| Photos (See all 69 | slideshow) | Videos (see all 8) |
| Robert De Niro | ... | Sam 'Ace' Rothstein | |
| Sharon Stone | ... | Ginger McKenna | |
| Joe Pesci | ... | Nicky Santoro | |
| James Woods | ... | Lester Diamond | |
| Frank Vincent | ... | Frank Marino | |
| Pasquale Cajano | ... | Remo Gaggi | |
| Kevin Pollak | ... | Phillip Green | |
| Don Rickles | ... | Billy Sherbert | |
| Vinny Vella | ... | Artie Piscano | |
| Alan King | ... | Andy Stone | |
| L.Q. Jones | ... | Pat Webb | |
| Dick Smothers | ... | Senator | |
| Joseph Rigano | ... | Vincent Borelli | |
| John Bloom | ... | Don Ward | |
| Melissa Prophet | ... | Jennifer Santoro | |
| Bill Allison | ... | John Nance | |
| Gene Ruffini | ... | Vinny Forlano | |
| Dominick Grieco | ... | Americo Capelli | |
| Erika von Tagen | ... | Amy Rothstein (Older) | |
| Frankie Avalon | ... | Himself | |
| Steve Allen | ... | Himself | |
| Jayne Meadows | ... | Herself | |
| Jerry Vale | ... | Himself | |
| Catherine Scorsese | ... | Piscano's Mother | |
| Oscar Goodman | ... | Himself | |
| Philip Suriano | ... | Dominick Santoro (as Phillip Suriano) | |
| Richard Amalfitano | ... | Casino Executive | |
| Richard F. Strafella | ... | Casino Executive | |
| Casper Molee | ... | Counter | |
| David Leavitt | ... | Counter | |
| Peter Conti | ... | Arthur Capp | |
| Cathy Scorsese | ... | Piscano's Daughter (as Catherine T. Scorsese) | |
| Steve Vignari | ... | Beeper | |
| Rick Crachy | ... | Chastised Dealer | |
| Larry E. Nadler | ... | Lucky Larry | |
| Paul Herman | ... | Gambler in Phone Booth | |
| Salvatore Petrillo | ... | Old Man Capo | |
| Joey DePinto | ... | Stabbed Gambler (as Joey De Pinto) | |
| Heidi Keller | ... | Blonde at Bar | |
| Millicent Sheridan | ... | Senator's Hooker | |
| Nobu Matsuhisa | ... | Ichikawa | |
| Toru Nagai | ... | Ichikawa's Associate | |
| Charlene Hunter | ... | Ticket Agent | |
| Dom Angelo | ... | Craps Dealer | |
| Joe Molinaro | ... | Shift Manager | |
| Ali Pirouzkar | ... | High Roller | |
| Frankie J. Allison | ... | Craps Dealer (as Frankie Allison) | |
| Jeff Scott Anderson | ... | Parking Valet | |
| Jennifer M. Abbott | ... | Cashier | |
| Frank Washko Jr. | ... | Parking Valet | |
| Christian A. Azzinaro | ... | Nicky Santoro Jr. (7 Yrs) | |
| Robert C. Tetzlaff | ... | Custom's Agent | |
| Anthony Russell | ... | Bookie | |
| Carol Wilson | ... | Classroom Nun | |
| Joe Lacoco | ... | Detective Bob Johnson | |
| John Manca | ... | Wiseguy Eddy | |
| Ronald Maccone | ... | Wiseguy Jerry | |
| Buck Stephens | ... | Credit Clerk | |
| Joseph P. Reidy | ... | Winner (as Joseph Reidy) | |
| Joe La Due | ... | Signaller | |
| Fred Smith | ... | Security Guard | |
| Sonny D'Angelo | ... | Security Guard | |
| Greg Anderson | ... | Security Guard | |
| Stuart Nisbet | ... | LA Banker | |
| Tommy DeVito | ... | Crooked Poker Dealer | |
| Frank Adonis | ... | Rocky | |
| Joseph Bono | ... | Moosh | |
| Craig Vincent | ... | Cowboy | |
| Daniel P. Conte | ... | Doctor Dan | |
| Paul Dottore | ... | Slim | |
| Richard T. Smith | ... | Security Guard / Cowboy | |
| David Rose | ... | David | |
| Jonathan Kraft | ... | Jonathan | |
| Michael McKensie Pratt | ... | Showgirls Stage Manager | |
| Patti James | ... | Country Club Woman | |
| Ruth Gillis | ... | Country Club Woman | |
| Carol Cardwell | ... | Country Club Woman | |
| Dean Casper | ... | Elderly Man | |
| Nan Brennan | ... | Wife | |
| Karyn Amalfitano | ... | Wife | |
| C.C. Carr | ... | Wife | |
| David Varriale | ... | Flirting Executive | |
| Darla House | ... | Amy Rothstein (Baby) | |
| Carol Krolick | ... | Slapping Woman | |
| Frank Regich | ... | Slapped Man | |
| Herb Schwartz | ... | Maitre d' | |
| Max Raven | ... | Bernie Blue | |
| Clem Caserta | ... | Sal Fusco | |
| Jed Mills | ... | Jack Hardy | |
| Janet Denti | ... | Receptionist | |
| Cameron Milzer | ... | Secretary | |
| Leain Vashon | ... | Bellman | |
| Jim Morgan Williams | ... | Pit Boss | |
| Brian Le Baron | ... | Valet Parker | |
| Mortiki Yerushalmi | ... | Jewelry Store Owner | |
| Mufid M. Khoury | ... | Jeweler Fences | |
| Khosrow Abrishami | ... | Jeweler Fences | |
| Richard Riehle | ... | Charlie Clark | |
| Mike Maines | ... | Cop in Restaurant | |
| Bobby Hitt | ... | Cop in Restaurant | |
| Shellee Renee | ... | Showgirl in Parking Lot | |
