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The Bridges of Madison County (1995)

PG-13 | | Drama, Romance | 2 June 1995 (USA)
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Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson, for four days in the 1960s.

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Writers:

(screenplay), (novel)
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2,954 ( 1,292)
Nominated for 1 Oscar. Another 6 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Sarah Kathryn Schmitt ...
...
Phyllis Lyons ...
...
Richard Lage ...
Lawyer Peterson
...
Alison Wiegert ...
Child #1
Brandon Bobst ...
Child #2
Pearl Faessler ...
Wife
R.E. 'Stick' Faessler ...
Husband
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Storyline

The path of Francesca Johnson's future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Illinois state fair in the summer of 1965, Robert Kincaid happens turn into the Johnson farm and asks Francesca for directions to Roseman Bridge. Francesca later learns that he was in Iowa on assignment from National Geographic magazine. She is reluctant seeing that he's a complete stranger and then she agrees to show him to the bridges and gradually she talks about her life from being a war-bride from Italy which sets the pace for this bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes her thoughts of the four-day love affair which took up three journals. The journals are found by her children after the lawyer was going over Francesca's will and ... Written by Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 on appeal for some sexuality and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

2 June 1995 (USA)  »

Also Known As:

Los puentes de Madison  »

Filming Locations:

 »

Box Office

Budget:

$35,000,000 (estimated)

Gross:

£500,343 (UK) (15 September 1995)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Despite the fact that this was filmed in the standard spherical format, "Filmed in Panavision" is listed in the end credits. See more »

Goofs

When they went to the bar (the place off the interstate) the first time they show the band on stage playing the bass player is a white guy and he is playing a old style upright bass. Moments later the bass player is now a black guy playing a Fender electric bass guitar. However some jazz bands do use two bass players at the same time, specially one upright bass and one electric bass, so this may very well be incorrectly regarded as goof. See more »

Quotes

Robert Kincaid: I don't want to need you, 'cause I can't have you.
See more »

Connections

Referenced in Caroline in the City: Caroline and the Free Cable (1997) See more »

Soundtracks

Soft Winds
Written by Fletcher Henderson and Fred Royal
Performed by Dinah Washington with Hal Mooney and His Orchestra
Courtesy of Mercury Records
By Arrangement with PolyGram Special Markets
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User Reviews

 
Meryl from Bari
26 September 2007 | by (Italy) – See all my reviews

When the soul of a movie is reflected in an actor's eyes then you have a miracle, you have something that's going to last. Meryl Streep in "The Bridges Of Madison County" is such a miracle to me. I never thought for a moment that she, no matter how wonderful an actress she is, could fool me. Meryl Streep could never be Italian. Well, there I was, thinking and pre-judging like people I detest. I was so wrong. Not just because she fooled me, although there is no fooling involved here. She won me over. I forgot she was Meryl Streep, the actress, and I lived Francesca's story to the fullest because, I suppose, that's the mystery of great acting, I was confronted by her sheer undiluted truth. The truth in her eyes in every one of her gestures. The truth on her brow. Her thinking, transparent. Clint Eastwood does the right thing putting the entire film at her service and placing himself as the foil to liberate that powerful latent side of Francesca. I though it was ironic and I'm not sure if was meant to be that a wonderful woman like Francesca will sacrifice, what could arguably be call the love of her life, for those children. The grown children's mediocrity was kind of shocking to me. Will the revelation of their mother's secret, reveal a latent, greater side to their natures. I hope so. Francesca deserved extraordinary children. Try no to miss this little miracle.


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