Recluse Smith (Sam Neill) is drawn into a revolutionary struggle between guerillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith ... See full summary »
In every generation, a torch passes from father to son. And that timeless dynamic is the beating heart of Tommy's Honour - an intimate, powerfully moving tale of the real-life founders of the modern game of golf.
Gina Hancock is a much-loved daughter of her mining magnate father, Lang Hancock, who would become the richest man in Australia. It is 1967 in the Pilbara region of Western Australia. As ... See full summary »
Carl Fitzgerald is down-on-his-luck until he meets Sophie, a beautiful Greek girl. He gets a job as a cook, but accidentally kills fellow worker Mustafa. He turns to his unscrupulous best ... See full summary »
Local goon, Gerry, hires a yellow mini in Kaitaia using a stolen license. John's wife has just left him and moved to Invercargill. He is devastated and needs to talk to her. He has no ... See full summary »
Examines the practical philosophy, the achievements and frustrations of one of New Zealand's most lively and innovative architects, Ian Athfield. The film provides a portrait of the ... See full summary »
I saw "Cinema of Unease" in 1997 at the Austin Film Festival. Sam Neill gives a very personable narration of the evolution of the New Zealand film industry. Much of the documentary focuses on the evolution of the New Zealand film industry with glimpses into the native films "An Angel at My Table", "Heavenly Creatures" and "The Piano". (I was compelled to view each of these films on video after I watched "Unease".) "Unease" originates from the Kiwis' penchant with such dark, unfashionable themes such as the dysfunctional family, puberty, and the occasional patricide. Mr. Neill tells of his coming of age as an actor in Christchurch and his analysis of future trends in New Zealand cinema. For anyone interested in a glimpse into the culture of the other "land downunder", you must see this film.
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