The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
For whatever reason, Philippe and Daniel choose to vacation in Southeast Asia, where they meet Hans, a resident of the area who acts as their patron and guide. Before they leave to return ... See full summary »
Kristin Scott Thomas
Bruno's girlfriend, who lives in another town, doesn't believe he loves her. Therefore, he decides to prove his love by doing something "crazy" and ends up hijacking a school bus full of ... See full summary »
Kristin Scott Thomas,
Amanda Weber is a museum employee. Her nephew, Victorien, who feels that wild animals should not be kept in zoos, has been murdered, and she seeks to find out why and how. She knows that ... See full summary »
Superficial people are revealed and drastically changed by circumstance or luck in this a tale of death, seduction, blackmail and theft among British and Americans in Florence in the ... See full summary »
Kristin Scott Thomas,
Lucie Champagne is given the role of the victim, Marie-Claire, in a film of a true, unsolved murder. By coincidence, Lucie's neighbour Francois, was Marie-Claire's boyfriend. He is a ... See full summary »
The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the confessional. In the present year of 1989, Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrinque where the answer to the mystery lies. Written by
L.H. Wong <email@example.com>
Visually, this is one of the best films ever made. There are 3 elements, one in 1952 Quebec, one in 1989 Quebec and one actually from Alfred Hitchcocks "I Confess", of which this movie seems to be a realy loose remake of.
The way the film moves seamlessly between 1952 and 1989, and the odd dreamlike sequences that occur a couple of times, and the continous sequence of brilliant images is the best things of the film. The plot, however, does take a bit of a back seat,although the ending is excellent, and the Kristen Scott Thomas character is unneccesary.
14 of 16 people found this review helpful.
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