Critic Reviews



Based on 19 critic reviews provided by Metacritic.com
Intelligent and crackling with crisp, provocative visual energy, Copycat, the new thriller starring Sigourney Weaver and Holly Hunter, is so creepy and dangerous-feeling that it's like a knife edge pressed against the jugular.
With its rare mixture of intelligent plotting, flawless acting, and start-to- finish tension, Copycat is a force to be reckoned with.
It creates original characters - Hudson and, especially, the little dynamo M. J. - and makes them more important than the plot. We care, and that's the key.
Copycat is as steady and reliable as a pulse and as exhilarating as a surge of adrenalin.
Entertainment Weekly
The movie is, in short, a trash conundrum. What nearly redeems the movie is its acting.
The screenplay for Copycat, by Ann Biderman and Jay Presson Allen from a story by David Madsen, is otherwise so crackling good that character development threatens to eclipse the actual crimes.
It's an occasionally entertaining ride, although one fraught with numerous logical holes.
By having Sigourney Weaver and Holly Hunter play the maniacs' feisty antagonists, the filmmakers seem to believe that they've made a significant feminist statement, the movie's two hours-plus of almost continual sadistic abuse of women notwithstanding. Even in an industry known for self-delusion, that is quite a feat.
It must be hard for actresses as unconventional and gutsy as Weaver and Hunter to find scripts worth making. Although this offers them both meaty parts with plentiful neuroses and snappy lines, it is otherwise a completely mechanical load of old cods.
Chicago Reader
Holly Hunter and Sigourney Weaver, a cop and a shrink, are the main trackers, but so little is done in Ann Biderman and David Madsen's script to give them or their colleagues or even their prey interesting human dimensions that the overall ambience is chiefly pornographic.

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