An agoraphobic psychologist and a female detective must work together to take down a serial killer who copies serial killers from the past.

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Cast

Cast overview, first billed only:
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Bob Greene ...
Tony Haney ...
Kerby
Danny Kovacs ...
Kostas
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Landis
Scott DeVenney ...
Cop #1 (as Scott De Venney)
David Michael Silverman ...
Mike
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Storyline

In San Francisco, the criminal psychologist Helen Hudson is specialized in serial-killers. During a trial, the accused Daryll Lee Cullum kills a police officer and tries to kill her and she becomes agoraphobic. Now Helen lives a reclusive life with her gay friend Andy that helps her. Sometime later, there is a wave of crimes and Detectives M.J. Monahan and Reuben Goetz are investigating the murder cases. Helen identifies that the murderer is copycatting notorious serial-killers and she anonymously contacts the Police Department. After fourteen phone calls, she is identified by the police. Detectives M.J. and Reuben visit her and Helen teams up with them and prepares the profile of the killer that wants to be famous. But soon the copycat killer Peter Foley contacts and stalks Helen and M.J. and Reuben give protection to her. Will they be capable to stop Foley before the next murder? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

One man is copying the most notorious killers in history one at a time. Together, two women must stop him from killing again. Or they're next.


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

27 October 1995 (USA)  »

Also Known As:

El imitador  »

Box Office

Budget:

$20,000,000 (estimated)

Gross:

$32,051,917 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (uncredited)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Sigourney Weaver is almost a foot taller than Holly Hunter, thus for many scenes Weaver would be sitting down to make their heights appear more equal. See more »

Goofs

When Helen looks through her database, the name of the Hillside Strangler victim whose crime scene photos the killer used as model is listed as "Tanya Canseco". No Hillside Strangler victim had that name. See more »

Quotes

Helen: Fuck you.
Peter: What?
Helen: You heard me, you little twerp. Do you think I'm afraid of you?
Peter: I know you are.
Helen: I know all about you. You're just a sad, second rate, boring, impotent little copycat.
[laughter]
Peter: Watch it bitch or I will slice that smile off your face, do you hear me?
Helen: Daryll Lee couldn't get it up either.
Peter: DO YOU HEAR ME?
Helen: [spits in Peter's face]
[...]
See more »

Connections

Featured in The Man Who Knew Too Little (1997) See more »

Soundtracks

Fame ('90 Remix)
Written by Carlos Alomar, David Bowie and John Lennon
Performed by David Bowie
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User Reviews

 
A masterpiece that takes you inside the mind of a serial killer...
28 January 1999 | by (USA) – See all my reviews

It all starts with Dr. Helen Hudson(Weaver) giving a lecture on serial killers, little knowing that she's about to have an encounter with one. After her lecture is over she visits the restroom, and is attacked by one Daryll Lee Cullum(Connick). Flash forward 13 months. We see Hudson yet again, but this time she's confined to her apartment. You see, she's now an agoraphobic, having retired after that fateful day. At the local police precinct detectives M.J. Monahan(Hunter) and Ruben Goetz(Mulroney) are tracking a killer of their own, played by William McNamara. He appears to be mimicing the MO's of various famous serial killers. Hudson hears about this over the radio and calls the precinct with some information. She speaks to Monahan, who thinks it's a crank call. Monahan and Goetz pay a little visit to Hudson's residence, carrying with them photographs of the recent crime scenes. Hudson determines the killer is indeed copying other serial killers. A while later, an unseen visitor breaks into her apartment, leaving the dress she was wearing the day she was attacked by Cullum neatly spread out on her bed. Her home is no longer safe. Monahan and Goetz have dragged her back into the world she tried to leave behind. Now Hudson must help the detectives catch the copycat before she becomes the next victim.

Realistic in just about every aspect, Copycat is right up there with Silence of the Lambs. Comparisons to Seven are not unwarrented, but the plot here is more believable. A very good cast, with Weaver giving one of the best perfomances of her career. Hunter and Mulroney are also excellent. The film is provided a very tense and terrifying atmosphere, thanks to director Jon Amiel. It doesn't need to wallow in needless violence and gore, because it has what every great Thriller needs: suspense on an epic scale. The violence is kept to a minimum, but what it contains can be a bit unsettling, if for no other reason than because we get to know how the killer thinks. Along the same lines, Weaver's portrayal of an agoraphobic is perfect. You don't have to imagine what Weaver is feeling when she steps out of her apartment, or what the killer is feeling while he murders his victims. You feel every bit of it, which is why this film succeeds so masterfully.

Copycat is that rare film that comes along every other year or so that has the ability to pull you into it. It takes you on a most terrifying journey into the mind of a serial killer and the doctor that understands him. I can't say anything more, except that I love this film. Hitchcock would've been proud.


56 of 75 people found this review helpful.  Was this review helpful to you?

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