After three centuries, three witch sisters are resurrected in Salem, Massachusetts on Halloween night, and it is up to two teenagers, a young girl and an immortal cat to put an end to the witches' reign of terror once and for all.
Sarah Jessica Parker,
The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
Furious that her late father only willed her his gloomy-looking mansion rather than his millions, Carrigan Crittenden is ready to burn the place to the ground when she discovers a map to a treasure hidden in the house. But when she enters the rickety mansion to seek her claim, she is frightened away by a wicked wave of ghosts. Determined to get her hands on this hidden fortune, she hires afterlife therapist Dr. James Harvey to exorcise the ghosts from the mansion. Harvey and his daughter Kat move in, and soon Kat meets Casper, the ghost of a young boy who's "the friendliest ghost you know." But not so friendly are Casper's uncles--Stretch, Fatso and Stinkie--who are determined to drive all "fleshies" away. Ultimately, it is up to Harvey and Kat to help the ghosts cross over to the other side. Written by
Joshua Davis <firstname.lastname@example.org>
Mel Gibson: One of the people Dr. Harvey turns into while possessed by The Ghostly Trio. See more »
When Kat is dancing with Casper at the end of the film, the duo is shown floating above the floor. Yet, in the next shot, a view from the balcony, they are back on the floor.
However, during a shot in between while he's identifying himself to her a light in the background can be seen getting bigger indicating that he's lowering them to the ground. See more »
I thought I had a hundred things to say when I saw you... but - how?
Let's just say you know three crazy ghosts who kept their word.
See more »
Early during the end credits, Stretch (doing his Little Richard imitation) bursts through the credits, singing. See more »
often beautiful, often creepy, mostly wonderful, but . . .
I don't view films as if I'm watching them as the intended audience; I watch them for myself. And that's why I found it odd at how engrossed I was when I watched this film for the first time at the age of eighteen. Aside from the great gothic flair of the mansion, two superbly placed cameos, and nice laughable black humour from the "trio," the film took off because of its emotional core. It's something that a youngster can really get into, but also anyone who finds it sad that a child can die. When Casper plays with his toys, I just wanted to start crying. This eternal child--lost and stuck in an age of mystery and wonder. And yet, he's smitten with a girl--he's starting to go through puberty. And it's just so sad . . . and beautiful.
And then there's the father, and his sway into the afterlife, his daughter's plight, her struggle with her wish to help Casper. It's all so simple and written for kids, but I was so engrossed by the romanticism of it all.
The villains mostly butt into the greatness of all of it, but you just have to grant that in a kid's picture. And now comes my but . . . in the end, when the mother does appear, she's supposed to be this amazing, angelic, deux es machinal, she floats through the stain glass window, her long hair flows around her, her gown flows all around her but--what the hell! why is her dress such a deep red!? she looks like satan! Oh well. Bad costume choice made a really bad moment. But mostly, I loved this film for it's good parts, despite the childishness of much of it.
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