Tony Stark has declared himself Iron Man and installed world peace... or so he thinks. He soon realizes that not only is there a mad man out to kill him with his own technology, but there's something more: he is dying.
Robert Downey Jr.,
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
After New York City receives a series of attacks from giant flying robots, a reporter teams up with a pilot in search of their origin, as well as the reason for the disappearances of famous scientists around the world.
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
A megalomaniac C.E.O. sends his son into the dangerous African Congo on a quest for a source of diamonds large enough and pure enough to function as powerful laser communications transmitters (or is it laser weapons?). When contact is lost with his son and the team, his sometime daughter- in-law is sent after them. She is a former CIA operative and, accompanied by gee-whiz gadgetry and a few eccentric characters (including a mercenary, a researcher with a talking gorilla, and a a nutty Indiana-Jones-type looking for King Solomon's Mines), sets out to rescue her former fiancé. What they all discover is that often what we most want turns out to be the source of our downfall. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Producer Frank Yablans had been involved in this project since its inception. Michael Crichton had pitched his idea for a modern-day King Solomon's Mines to him, before he had even written the novel. Yablans liked the idea so much that, without Crichton's authorization, he sold the film rights to Twentieth Century Fox in 1979, a year before the book was published. The technology to create the apes was not available at the time, however, and the project never materialized. During the production of Jurassic Park, Crichton was impressed with the dinosaurs that Stan Winston's studio had created. Producer Kathleen Kennedy (who produced both films) suggested using Winston again for the apes, and suggested the project itself to her husband, Frank Marshall, and Crichton agreed. This resulted in Yablans, Marshall and Kennedy collaborating on the film. See more »
Before the group arrives in the mines Karen Ross gives Peter Elliot a modern pistol. When we see Peter entering the geode the gun he is holding is a WWII era Luger Parabellum. See more »
Congo is rarely mentioned in any discussion about film. It seems like a forgotten artifact, abandoned like King Solomon's mines, discovered only by only those who maintain some fundamental interest; what you find is going to depend on how open you keep your mind. Rest assured, those of you who would rather ignore it aren't going to be missing a diamond, but I'd say an arrowhead isn't out of the question.
I'll dispense with the metaphors: Congo is not a bad film. I watched it many times in my youth and just watched it again yesterday, and the biggest complaint I have is that the original song 'Sounds Of Africa' is awful. I won't summarize the plot or analyze the film in explicit detail, but I will say that it is briskly paced, sharply written, and features solid characterizations, or as solid as they can be in an adventure epic. As an example, Tim Curry has been dismissed too often as the comic relief when he is actually central to the plot and turns in a deliciously dense performance, above and beyond the limitations of his character. Considering the slightly campy tone, the special effects are well above what anyone could expect. Just don't come prepared to judge them based on modern standards or Jurassic Park. Personally, I find physical effects more endearing than CGI anyway.
As many reviewers have said, it's a film of a bygone era, a lost world story treated as an adventure epic. Clearly it's not Indiana Jones and the tone tends to waver a bit, but it's never boring, and if it had been adapted from the book directly, it would have been. I can't imagine someone watching the airplane SAM scene without being excited by the action, or watching the group's border crossing struggles without at least sporting a grin.
So, check your ego and check your critical faculties; this is no Citizen Kane and it doesn't pretend to be. Those that harshly criticize it, by my estimation, have a lot to learn about having a good time at the movies.
28 of 38 people found this review helpful.
Was this review helpful to you?