This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
Strike is a young city drug pusher under the tutelage of drug-lord Rodney Little, who, when not playing with model trains or drinking Moo for his ulcer, just likes to chill with his brothers near the benches outside the project houses. When a night man at a fast-food restaurant is found with four bullets in his body, Strike's older brother turns himself in as the killer. Det. Rocco Klein doesn't buy the story, however, and sets out to find the truth, and it seems that all the fingers point toward Strike & Rodney. Written by
Michael Silva <firstname.lastname@example.org>
Was originally supposed to be directed by Martin Scorsese. Rocco Klein would have been the main character, played by Robert De Niro Scorsese changed his mind, opting instead to direct Casino (1995), and De Niro went with him. Scorsese then asked Spike Lee if he wanted to direct. Lee accepted (and decided that Strike, not Rocco, would be the primary character), and Scorsese was given an executive producer credit. See more »
When Errol is threatening the kid on the trunk of the car, the helmet falls off. When the shot widens, the helmet is back on the kid's head. See more »
Ronald 'Strike' Dunham:
[In Rodney's car; Rodney gives him crap about abandoning his post to be questioned by Klein]
Aw, man. Fuck you, Rodney.
[silently pulls over to the shoulder]
[punches Strike in the stomach]
Who the *fuck* are you talking to like that? Are you out of your motherfucking mind?
[pulls Strike down on his lap]
Huh? You think I'm one of these crew-niggas sitting on the project?
[punches him again]
[grabs a gun from the backseat and sticks it in his mouth]
Open yo mouth, nigga...
[...] See more »
This movie is very misunderstood. I've heard people call it stereotypical, but this is only because they missed the obvious. The stereotypical aspect people see is all part of the story. The white police stereotypically harassing the street dealers is only stereotypical because society so commonly commits the very same actions. The movie is all about blame, who society blames, who society would like to blame, and sometimes whomever can be blamed. In actuality the movie has an extremely tense message about accepting ones own blame, while all throughout the movie blame is wrongly placed on nearly everyone. To avoid spoiling the movie I won't be overly specific but by the end of the movie Spike Lee had painted Injustice onto the screen.
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