This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
Strike is a young city drug pusher under the tutelage of drug-lord Rodney Little, who, when not playing with model trains or drinking Moo for his ulcer, just likes to chill with his brothers near the benches outside the project houses. When a night man at a fast-food restaurant is found with four bullets in his body, Strike's older brother turns himself in as the killer. Det. Rocco Klein doesn't buy the story, however, and sets out to find the truth, and it seems that all the fingers point toward Strike & Rodney. Written by
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Spike Lee's previous film, Crooklyn, featured the song "Crooklyn" over the end credits. Clockers features a remix of the same song during the opening scene in the courtyard. While the original version of the song was nostalgic and wistful, matching the tone of Crooklyn, the version featured here is grim and pessimistic, in keeping with the mood of this film. See more »
When Detective Mazilli is walking up to the back of the Mercedes Benz to talk to the kids inside his badge/shield is that of an NYPD Detective. However when he shows it to the driver of the car it is the shield of a NYPD Sergeant. See more »
Ronald 'Strike' Dunham:
Why was you so gung-ho about all this shit, man? Most cops... Brothers killin' other brothers aint no big thing. Blasé, blasé. What made you care about me, my brother Victor, Darryl Adams, Tyrone? Huh? What made you give a shit?
Det. Rocco Klein:
If I ever see you again... I'll book you on charges of criminal solicitation and conspiracy to commit murder. I'll let Andre beat you down again, then pick up Rodney on the same charges and I'll make sure you two share the same cell, the same fuckin' bed. Do you ...
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I've just finished this film and I thought it was excellent. I've never read the book, and based on other people's comments it sounds like it might be a hard book to adapt for the screen, what with it (apparently) dealing with a lot of abstract issues. However, looking at this film from the standpoint of having never read the book I thought the story was brilliant, it engrossed me to the end. Mekhi Phifer was great, he played the part well, personally I thought he conveyed a wide range of emotions and all of them very well. There was some great character development, especially on the part of Delroy Lindo (another great performance).
Lee did a good job in his portrayal of the drug culture in the projects, as well as taking a look into the police's side of the story. The story interested me from the beginning and I didn't feel my interest waver once, in fact is grew steadily throughout the film. The images of dead bodies shown at the beginning made a strong starting point, and served as an immediate reminder that the themes dealt with in the film are occurring all the time.
On a side note, I thought the resemblance of Shorty's game 'Gansta' to today's GTA: San Andreas was pretty funny.
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