Critic Reviews



Based on 20 critic reviews provided by Metacritic.com
As always, Lee fills his story with bold, vivid, glib characters who manage to be entertaining even as they flail at one another.
Although Clockers is... a murder mystery, in solving its murder, it doesn't even begin to find a solution to the system that led to the murder. That is the point.
Clockers, Lee's eighth feature in nine years, demonstrates how accomplished a filmmaker he has become, securely in control of plot, actors and imagery.
This is the first Spike Lee Joint that feels more like a mainstream Hollywood cops-in-the-'hood picture and less like one of Lee's recurrent soapboxes.
Ultimately, Clockers probably attempts too much, and ends up seeming overcrowded as a result.
Clockers has the strengths of Lee's best work (passion, humor, terrific acting) without the preachiness, self-importance and gimmicky camera moves of his weakest.
Beyond its grit and nonchalance, this story has a resigned, reflective, hard-earned wisdom that's unusual in an American film about such familiarly lurid subject matter. It's even more unusual in a film by Spike Lee.
The central story itself is not distinctive, and though Lee certainly churns up a lot of dust, he never captures the mythic quality that made Price's original seem so much bigger than its almost generic cast of players.
Chicago Reader
The performances are strong, but the spectator often feels adrift in an overly busy intrigue.
Lee seems to think that all his major characters are basically good people who deserve another chance, and so for the sake of an inappropriate happy ending, everyone important gets one.

More Critic Reviews

See all external reviews for Clockers (1995) »

See also

Awards | FAQ | User Reviews | User Ratings | External Reviews