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Directed by | |||
| Edward Burns | |||
Writing credits(in alphabetical order) | ||
| Edward Burns | writer | |
| Shari Albert | ... | Susan | |
| Maxine Bahns | ... | Audrey | |
| Catharine Bolz | ... | Mrs. McMullen | |
| Connie Britton | ... | Molly McMullen | |
| Edward Burns | ... | Barry / Finbar McMullen | |
| Peter Johansen | ... | Marty | |
| Jennifer Jostyn | ... | Leslie | |
| Mike McGlone | ... | Patrick McMullen | |
| Elizabeth McKay | ... | Ann | |
| Jack Mulcahy | ... | Jack McMullen |
Original Music by | |||
| Seamus Egan | |||
Cinematography by | |||
| Dick Fisher | |||
Film Editing by | |||
| Dick Fisher | |||
Production Management | |||
| Bill Baldwin | .... | post-production supervisor | |
| Anthony Bregman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Eden Goldberg | .... | assistant director | |
| Gallia Hoshia | .... | assistant director | |
Sound Department | |||
| John Anthony | .... | sound mixer | |
| Steve Borne | .... | supervising sound editor | |
| Christian Castellano | .... | adr recordist | |
| Jonathan Cronin | .... | assistant sound editor | |
| Sabine Hoffmann | .... | sound editor | |
| Bobby Johanson | .... | adr recordist | |
| George A. Lara | .... | foley recordist (as George Lara) | |
| Rich Leeds | .... | boom operator | |
| Mike Marson | .... | production sound mixer | |
| Branka Mrkic | .... | additional sound editor | |
| Frank Navas | .... | boom operator | |
| Scott Pittinsky | .... | sound editor | |
| Mario Porporino | .... | production sound mixer | |
| Rocky Reid | .... | sound editor | |
| Steve Silkensen | .... | additional adr recordist: Spin Cycle Post | |
| Stefan Springman | .... | production sound mixer | |
| Reilly Steele | .... | post-production sound mixer: Sound One | |
| Dominick Tavella | .... | additional sound mixer: Sound One | |
| Brian Vancho | .... | foley artist | |
| Andrew Yarme | .... | production sound mixer | |
Camera and Electrical Department | |||
| Sal Coniglio | .... | assistant camera | |
| Kenny Gronningsater | .... | steadicam operator | |
| Leigh Rathner | .... | assistant camera | |
| Andrew Yarme | .... | assistant camera | |
Editorial Department | |||
| Kent McGrew | .... | color timer | |
| Dan O'Grady | .... | negative matcher: JG Films | |
| David Pultz | .... | color timer | |
Music Department | |||
| Michael Aharon | .... | composer: additional music | |
| Michael Aharon | .... | music producer | |
| John Anthony | .... | music mixer | |
| Thomas S. Drescher | .... | music editor | |
| Thomas S. Drescher | .... | music supervisor (as Thomas Drescher) | |
| Kristen M. Johnson | .... | assistant music editor | |
| Mick Moloney | .... | musician | |
Other crew | |||
| Glen Basner | .... | production assistant | |
| Chris Cereda | .... | production assistant | |
| Danielle Dos Santos | .... | script supervisor | |
| Peter Himmelstein | .... | title designer | |
| Chris McGovern | .... | production assistant | |
| Molly McKenna Burns | .... | caterer: Fine Irish Cooking | |
| Paul J. Memmi | .... | translator | |
| Nadje | .... | production assistant | |
| Mick Reed | .... | production assistant | |
| John Sloss | .... | legal services: Sloss Law Office | |
Thanks | |||
| Alexandre Naufel | .... | special thanks | |
| Robert Redford | .... | special thanks | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |