| Photos (See all 15 | slideshow) | Videos (see all 2) |
| Shari Albert | ... | Susan | |
| Maxine Bahns | ... | Audrey | |
| Catharine Bolz | ... | Mrs. McMullen | |
| Connie Britton | ... | Molly McMullen | |
| Edward Burns | ... | Barry / Finbar McMullen | |
| Peter Johansen | ... | Marty | |
| Jennifer Jostyn | ... | Leslie | |
| Michael McGlone | ... | Patrick McMullen (as Mike McGlone) | |
| Elizabeth McKay | ... | Ann | |
| Jack Mulcahy | ... | Jack McMullen |
Directed by | |||
| Edward Burns | |||
Writing credits(in alphabetical order) | ||
| Edward Burns | ||
Produced by | |||
| Bill Baldwin | .... | associate producer | |
| Anthony Bregman | .... | associate producer | |
| Edward Burns | .... | producer | |
| Edward J. Burns | .... | executive producer | |
| Dick Fisher | .... | producer | |
| Ted Hope | .... | executive producer | |
| Joe Pichirallo | .... | production executive | |
| Judy Richter | .... | associate producer | |
| James Schamus | .... | executive producer | |
| Mary Jane Skalski | .... | associate producer | |
Original Music by | |||
| Seamus Egan | |||
Cinematography by | |||
| Dick Fisher | |||
Film Editing by | |||
| Dick Fisher | |||
Production Management | |||
| Bill Baldwin | .... | post-production supervisor | |
| Anthony Bregman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Eden Goldberg | .... | assistant director | |
| Gallia Hoshia | .... | assistant director | |
Sound Department | |||
| John Anthony | .... | sound mixer | |
| Steve Borne | .... | supervising sound editor | |
| Christian Castellano | .... | adr recordist | |
| Jonathan Cronin | .... | assistant sound editor | |
| Sabine Hoffmann | .... | sound editor | |
| Bobby Johanson | .... | adr recordist | |
| George A. Lara | .... | foley recordist (as George Lara) | |
| Rich Leeds | .... | boom operator | |
| Mike Marson | .... | production sound mixer | |
| Branka Mrkic | .... | additional sound editor | |
| Frank Navas | .... | boom operator | |
| Scott Pittinsky | .... | sound editor | |
| Mario Porporino | .... | production sound mixer | |
| Rocky Reid | .... | sound editor | |
| Steve Silkensen | .... | additional adr recordist: Spin Cycle Post | |
| Stefan Springman | .... | production sound mixer | |
| Reilly Steele | .... | post-production sound mixer: Sound One | |
| Dominick Tavella | .... | additional sound mixer: Sound One | |
| Brian Vancho | .... | foley artist | |
| Andrew Yarme | .... | production sound mixer | |
Camera and Electrical Department | |||
| Sal Coniglio | .... | assistant camera | |
| Kenny Gronningsater | .... | Steadicam operator | |
| Leigh Rathner | .... | assistant camera | |
| Andrew Yarme | .... | assistant camera | |
Editorial Department | |||
| Kent McGrew | .... | color timer | |
| Dan O'Grady | .... | negative matcher: JG Films | |
| David Pultz | .... | color timer | |
Music Department | |||
| Michael Aharon | .... | composer: additional music | |
| Michael Aharon | .... | music producer | |
| John Anthony | .... | music mixer | |
| Thomas S. Drescher | .... | music editor | |
| Thomas S. Drescher | .... | music supervisor (as Thomas Drescher) | |
| Kristen M. Johnson | .... | assistant music editor | |
| Mick Moloney | .... | musician | |
Other crew | |||
| Glen Basner | .... | production assistant | |
| Chris Cereda | .... | production assistant | |
| Danielle Dos Santos | .... | script supervisor | |
| Peter Himmelstein | .... | title designer | |
| Chris McGovern | .... | production assistant | |
| Molly McKenna Burns | .... | caterer: Fine Irish Cooking | |
| Paul J. Memmi | .... | translator | |
| Nadje | .... | production assistant | |
| Mick Reed | .... | production assistant | |
| John Sloss | .... | legal services: Sloss Law Office | |
Thanks | |||
| Alexandre Naufel | .... | special thanks | |
| Robert Redford | .... | special thanks | |
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| Alpha Males Experiment | She's the One | The Lonely Passion of Judith Hearne | Personal Velocity: Three Portraits | Ash Wednesday |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I just finished watching this on TV. The story is about several weeks in the lives of three bothers. Circumstances (what they are is unimportant) have caused the two younger bachelor brothers to move in with their older married brother and his family. The script explores the relationships between three loving Irish Catholic American brothers, each with a distinctive personality, and the relationships each has with the women in their lives. It's about real love and romance (not the sappy romantic comedy type), fears of commitment, and the twists and turns these men go through in dealing with that aspect of their lives.
Their Catholicism has a lot to do with the story. At one point Patrick says to his Jewish girl friend, "I go to Church every week; you go to Temple only once or twice a year." She replies, "Yes, but your religion is crazy." Although the most religious of the three, Patrick, goes against the Church's teachings in that he uses condoms; but, he worries about going to Hell should he commit other serious sin.
Marriage to all of them means a life-long commitment. Their mother's life set the standard for them. She had lived 35 years in a forced, loveless marriage until her husband passed away. That freed her to go to the man she had been in love with when circumstances caused her to marry the boys' father. Abortion was out of the question, as was divorce.
Ed Burns is credited with writing and directing the film and he also is very credible as the middle brother. While the entire cast made their characters seem real, the actor who in my mind stood out is Mike McGlone, who plays Patrick, the youngest brother who has a kind of altar boy personality. Perhaps Ed Burns' choice of camera angles gets some of the credit for making his performance particularly memorable, but McGlone brought something special to that part.