The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
Laurie, a professional downhill racer gets fired because of her slight overindulgence in irresponsibility. She returns to Montreal where she is welcomed by her geeky but cute brother. She ... See full summary »
Young Leo Lauzon is torn between two worlds - the squalid Montreal tenement that he inhabits with his severely dysfunctional (and largely insane) family, and the imaginative world that he ... See full summary »
Depressed businessman Henry Bell and aristocrat Karen Knightly save each other's lives one night when they are ready to jump off London's Tower Bridge. Karen invents a revenge plot - she ... See full summary »
Helena Bonham Carter,
Kristin Scott Thomas
PETITES COUPURES tells the story of Bruno (Daniel Auteuil), a communist newspaper journalist suffering a mid-life crisis. Torn between his wife Gaëlle ('Emmanuel Devos') and his young ... See full summary »
Kristin Scott Thomas,
The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the confessional. In the present year of 1989, Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrinque where the answer to the mystery lies. Written by
L.H. Wong <email@example.com>
Visually, this is one of the best films ever made. There are 3 elements, one in 1952 Quebec, one in 1989 Quebec and one actually from Alfred Hitchcocks "I Confess", of which this movie seems to be a realy loose remake of.
The way the film moves seamlessly between 1952 and 1989, and the odd dreamlike sequences that occur a couple of times, and the continous sequence of brilliant images is the best things of the film. The plot, however, does take a bit of a back seat,although the ending is excellent, and the Kristen Scott Thomas character is unneccesary.
14 of 16 people found this review helpful.
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