2 items from 2017
Ending an 87-year drought, the Academy finally nominated its first African-American cinematographer, Bradford Young, for his dark, richly textured work on Denis Villeneuve’s science-fiction hit “Arrival.” Young had already picked awards twice at Sundance for his lensing on Dee Rees’ “Pariah” and shooting Andrew Dosunmu’s “Mother of George” and David Lowery’s “Ain’t Them Bodies Saints” the same year, and he served as Ava DuVernay’s cinematographer on “Middle of Nowhere” and “Selma.” With Oscar in sight, Young spoke with Variety from London, where he is currently filming a little project unofficially known as “Han Solo,” a new chapter in the “Star Wars” franchise.
Personally and historically, what does this nomination mean to you?
It’s a tough question that I’ve been thinking about a lot. It’s always an honor when your peers recognize the hard work you put into the films that we make, »
- Scott Tobias
At first, they look like any other subway ad for a certain low-level New York lawyer: A middle-aged man, a cheesy font, a name — John Stone. Unless you noticed the HBO logo in the corner, you wouldn’t know it was promoting HBO’s limited series “The Night Of,” starring John Turturro as one of those low-level New York lawyers who takes on the case of a Pakistani-American college kid from Queens accused of murder (played by Riz Ahmed).
“The lady who works at our house, she was on the subway and saw it, and went to take a picture of it,” Turturro, who lives in Brooklyn, tells Variety. “A guy saw her and said, ‘Do you know that guy?’ She said, ‘Yeah, I work for him,’ and he said, ‘Is he a good lawyer?'”
John Stone was a good enough lawyer, though his client suffered possibly irreparable psychic damage from his time on Rikers Island »
- Oriana Schwindt
2 items from 2017
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