| Photos (See all 21 | slideshow) | Videos (see all 2) |
| Emma Thompson | ... | Dora Carrington | |
| Jonathan Pryce | ... | Lytton Strachey | |
| Steven Waddington | ... | Ralph Partridge | |
| Samuel West | ... | Gerald Brenan | |
| Rufus Sewell | ... | Mark Gertler | |
| Penelope Wilton | ... | Lady Ottoline Morrell | |
| Janet McTeer | ... | Vanessa Bell | |
| Peter Blythe | ... | Phillip Morrell | |
| Jeremy Northam | ... | Beacus Penrose | |
| Alex Kingston | ... | Frances Partridge | |
| Sebastian Harcombe | ... | Roger Senhouse | |
| Richard Clifford | ... | Clive Bell | |
| David Ryall | ... | Mayor | |
| Stephen Boxer | ... | Military Rep | |
| Annabel Mullion | ... | Mary Hutchinson | |
| Gary Turner | ... | Duncan Grant | |
| Georgiana Dacombe | ... | Marjorie Gertler | |
| Helen Blatch | ... | Nurse | |
| Neville Phillips | ... | Court Usher | |
| Christopher Birch | ... | Dr. Starkey Smith | |
| Daniel Betts | ... | Porter | |
| Simon Bye | ... | Fly Driver | |
| Marzio Idoni | ... | Gondolier | |
| rest of cast listed alphabetically: | |||
| Eva Gray | ... | Dancer (uncredited) | |
Directed by | |||
| Christopher Hampton | |||
Writing credits(in alphabetical order) | ||
| Christopher Hampton | ||
| Michael Holroyd | book | |
Original Music by | |||
| Michael Nyman | |||
Cinematography by | |||
| Denis Lenoir | |||
Film Editing by | |||
| George Akers | |||
Production Design by | |||
| Caroline Amies | |||
Art Direction by | |||
| Frank Walsh | |||
Costume Design by | |||
| Penny Rose | |||
Makeup Department | |||
| Christine Beveridge | .... | hair stylist (as Chrissie Beveridge) | |
| Christine Beveridge | .... | makeup artist (as Chrissie Beveridge) | |
| Elaine Davis | .... | hair stylist | |
| Elaine Davis | .... | makeup artist | |
| Norma Webb | .... | hair stylist | |
| Norma Webb | .... | makeup artist | |
Production Management | |||
| Rosanna Roditi | .... | production manager: Italy | |
| Chloe Sizer | .... | post-production supervisor | |
Art Department | |||
| Peter Adams | .... | construction run-around | |
| Brian Aldridge | .... | dressing props | |
| Robert Betts | .... | painter (as Lee Betts) | |
| Dennis Bosher | .... | draughtsman | |
| Roger Bowles | .... | draughtsman | |
| Alan Chesters | .... | construction manager | |
| Leigh Chesters | .... | trainee carpenter | |
| Susanna Codognato | .... | art department: Italy | |
| Ciaran Donnelly | .... | carpenter | |
| Judy Ducker | .... | production buyer | |
| Martin Duffy | .... | chargehand carpenter | |
| Peter Duffy | .... | carpenter | |
| Brian Eke | .... | carpenter | |
| Christopher Evans | .... | decorative artist | |
| Davide Fadda | .... | art department laborer: Italy | |
| Nick Ferguson | .... | pastiche artist | |
| Jim Foran | .... | construction supervisor | |
| Barry Gibbs | .... | property master | |
| Jane Gifford | .... | pastiche artist | |
| Claire Grainger | .... | design assistant | |
| Fred Gray | .... | pastiche artist | |
| David Gruar | .... | stagehand | |
| Michael Gunner | .... | chargehand painter | |
| Rebecca Holmes | .... | design assistant | |
| Simon Hutchings | .... | painter | |
| Gary Ixer | .... | stand-by propman | |
| Matt James | .... | painter | |
| Malcolm Keen | .... | painter | |
| David Ned Kelly | .... | stand-by carpenter | |
| J.A. Lenman | .... | painter | |
| David Mears | .... | painter | |
| Martin O'Connor | .... | props run-around | |
| Graham Osten-Lee | .... | carpenter | |
| Darryl Patterson | .... | storeman | |
| Brian Rielly | .... | painter | |
| Nicky Risso-Gill | .... | draughtsman | |
| Raffaele Scarpa | .... | art department laborer: Italy | |
| Andy Semple | .... | assistant art director (as Andrew Semple) | |
| Bob Sherwood | .... | stand-by props | |
| Mike Sotheran | .... | painter | |
| Jim Stanes | .... | graphic artist | |
| Alison Stewart-Richardson | .... | design assistant | |
| Warren Stickley | .... | dressing props | |
| Terry Weaver | .... | painter | |
| Michael Webb | .... | stagehand | |
| Darryl Paterson | .... | props storeman (uncredited) | |
Sound Department | |||
| Jason Adams | .... | assistant sound editor | |
| Ed Colyer | .... | foley mixer (as Edward Colyer) | |
| Felicity Cottrell | .... | foley artist | |
