A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire and over a fast living and fast loving woman.
The story of Henry Hill and his life through the teen years into the years of mafia, covering his relationship with his wife Karen Hill and his Mob partners Jimmy Conway and Tommy DeVito in the Italian-American crime syndicate.
A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist, while both sides attempt to find balance between their personal and their professional lives.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a preadolescent prostitute in the process.
Robert De Niro,
This Martin Scorsese film depicts the Janus-like quality of Las Vegas--it has a glittering, glamorous face, as well as a brutal, cruel one. Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970's and '80's are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw--Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
As this was to be DP Robert Richardson's first collaboration with Martin Scorsese, the director suggested that they both watch a series of movies from Scorsese's private collection. The director was hoping to convey to his new DP the general "look" he was eager to capture for his movie. Both men viewed, and discussed, T-Men (1947), Raw Deal (1948) and Slightly Scarlet (1956) - all shot by John Alton. Scorsese felt that Alton's photographic style in these films epitomized the film noir aura he wanted Richardson to recreate for Casino (1995). See more »
After Ginger and the man next to her stop playing (at the 22nd minute of the movie), the man says "This $100 is for you, love. Thanks for your time". Then Ginger says "Come on" with a serious expression in her face. Immediately after, the angle of the camera changes while the man says "What's the matter?" and Ginger is laughing. Immediately after again, the camera returns to the first angle and then Ginger has a serious expression again. See more »
When you love someone, you've gotta trust them. There's no other way. You've got to give them the key to everything that's yours. Otherwise, what's the point? And for a while, I believed, that's the kind of love I had.
[Ace's car explodes]
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SPOILER: Nicky is about to finish his narration, he's cut short by the mobsters wanting to whack him. See more »
Casino has to be one of the most underrated films that Martin Scorsese directed in the nineties. The acting by the leads is good and the script is excellent. Robert Deniro gave an Oscar worthy performance and Joes Pesci is chilling yet funny again. Even Sharon Stone is good in this brilliant film
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