiffer and Richard P. Henrick, and producers Don Simpson and Jerry Bruckheimer, trying (and failing) to get all the characters to behave like grown-ups.

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