| Graham Daniel | .... | sound re-recording mixer | |
| Sarah Ellis | .... | assistant sound editor | |
| Peter Lindsay | .... | sound mixer | |
| Dennis McTaggart | .... | sound editor | |
| Ray Merrin | .... | sound re-recording mixer | |
| Mervyn Moore | .... | boom operator | |
| Zivi Ronen | .... | sound room trainee | |
| Jupiter Sen | .... | adr editor | |
| Jupiter Sen | .... | foley editor | |
| Jason Swanscott | .... | foley artist | |
| Ted Swanscott | .... | adr mixer | |
Costume and Wardrobe Department | |||
| Jill Avery | .... | wardrobe mistress | |
| Kirsten Hecktermann | .... | assistant costume designer | |
| Loredana Nicolao | .... | seamstress: Italy | |
| Adrian Simmons | .... | wardrobe master | |
Editorial Department | |||
| Bridgette Corbett | .... | cutting room trainee | |
| James Marsh | .... | first assistant editor | |
| Paul Ensby | .... | color timer (uncredited) | |
Transportation Department | |||
| Mike Beaven | .... | unit driver | |
| Jed Bray | .... | unit driver | |
| Dave Carpenter | .... | makeup bus driver | |
| Tom Daly | .... | driver: honeywagon | |
| Alfio Galli | .... | transport: Italy | |
| Fred Harris | .... | truck driver | |
| Enyo Mortty | .... | unit driver | |
| Gary Palmer | .... | dining bus driver | |
| Tony Redman | .... | unit driver | |
| Sid Romain | .... | driver: minibus | |
| Brett Walker | .... | motorhome driver | |
| Simon Walker | .... | motorhome driver | |
| Tony Walker | .... | driver: construction department | |
| Ian Weatherly | .... | wardrobe driver | |
| Ian Young | .... | roadtrain driver | |
Thanks | |||
| Frank Bloom | .... | special thanks | |
| Susie Brown | .... | special thanks | |
| Joanna Carrington | .... | special thanks | |
| Harvey Edgington | .... | special thanks | |
| Teresa Grimes | .... | special thanks | |
| Philippe Hartmann | .... | special thanks | |
| Roger Heath | .... | special thanks | |
| Jane Hill | .... | special thanks | |
| Janet Ibbotson | .... | special thanks | |
| Phil Joanou | .... | special thanks | |
| Barry Krost | .... | special thanks | |
| Mike Newell | .... | special thanks | |
| Aline Perry | .... | special thanks | |
| Bill Stephens | .... | special thanks | |
| Stewart Till | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
This is possibly the best character study made in their last ten years. Taken from a biography of Lytton. This tells an emotionally complete tale of Dora Carrington and her love for Lytton. There is great drama here right from the start. Lytton is a homosexual writer who fancys young men. Dora is a painter who does not want to sleep with her "friend", because she believes its just for the physical (Which the film later shows to be true). Initially Dora is put off by Lytton (as is the viewer) but later as she says to him, She is burdened by one of the most self abasing loves for him. He also in turn loves her. But as he states they can do nothing about sleeping together. This is the contrast which is kept up throughout the whole film. All of Carringtons lovers physically love her body, and one of them even loves her (in a selfish way). But Lytton and Carrington love each other without sex, and their love is the strongest. As with the best Drama's, the character development never stops the whole way through. Each character is so well drawn and acted (Special credit must go to Emma Thompson and Jonathon Pryce, although the rest of the cast is also good) that you know how they are feeling even when it is not directly said or implemented. there is spoken and unspoken conflict in every scene. The two main characters are already in conflict while being in love. She loves him and he loves her but he is only attracted by men. Great drama manages to have conflict in every scene, and this one does. Great music from Micheal Nyman manages to capture the sentiments of this film especially well. So many more things could be said about the excellent narrative structure and lovely cinematography. But to be safe I will simply keep with my opening line. See Carrington. It does not pander to the audiences or ever become exploitational. It is a rare movie where the climax to the film is so fitting that you really can feel the emotion involved in these final frames. This is a film not to be missed.