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Candyman: Farewell to the Flesh (1995)

R | | Horror | 17 March 1995 (USA)
The Candyman arrives in New Orleans and sets his sights on a young woman whose family was ruined by the immortal killer years before.

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Cast

Cast overview, first billed only:
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David Gianopoulos ...
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Joshua Gibran Mayweather ...
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Caroline Barclay ...
Caroline Sullivan
Michael Bergeron ...
Brianna Blanchard ...
Clotiel Bordeltier ...
Liz
Russell Buchanan ...
Kingfisher (voice)
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Storyline

The Candyman moves on to New Orleans and starts his horrific murders once more. This time, his intended victim is a school teacher. Her father was killed by the Candyman, and brother wrongly accused of the murders Written by Rob Hartill

Plot Summary | Add Synopsis

Taglines:

Evil comes when you call his name. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for violence and gore, and for some sexuality and language | See all certifications »

Parents Guide:

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Details

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Release Date:

17 March 1995 (USA)  »

Also Known As:

Candyman 2: Farewell to the Flesh  »

Filming Locations:

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Box Office

Gross:

$13,940,383 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

When Candyman is converted to glass at the end of the movie, the hand that breaks off and falls into the water clearly is a right hand, but his right hand was the one replaced with a hook. See more »

Quotes

Phillip Purcell: I believe in the myth. But the fact, the flesh and blood, no. I'm afraid not.
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Connections

Referenced in Holliston: Laura's Little Twitter (2012) See more »

Soundtracks

Postman
Written and Performed by Eddie Batos
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User Reviews

Unsatisfying
1 September 2000 | by (Waitakere, NZ) – See all my reviews

Unsatisfying but adequate sequel to "Candyman. Instead of focussing on the theme of the original (urban myths) we get an attempt to turn Candyman into a continuity character. The format is very stale although this version of it is stylish (although I have never like Clive Baker's idea that horror consists of depictions of pain). Candyman is not very spooky in this film because we are manipulated to feel sympathy for his plight (his humanity rather than his mythos is emphasised. Without the mythos Candyman is nothing more than a deranged serial killer indulging other people's suicide fantasies but without a will of his own. Hardly the stuff of great horror!) The combination of humanity and lack of free will destroys the narrative (and any suspense which can be derived from it). The essential tension in horror is between the inexplicable and the unexplained. Too much explanation here.


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