| Alfred Nittoli | ... | Chastised Gambler | |
| Carl Ciarfalio | ... | Tony Dogs | |
| Jack Orend | ... | Baker (as Jack R. Orend) | |
| Linda Perri | ... | Ace's Secretary | |
| Ffolliott Le Coque | ... | Anna Scott | |
| J. Charles Thompson | ... | Judge | |
| Michael Paskevich | ... | Reporter at Airport | |
| Mike Weatherford | ... | Reporter at Airport | |
| Eric Randall | ... | Reporter at Airport | |
| Gwen Castaldi | ... | Business Week Reporter | |
| Brian Reddy | ... | Board Investigators | |
| Roy Conrad | ... | Board Investigators | |
| Mike Bradley | ... | TV Newsman | |
| Dave Courvoisier | ... | TV Newsman | |
| George Comando | ... | Piscano's Brother-in-Law | |
| Andy Jarrell | ... | Commissioner Bales | |
| Robert B. Sidell | ... | Control Board Member (as Robert Sidell) | |
| Tyde Kierney | ... | Control Board Member | |
| Paige Novodor | ... | Female Newscaster | |
| Claudia Haro | ... | Trudy | |
| Sasha Semenoff | ... | Orchestra Leader | |
| Gil Dova | ... | Juggler | |
| George W. Allf | ... | FBI Agent | |
| Madeline Parquette | ... | Woman Black Jack Dealer | |
| Nick Mazzola | ... | Male Blackjack Dealer | |
| Jed L. Hansen | ... | Pit Boss | |
| Gino Bertin | ... | Maitre d' | |
| Mitch Kolpan | ... | Detective | |
| Csaba Maczala | ... | Detective | |
| Peter Sugden | ... | Lip Reader | |
| Rudy Guerrero | ... | Maitre d' at Disco | |
| Randy Sutton | ... | Cop at Ace's House | |
| Jeff Corbin | ... | Cop at Ace's House | |
| Sly Smith | ... | FBI Agent | |
| Joe Anastasi | ... | FBI Agent | |
| F. Marcus Casper | ... | FBI Agent | |
| Jeffery Azzinaro | ... | Nicky Santoro Jr. (10 Yrs) | |
| Richard Wagner | ... | FBI Agent | |
| Carrie Cipollini | ... | Piscano's Wife | |
| Loren Stevens | ... | Agent--Piscano Raid | |
| Gary C. Rainey | ... | Agent--Piscano Raid | |
| David Arcerio | ... | FBI Agent | |
| Haven Earle Haley | ... | Judge | |
| Sam Wilson | ... | Ambulance Driver | |
| Michael Toney | ... | Fat Sally | |
| rest of cast listed alphabetically: | |||
| Jeff Burbank | ... | NGC Board Member (uncredited) | |
| Phillip V. Caruso | ... | Ace's Photographer (uncredited) | |
| Earl Chaney | ... | Attorney in Court (uncredited) | |
| Alfonso Gomez-Rejon | ... | Shotgun Shooter (uncredited) | |
| Walter Ludwig | ... | Bartender Joe (uncredited) | |
| Andrea Nittoli | ... | Cocktail Waitress (uncredited) | |
| Bobbie Paulson | ... | (uncredited) | |
| Bob Pepper | ... | Gambler (uncredited) | |
| Steve Schirripa | ... | Man in Bar (uncredited) | |
| Charles Scorsese | ... | (uncredited) | |
| Constance Tillotson | ... | Bridesmaid (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits(WGA) | ||
| Nicholas Pileggi | (book) | |
| Nicholas Pileggi | (screenplay) & | |
| Martin Scorsese | (screenplay) | |
Produced by | |||
| Barbara De Fina | .... | producer | |
| Joseph P. Reidy | .... | associate producer (as Joseph Reidy) | |
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Dante Ferretti | |||
Art Direction by | |||
| Jack G. Taylor Jr. | |||
Set Decoration by | |||
| Rick Simpson | |||
Costume Design by | |||
| John A. Dunn | (as John Dunn) | ||
| Rita Ryack | |||
Makeup Department | |||
| Ken Diaz | .... | special makeup effects artist | |
| Ilona Herman | .... | hair stylist: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Paul LeBlanc | .... | hair designer: Ms. Stone (as Paul Le Blanc) | |
| Mona Orr | .... | hair stylist | |
| James Sarzotti | .... | hair stylist: Mr. Pesci | |
| James Sarzotti | .... | makeup artist: Mr. Pesci | |
| Tricia Sawyer | .... | makeup artist: Ms. Stone | |
| Jo-Anne Smith-Ojeil | .... | key makeup artist | |
| Peter Tothpal | .... | key hair stylist | |
| Alicia M. Tripi | .... | hair stylist: stunt double Robert De Niro | |
| René Dashiell Kerby | .... | makeup artist (uncredited) | |
| Kim Donohue | .... | makeup artist: second unit (uncredited) | |
| Rob Hinderstein | .... | makeup artist (uncredited) | |
| Wayne Toth | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Brad Goodman | .... | post-production supervisor | |
| Georgia Kacandes | .... | unit production manager | |
| Seth I. Shire | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Michael Greenwood | .... | second second assistant director | |
| Scott Harris | .... | second assistant director | |
