The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
Young Leo Lauzon is torn between two worlds - the squalid Montreal tenement that he inhabits with his severely dysfunctional (and largely insane) family, and the imaginative world that he ... See full summary »
In 1925 Romania, young Marie-Therese Von Debretsy refuses the flirtatious advances of her husband's commanding officer. As a result, the cosmopolitan family is reassigned to a brutally ... See full summary »
Kristin Scott Thomas,
Laurie, a professional downhill racer gets fired because of her slight overindulgence in irresponsibility. She returns to Montreal where she is welcomed by her geeky but cute brother. She ... See full summary »
Forty-year old Louis is a loud-mouthed repo-man who has nurtured a lifelong dream of becoming a successful actor. Fortunately for Louis his cousin is a casting agent, and he soon learns ... See full summary »
Lucie Champagne is given the role of the victim, Marie-Claire, in a film of a true, unsolved murder. By coincidence, Lucie's neighbour Francois, was Marie-Claire's boyfriend. He is a ... See full summary »
The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the confessional. In the present year of 1989, Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrinque where the answer to the mystery lies. Written by
L.H. Wong <firstname.lastname@example.org>
A complicated family past haunts two brothers in search of the truth. Via flashbacks we meet the family in turmoil, coincided with the making of Alfred Hitchcock's I CONFESS. With the creative use of past and present interweaved, we slowly find the truth that has been sitting under our noses at all times. Very clever and a very effective piece of cinema story telling.
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