Rock-and-roll icon Conrad Birdie is about to go into the Army, and plans are being made to arrange his final going-away concert.

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Won 1 Primetime Emmy. Another 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Sally Mayes ...
Jason Gaffney ...
Blair Slater ...
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Gloria Rasputin
Brigitta Dau ...
Ursula Merkle
Angela Brydon ...
Sad Face Girl
Shelley S. Hunt ...
Alice
Marlowe Gardiner-Heslin ...
Suzie (as Marlowe Windsor-Menard)
Brenna Quan ...
Penelope-Ann
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Storyline

Rock-and-roll icon Conrad Birdie is about to go into the Army, and plans are being made to arrange his final going-away concert.

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TV invites a new generation to fall in love with an old musical See more »

Genres:

Comedy | Drama | Musical

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Details

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3 December 1995 (USA)  »

Also Known As:

Adiós Birdie  »

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1.33 : 1
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Did You Know?

Trivia

Three songs were added for this version not included in any previous one. They include "Let's Settle Down", sung by Rosie to Albert, "A Mother Doesn't Matter Anymore", Mae Peterson's admonishment to her son, and "A Giant Step", a love song for Albert to Rosie. See more »

Goofs

Albert, Rose and Conrad are shown departing from New York's Pennsylvania Station, in the film a terminal with "head-end" outdoor platforms at the same level as the station lobby. In reality, trains ran through Penn Station with platforms on the lower level. See more »

Connections

Version of Bye Bye Birdie (1963) See more »

Soundtracks

Hymn for a Sunday Evening (Ed Sullivan)
Music by Charles Strouse
Lyrics by Lee Adams
Sung by George Wendt, Sally Mayes, Chynna Phillips, Blair Slater and Chorus
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User Reviews

 
Strange casting, bad lighting and boring dance numbers.
16 April 2005 | by (Italy) – See all my reviews

I guess I am coming late to the party. I just saw this 1995 version of Bye Bye Birdy on Sky TV. I didn't know it existed and was fully prepared to see the 1963 film version when I turned it on.

I played Albert a long time ago and I am thinking of putting on an amateur production of the show because I remembered it as being so much fun to do. I was not impressed with this newer version. It just wasn't enough fun. It was not colorful. It lacked the exuberance of youth. The lighting was bad. No one seemed to mention this fact. This is not a moody musical, it is bright and up beat. The lighting decision was a poor creative choice.

Bye Bye Birdy is a farce, a comedy of errors. I got no sense of that in this version. The lighting was awful and it dulled the overall performances. The dance numbers seemed anemic as well. We do have music videos these day. At least the dance numbers should have measured up to some of the best of those, or how about some of the best of Broadway. The choreographer was asleep at the wheel it seemed.

Although all the actors were supremely talented, there were some really bad casting choices. Vanessa Williams is not Latin, and with so many talented Latin performers out there, wouldn't it have been more correct to cast one of them in the role of Rosie. Vanessa is African American, lovely and talented, but bad casting. Jason Alexander's effort was astounding, he always does intelligent work, but he just wasn't Albert. He was miscast and I think that is obvious to most people who see this version.

The medium of film is not the medium of stage. There needs to be translation from one medium to another. The exuberance and the flash of stage musical must be TRANSLATED to film. There is no merit being faithful to a stage script when it is being filmed. The spirit, the essence of the production must be brought forth. To me the 1963 film production of Bye Bye Birdy was bright and lively, while the 1995 production was as gloomy as the lighting and as lackluster as the dance numbers. It turned out to be an unfortunate waste of effort by many really talented people.


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