| Phil Marco | .... | second unit director | |
| Joseph P. Reidy | .... | first assistant director (as Joseph Reidy) | |
| Christopher Surgent | .... | dga trainee (as Christopher J. Surgent) | |
| Bob Wagner | .... | second second assistant director | |
| Darin Rivetti | .... | additional second assistant director (uncredited) | |
| Jonathan Starch | .... | additional assistant director (uncredited) | |
Sound Department | |||
| John G. Atkinson | .... | sound technician | |
| David Boulton | .... | adr engineer | |
| Kam Chan | .... | foley editor | |
| Benjamin Cheah | .... | sound effects recordist (as Ben Cheah) | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Robert Fernandez | .... | sound workstation manager (as Rob Fernandez) | |
| Chris Fielder | .... | assistant sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Eugene Gearty | .... | sound editor | |
| Lewis Goldstein | .... | sound editor | |
| Sean Huff | .... | apprentice sound editor | |
| Frank Kern | .... | foley editor | |
| Dan Korintus | .... | dialogue editor (as Dan Korintis) | |
| Annette Kudrak | .... | adr editor | |
| Jeff Levison | .... | stereo sound consultant: DTS | |
| Blake Leyh | .... | sound effects recordist | |
| Skip Lievsay | .... | supervising sound editor | |
| Julie Lindner | .... | assistant sound editor (as Julie Linder) | |
| Marissa Littlefield | .... | adr editor | |
| Kimberly R. McCord-Wilson | .... | apprentice sound editor (as Kimberly R. McCord) | |
| Sylvia Menno | .... | dialogue editor | |
| Eliza Paley | .... | dialogue editor | |
| Glenfield Payne | .... | sound editor | |
| Bruce Pross | .... | foley supervisor | |
| Christopher Ramsey | .... | boom operator (as Chris Ramsey) | |
| Fred Rosenberg | .... | dialogue supervisor | |
| Reilly Steele | .... | additional sound re-recording mixer | |
| Jeffrey Stern | .... | dialogue editor (as Jeff Stern) | |
| Steven Visscher | .... | foley editor (as Steve Visscher) | |
| Charles M. Wilborn | .... | sound mixer | |
| Lee Lemont | .... | supervising adr editor: West Coast (uncredited) | |
| Daniel Payton | .... | sound editor (TV version) (uncredited) | |
| Stuart Stanley | .... | foley editor (uncredited) | |
Special Effects by | |||
| Scott Garcia | .... | special effects technician | |
| Paul J. Lombardi | .... | special effects coordinator (as Paul Lombardi) | |
| Chuck E. Stewart | .... | assistant special effects | |
| Parry Willard | .... | assistant special effects | |
| Robert G. Willard | .... | assistant special effects | |
| Evan Campbell | .... | sculptor (uncredited) | |
| Terry Erickson | .... | special effects (uncredited) | |
| Wayne Toth | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| John Alagna | .... | optical supervisor | |
| Ben Barron | .... | 3D modeling | |
| Craig Barron | .... | visual effects supervisor: Matte World | |
| Krystyna Demkowicz | .... | executive in charge of production: Matte World Digital | |
| Christopher Evans | .... | chief digital matte artist (as Chris Evans) | |
| Clayton R. Marsh | .... | optical lineup (as Clayton Marsh) | |
| Martin Matzinger | .... | effects editorial | |
| Cameron Noble | .... | matte photography | |
| Paul Rivera | .... | digital composite supervisor | |
| Morgan Trotter | .... | 3D architecture rendering | |
| Michael Ventresco | .... | effects animation | |
| Mark Franco | .... | visual effects executive producer: The Post Group (uncredited) | |
| Rich McKay | .... | camera assistant (uncredited) | |
Casting Department | |||
| Ray Favero | .... | casting associate | |
| Heather McCurdy | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jon Boyden | .... | set costumer | |
| Danna Edwards | .... | key costumer | |
| Oda Groeschel | .... | costumer: Sharon Stone | |
| Nancy McArdle | .... | costume supervisor | |
| Maggie Morgan | .... | assistant costume designer | |
| Valerie T. O'Brien | .... | set costumer | |
| Kenn Smiley | .... | set costumer | |
| Debra Tennenbaum | .... | assistant costume designer | |
| Monique Long | .... | assistant to costume designer (uncredited) | |
Editorial Department | |||
| Scott Brock | .... | assistant editor: lightworks | |
| Pasquale Buba | .... | additional editor | |
| Tom Foligno | .... | second assistant editor (as Thomas Foligno) | |
| Mo Henry | .... | negative cutter | |
