Claudia has lived all her life in a small, seaside, blue-collar town, hanging out with the same group of friends since grade school. Now she's waiting tables in a greasy spoon to help ... See full summary »
This angst-filled tale of three Irish-Catholic brothers explores men's relationships with women. Three different situations are set up on parallel plotlines, with each brother facing a different kind of crisis. Their common bond as family, as well as close lifelong friends, allows them to express their feelings frankly and intimately, as they talk and discuss their concerns among each other. Jack finds himself in a marriage gone stale and under pressure to start a family that he does not yet feel ready for. Barry, dedicated to his film career and almost pathologically averse to any type of commitment in a relationship, is suddenly artistically successful and finds true love, both for the first time and both pulling him in opposite directions. Patrick is torn between his love for his religion and ethnic heritage and his love for Susan, his longtime Jewish girlfriend. Ultimately, they are all asked to resist temptation of one sort or another, with various poignant outcomes. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Seamus Egan, who composed much of the music on the soundtrack, was on a tour of New England when his car broke down. He was put up for the night by a local couple he had never met, whose adult son happened to be visiting for the weekend. They loaned Seamus their own car so he could finish the tour. In gratitude, Seamus (and bluegrass musician Dirk Powell) gave them copies of their CDs, they only gift they could afford at the time. The son turned out to be Andy Yarme, a technician working on the film in New York. The CDs found their way to Ed Burns, who in turn called Seamus and asked if he could use some of the music on the film. After the film was picked up by Sundance, the music was remastered, and due to the increased budget, Sarah McLachlan was brought on board. Together, they re-wrote Seamus' instrumental "Weep Not For the Memories", creating the hit "I Will Remember You". McLachlan's video for the song following its release as a single cost three times to make as the entire Brothers McMullen production. See more »
The bags that Audry is holding when she embraces Barry. See more »
Jesus! How about a mercy flush...?
Hey, I'm going to the bathroom here. Whatdja expect it to smell like...?
Yeah? Well, you ought to be going to a doctor. Either that or I'll get Molly to change butchers.
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First time i saw this 10 years ago, i thought it was pretty good. Its been on cable more lately and found myself watching it a couple more times,and its grown on me more. Its funny at times. Also very serious at others. As sorta a non practicing Irish Catholic myself, It brought home allot of situations i can relate to. Its also sorta a NY type comedy, with the language and City backgrounds. Covers allot of relationship topics. I sorta call this a chick flick for guys. None of that stupid comedy/phony romance type movie you often see nowadays. But more real life situation. Little things, like the fight Burns has with his brother over drinking a beer in the morning. Now thats the way it is in real life.
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