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Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
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Criminal profiler and psychologist Dr Helen Hudson becomes entangled in the deadly mind game of a vicious copycat serial killer Peter Foley. Due to the horrific attack Helen suffered in her past as an agoraphobic she is confined to her apartment. The killer uses this against her in his murderous attempts to become a famous serial killer. Detectives M. J Monahan and Reuben Goetz they have the challenge of trying to capture the killer before he kills again and uses his chance to commit another atrocious murder. Written by
Clare Brace <firstname.lastname@example.org>
When MJ goes to Helen's house and finds a dead officer, she accidentally nudges his flashlight with her foot and it rolls into the wall, leaving a trail of blood behind it. After radioing for backup MJ picks up the flashlight, which is suddenly next to her foot again, and the blood trail is gone. See more »
Contrary to what several users have written, "Copycat" is _not_ "Silence of the Lambs 2". Nor is it a rip-off of "Se7en", or an exploitation flick, or any other negative labels that have been foisted upon it. Rather, it's a gripping, and largely intriguing thriller that succeeds thanks to performances by two confident female leads, competent direction, intelligent writing, and an appropriately foreboding score courtesy of Christopher Young, who's fast becoming one of my favorite film composers.
Sigourney Weaver hits the right notes as the agoraphobic psychiatrist, especially early on, as we see the depths to which she has shut herself off from the outside world, creating her own safe little corner. Holly Hunter, in a role that instantly brings to mind Jane Craig from "Broadcast News", is effective as the investigating detective. Hers is a performance that is three-dimensional and fully-realized.
If there's a weakness in the film, it's the ongoing beef between Ruben and Nico. It's a meritless p***ing contest stemming from one character's jealousy, and could've easily been dropped or retooled. This small gripe, however, didn't deter my enjoyment of the film.
Much credit has to be given to director Jon Amiel ("Sommersby", "Entrapment") for effectively capturing the atmosphere and tension prevalent throughout the film. In addition, writers Ann Biderman and David Madsen deserve credit for a intelligent, well-researched screenplay. No clichés here, just sharply-crafted dialogue. And Christopher Young's inspired score is brilliant; just listen to the theme that plays early on, as Helen calms down after a panic attack.
"Copyat" may not be classic material, but it's a strong entry in a genre that's too often consumed by formulas and gore. Highly recommended.
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