| Joel Hirsch | .... | first assistant film editor | |
| Bob Kaiser | .... | color timer | |
| James Y. Kwei | .... | associate editor (as James Kwei) | |
| Beatrice Sisul | .... | apprentice editor | |
| Glenn Allen | .... | assistant editor (uncredited) | |
Music Department | |||
| Bobby Mackston | .... | music editor | |
| Todd Milner | .... | assistant music editor | |
| Robbie Robertson | .... | music consultant | |
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| The Departed | Scarface | Goodfellas | The Professional: Golgo 13 | The Salton Sea |
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Casino is a very good film. If you're at all interested in gangster/mafia films, or if you're at all a fan of director/co-writer Martin Scorsese, novelist/co-writer Nicholas Pileggi, or actors Robert De Niro, Joe Pesci, Sharon Stone or James Woods, then Casino is without a doubt a must-see. I'm a huge De Niro fan, and I'm a fan of Scorsese and Woods as well. I certainly enjoyed the film.
But I don't think that Casino is at all a "perfect" film. An 8 out of 10 may seem high, but if you're familiar with my reviews, you'll know that it's not that high of a score from me--it's closer to average from me. There are plenty of flaws here, and I'm going to spend some time pointing them out, particularly since the film receives so many 10's.
Casino is based on the story of Frank "Lefty" Rosenthal and the Stardust casino in Las Vegas. The Rosenthal character is here named Sam "Ace" Rothstein and is played by De Niro. The hotel became the Tangiers for the film. The mob backs Rothstein but has to set up a false front while Rothstein "secretly" runs the hotel, because of his gambling charges back East. He falls in love with and marries former hooker/call-girl and current Vegas hustler Ginger McKenna (Stone), who remains in love with her pimp, Lester Diamond (Woods). Meanwhile, mob strong-arm Nicky Santoro (Pesci) heads out to Vegas to protect Rothstein, but eventually ends up running his own rackets and trying to effectively take over the town. Casino is the story of the relationship and political problems that this cast of characters and a number of associates run into. It's roughly a gradual road to destruction for everyone involved.
The film is unusual in many ways. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro. The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means. It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery. For at least the first 15 minutes, there is barely a pause in the narrational dialogue.
One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening. He employs a lot of fast cuts while presenting very stylized, documentary-like footage. The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters.
Eventually, the film evolves from almost 100% narration to almost no narration (although the narration never completely leaves the film). This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.
This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours. That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy. All the material is necessary to the story, but it could have been tightened up a lot more.
Another unusual aspect is the score/soundtrack, which consists primarily of pop hits from a wide time span--30 years or more. While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile. It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot. A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better.
Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas. The visuals are filled with neon lights, flashy clothes (I love Rothstein's suits), flashy people and such. The soundtrack is probably meant to match. But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.
That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City. So I can understand the motivation, but I'm not sure the final result exactly worked.
Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods. The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be. For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it. Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning. It tends to make it feel even more stretched out, as you keep anticipating that scene.
But the slight flaws shouldn't stop anyone from seeing this film, and of course, quite a few viewers feel that there are no flaws at all.