An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Strike is a young city drug pusher under the tutelage of drug-lord Rodney Little, who, when not playing with model trains or drinking Moo for his ulcer, just likes to chill with his brothers near the benches outside the project houses. When a night man at a fast-food restaurant is found with four bullets in his body, Strike's older brother turns himself in as the killer. Det. Rocco Klein doesn't buy the story, however, and sets out to find the truth, and it seems that all the fingers point toward Strike & Rodney. Written by
Michael Silva <email@example.com>
Spike Lee's previous film, Crooklyn, featured the song "Crooklyn" over the end credits. Clockers features a remix of the same song during the opening scene in the courtyard. While the original version of the song was nostalgic and wistful, matching the tone of Crooklyn, the version featured here is grim and pessimistic, in keeping with the mood of this film. See more »
After speaking with Det. Rocco Klein outside the police station, the shadows of the buildings change size, and the position of Rodney's car is different in each of the three shots showing Ronald approaching the car and getting on. See more »
Andre The Giant:
You even glance in the direction of that little kid Tyrone, and I'm a fuck you up so bad you're gonna wish I had killed you.
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This movie is very misunderstood. I've heard people call it stereotypical, but this is only because they missed the obvious. The stereotypical aspect people see is all part of the story. The white police stereotypically harassing the street dealers is only stereotypical because society so commonly commits the very same actions. The movie is all about blame, who society blames, who society would like to blame, and sometimes whomever can be blamed. In actuality the movie has an extremely tense message about accepting ones own blame, while all throughout the movie blame is wrongly placed on nearly everyone. To avoid spoiling the movie I won't be overly specific but by the end of the movie Spike Lee had painted Injustice onto the screen.
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