Johnny Rizzo, is about to trade his dream job in talk radio for some snooze-ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a ... See full summary »
Claudia has lived all her life in a small, seaside, blue-collar town, hanging out with the same group of friends since grade school. Now she's waiting tables in a greasy spoon to help ... See full summary »
A painter who finds success (and true love) after a pickpocket steals one of his works, gives it a false authorship and promotes the imaginary artist to instant success so he can cash in on his ill-gotten gains.
Set in 1967 in New York City's Public Morals Division, where cops walk the line between morality and criminality as the temptations that comes from dealing with all kinds of vice can get the better of them.
This angst-filled tale of three Irish-Catholic brothers explores men's relationships with women. Three different situations are set up on parallel plotlines, with each brother facing a different kind of crisis. Their common bond as family, as well as close lifelong friends, allows them to express their feelings frankly and intimately, as they talk and discuss their concerns among each other. Jack finds himself in a marriage gone stale and under pressure to start a family that he does not yet feel ready for. Barry, dedicated to his film career and almost pathologically averse to any type of commitment in a relationship, is suddenly artistically successful and finds true love, both for the first time and both pulling him in opposite directions. Patrick is torn between his love for his religion and ethnic heritage and his love for Susan, his longtime Jewish girlfriend. Ultimately, they are all asked to resist temptation of one sort or another, with various poignant outcomes. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Shooting took place from autumn 1993 to spring 1994. See more »
At the end of the movie, the two main characters are on the sidewalk talking, and a New York trash can jumps back and forth all around them between shots. See more »
[holds up a banana]
Man is like a banana. Strong and firm, bright and phallic, and he's protected by his all-important shield. But, when a woman comes along, you know, she sees this bright phallic beast and she wants it. So, she starts peeling away your all-important shield.
[peels the banana]
First, she wants to see your romantic side, then she wants to see your passionate side, finally she wants to see your soft, caring, feminine side. She keeps peeling and peeling until you're left there buck ...
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Fifteen thousand pounds to many is a great deal of money, but in Hollywood it'd barely make a runner's salary. So really it's an unbelievable effort to produce a movie for this amount of money and win a Grand Jury Prize at the Sundance Film Festival in 1995, as well as recognition for Ed Burns as an all-round director/actor/producer/writer extraordinaire. The end product being The Brothers McMullen; a project made literally in his own backyard, using his own friends and associates as his crew (such as his 'then' girlfriend who is his girlfriend in the film and his friend).
The protagonist is Burns' character Barry, the middle brother, who is the wittiest, has the sharpest lines, and many would think the film is partly autobiographical because of this. Barry is a writer, jumps from woman to woman, makes wise guy remarks, and then he meets Audrey, played by Maxine Bahns, and is forced to get over his fear of commitment. How does he deal with it? Jack, the older brother, is a middle-aged teacher, who's quieter and loves his wife, but has to deal with the feelings of infidelity. How does he deal with it? Then there's Patrick, the younger religious sibling, a do-gooder who's soon to get married into a Jewish family, but he gets cold feet. Then hot feet. Then cold feet. He then gets his fiancé pregnant. Then he meets someone else. He then has to deal has to deal with the guilt. Or does he learn not to? Three very different brothers, the three Irish New Yorkers feed each other their advice and wisdom of love. It's not an original plot, but it works. Conversations flow from JFK, women, families, love, alcohol, their violent father, to family bonding, with a whole lot of swearing in between and Irish fiddle music in the background. Burns is something of a Plastic Paddy. Nevertheless, there's a lot of great word play, the plot isn't pretentious or trying to be too clever. It's heart-warming, without being soppy.
Minus points: one can appreciate Burn is an all-rounder, but he should maybe step outside his own box and become a character in the movie stop writing and starring as himself it's a bit egotistical. The acting was a bit amateur, especially Maxine Bahns though this can be forgiven for the fact they were at the time just that - amateurs. The editing was a bit disjointed in places. It doesn't flow as well as it could do. Then again, it only cost, as stated £15,000. It has to be expected.
I appreciated it a lot. A debut movie, that cost £15,000, cannot get much better. If you like Irish-American culture, take pleasure of budget movies and enjoy witty rom-coms try this.
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