Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
When some Russian rebels takes control of some ICBM's, the Americans mobilize. Among the vessels sent is the nuclear sub, the Alabama. But before they leave they need a new X.O. and among the choices is Commander Hunter, who hasn't seen much action. But the ship's Captain, Ramsey OK's him. While on the way, there was an incident and Hunter disagreed with how Ramsey handled it, it's evident that Ramsey doesn't think much of Hunter because Hunter was college educated while Ramsey worked his way up. They're given orders to attack but when they were in the process of receiving another order, the ship's communications were damaged, so the entire message was not received. Ramsey decides to continue with their previous order while Hunter wants to reestablish contact first. That's when the two men butt heads that ends with Hunter relieving Ramsey. Later when some men die, some of the officers feel that Hunter is not up to the task so they team up to retake control. But Hunter has taken ... Written by
The cigars that 'Capt. Frank Ramsey' and 'Lt. Commander Ron Hunter' smoke at the beginning of their mission are made by Montecristo. The brand is made in both Cuba and the Dominican Republic, by two totally different companies. But Ramsay's "more expensive than drugs" comment implies that theirs were the Cuban-made variety. Ramsay's cigar of choice throughout the movie is the classic tapered Montecristo #2. See more »
Nuclear weapons are only authorized when readiness is at DEFCON 1, not 2. See more »
I have the con.
Gimme the missile key.
[Hunter does nothing and Ramsey punches Hunter in the face]
Gimme the missile key Mr. Hunter.
[Hunter takes the keys out and puts it around his neck and Ramsey punches Hunter in the face again]
I am the commander of this fuckin' ship! Gimme the goddamn key!
See more »
Enjoyable, good tension, good dilemma, good cast. But:
You have a movie like this where either Washington's or Hackman's character side could be right about their course of action. The aim of the movie, ostensibly, is to present both sides and let the viewer figure out which is the correct course.
But you can't possibly side with Hackman, can you?
After all, his character goes nuts when everything starts happening. His character is possibly racist. And his character is prepared to launch nukes. Washington's character is, quite nobly, none of those things.
Ho hum. Hollywood audience manipulation at its finest.
Would it kill these writers and producers to present a dilemma movie in an intelligent fashion for once? I'd like to struggle with "who's right and who's wrong?" just once in my moviegoing life.
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