When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Cher, a high school student in Beverly Hills, must survive the ups and downs of adolescent life. Her external demeanor at first seems superficial, but rather it hides her wit, charm, and intelligence which help her to deal with relationships, friends, family, school, and the all-important teenage social life. Written by
Michael Kaminsky <firstname.lastname@example.org>
The high school where the students attend is "Bronson Alcott High School". Bronson Alcott was a nineteenth-century Transcendentalist writer best known for starting an ultimately unsuccessful Utopian community called "Fruitlands" and for being the father of "Little Women" author Louisa May Alcott. At one time, Amy Heckerling dated Bronson Pinchot (whose middle name is Alcott, after the author). "Bronson Alcott" is also the name of the prep school in Nat Hentoff's 1976 novel 'This School is Driving Me Crazy', where the protagonist's father is headmaster. See more »
Cher and Tai's positions as they hug during the skateboard competition. See more »
Josh, are you still growing? You look taller than you did at Easter.
I don't think so.
Doesn't he look bigger?
His head does.
See more »
Other than the Paramount Pictures logo and the movie's title, there are no opening credits. See more »
"Let's set 'Emma' in a modern high school!" Does this sound the obvious kind of movie gimmick that everyone uses nowadays? Perhaps, but it's an inspired idea all the same. Jane Austen's characters, and her readers, and the society in which her novels are set, like Jane Austen herself, are HEAVILY conscious of class and social standing. No atmosphere quite so snobbish exists in the modern world. EXCEPT, that is, in the corridors and courtyards of the right kind of high school. And where else in the modern world would you find so many people who seem to spend all their time calling on one another?
I was reminded of how well Heckerling moulded "Emma" to fit a modern setting when I saw the idiotic 1998 version of "Great Expectations", adapted by someone who somehow failed to notice how important all the stuff about class and snobbishness was. It's clear that Heckerling understood her source. She isn't afraid to make changes - even radical changes, if the modern setting requires as much - and no character exists MERELY because they have an analogue in Austen's novel. (The most crucial thing is that the Emma-equivalent be sufficiently charming; and so she is.) The result is a film which is winning and satisfying, whether or not you know anything about the source material.
61 of 75 people found this review helpful.
Was this review helpful to you?