The path of Francesca Johnson's future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Illinois state fair in the summer of 1965, Robert Kincaid happens turn into the Johnson farm and asks Francesca for directions to Roseman Bridge. Francesca later learns that he was in Iowa on assignment from National Geographic magazine. She is reluctant seeing that he's a complete stranger and then she agrees to show him to the bridges and gradually she talks about her life from being a war-bride from Italy which sets the pace for this bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes her thoughts of the four-day love affair which took up three journals. The journals are found by her children after the lawyer was going over Francesca's will and ... Written by
Mark Fleetwood <firstname.lastname@example.org>
One of the few PG-13 rated movies to use the word "fuck" in a sexual context (Francesca's line "...or should we just fuck on the linoleum one last time?"). The MPAA originally rated it R solely because of this line, but Clint Eastwood successfully appealed them to re-rate it. See more »
When Francesca is walking in town, the crew can be seen squatting down in the store windows' reflection. See more »
This is an understated romanctic film. This is probably down to the competent directing from Eastwood, and the exceptional acting ability of Streep, which she executes without much effort - at least it appears that way! Streep's character, Francesca, who is somewhat of a dreamer, was in search of an illusionary life, which was unobtainable, mainly because it only existed inside her head of fantasies. Indeed, the fantasy of the romance is only her interpretation of it via her journals. In reality, her romantic interlude would have turned sour because it would not live up to her expectations in everyday life, just as her idea of the American way of life didn't, being married to an ordinary farming lad.
As an Italian homemaker, Francesca is stereotyped from the start as the opera loving romantic, cooking breakfast for a largely unappreciative family in a mundane world, which she once viewed through rose tinted spectacles, whilst daydreaming back home in Italy.
The film's message is that romance can be deceptive, in that it misleads women into mundane lives that bear no reality to what they have been taught about it. But, women who crave romance, should demand it, and not be afraid to ask for it, or to admit to liking it for that matter. This is what Francesca should have done with her husband.
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