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Directed by | |||
| Mel Gibson | |||
Writing credits(WGA) | ||
| Randall Wallace | (written by) | |
Produced by | |||
| Bruce Davey | .... | producer | |
| Mel Gibson | .... | producer | |
| Alan Ladd Jr. | .... | producer | |
| Dean Lopata | .... | associate producer | |
| Stephen McEveety | .... | executive producer | |
| Elisabeth Robinson | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| John Toll | |||
Film Editing by | |||
| Steven Rosenblum | |||
Casting by | |||
| Patsy Pollock | |||
Production Design by | |||
| Thomas E. Sanders | (as Tom Sanders) | ||
Art Direction by | |||
| Ken Court | |||
| Nathan Crowley | |||
| Daniel T. Dorrance | (supervising art director) (as Dan Dorrance) | ||
| John Lucas | |||
| Ned McLoughlin | |||
Set Decoration by | |||
| Peter Howitt | |||
Costume Design by | |||
| Charles Knode | |||
Makeup Department | |||
| Lois Burwell | .... | makeup artist: Mr. Gibson | |
| Francesca Crowder | .... | hair stylist | |
| Eileen Doyle | .... | hair stylist | |
| Anne Dunne | .... | hair styles supervisor | |
| Peter Frampton | .... | key makeup artist | |
| Jennifer Hegarty | .... | crowd makeup supervisor | |
| Amanda Knight | .... | makeup artist | |
| Beryl Lerman | .... | makeup artist | |
| Sue Love | .... | hair stylist: Mr. Gibson | |
| Fernandes Mendes | .... | hair stylist: Ms. Marceau | |
| Maire O'Sullivan | .... | makeup supervisor | |
| Paul Pattison | .... | key hair stylist | |
| Barry Richardson | .... | hair stylist | |
| Annie Townsend | .... | hair stylist | |
| Kevin Murnane | .... | trainee makeup artist (uncredited) | |
| Conor O'Sullivan | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Mary Alleguen | .... | production manager | |
| Kevin De La Noy | .... | unit manager | |
| Ted Morley | .... | production supervisor | |
Art Department | |||
| Terry Apsey | .... | construction manager | |
| Russ Bailey | .... | construction manager | |
| Ken Barley | .... | head of department plasterer | |
| Eddie Butler | .... | sculptor | |
| Graham Caulfield | .... | supervising drape | |
| Triona Coen | .... | dressing props | |
| Bob Douglas | .... | chargehand prop storeman | |
| Belinda Edwards | .... | property buyer | |
| Cos Egan | .... | propman | |
| Ken Ferguson | .... | draughtsman | |
| Mike Fowlie | .... | chargehand dressing propman | |
| John Graham | .... | chargehand propman | |
| Jimmy Kavanagh | .... | drapes | |
| Michael King | .... | construction buyer | |
| Clare Langan | .... | assistant art director | |
| Owen Murnane | .... | master painter | |
| John New | .... | assistant construction manager | |
| Ron Newvell | .... | head of department rigger | |
| Tony Nicholson Jr. | .... | assistant props | |
| Padraig O'Neill | .... | assistant art director | |
| Lisa Parker | .... | art department coordinator | |
| Mickey Pugh | .... | stand-by chargehand props | |
| Gerry Quigley | .... | stand-by stagehand | |
| Anna Rackard | .... | assistant art director | |
| Brendan Rankin | .... | assistant art director | |
| Douglas Regan | .... | supervising painter | |
| Darren Reynolds | .... | dressing props | |
| Bobby Richardson | .... | chargehand painter | |
| Neil Ross | .... | production illustrator | |
| Kenneth Stachini | .... | head of department stagehand | |
| Adrian Start | .... | head of department painter | |
| Dan Sweetman | .... | storyboard artist | |
| Noel Walsh | .... | propman | |
| Jake Wells | .... | propman | |
| John Wells | .... | dressing props | |
| Terry Wells Jr. | .... | propman | |
| Terry Wells | .... | property master | |
| Mickey Woolfson | .... | stand-by propman | |
| Jane Henwood | .... | art department assistant (uncredited) | |
| Thomas Martin | .... | supervising carpenter (uncredited) | |
| Frank Matthews | .... | supervising plasterer (uncredited) | |
| Philip Murphy | .... | props (uncredited) | |
| Dicken Warner | .... | thatcher (uncredited) | |
Special Effects by | |||
| Nick Allder | .... | chief special effects | |
| Peter Ch. Arnold | .... | special effects senior technician | |
| Robert Bromley | .... | special effects senior technician | |
| Steve Crawley | .... | special effects senior technician | |
| Gerry Johnston | .... | special effects senior technician | |
| Graham Longhurst | .... | special effects senior technician | |
| Neil Swan | .... | special effects senior technician | |
| Dave Chagouri | .... | prop maker (uncredited) | |
Visual Effects by | |||
| Tricia Henry Ashford | .... | visual effects executive producer (as Tricia Ashford) | |
| Kirk Cadrette | .... | digital animator | |
| Marsha Gray Carrington | .... | digital animator | |
| Michael L. Fink | .... | visual effects supervisor (as Michael Fink) | |
| Tim Guyer | .... | digital animator | |
| Greg Kimble | .... | digital animator | |
| Laurel Klick | .... | digital animator | |
| Stuart McAra | .... | additional digital compositor | |
| Joel Merritt | .... | digital animator | |
| Steven T Puri | .... | visual effects producer | |
| Andy Rosen | .... | digital animator (as Andrew Rosen) | |
| Janek Sirrs | .... | visual effects | |
| Chris Sjoholm | .... | digital animator | |
| Amie Slate | .... | digital animator | |
| Larry Weiss | .... | digital animator | |
| Janet Yale | .... | additional digital compositor | |
| Martin Body | .... | motion control camera assistant (uncredited) | |
| Stella Bogh | .... | digital compositor (uncredited) | |
| Noel Donnellon | .... | video assist operator: visual effects unit (uncredited) | |
| José Granell | .... | model unit supervisor (uncredited) | |
| Pete Hanson | .... | studio manager: CFC (uncredited) | |
| Brendan Lonergan | .... | sculptor (uncredited) | |
| Joe Pavlo | .... | digital artist (uncredited) | |
| Linda Renaud | .... | I/O manager (uncredited) | |
| Marc Rubone | .... | rotoscope and animation (uncredited) | |
| Eric Withee | .... | digital film technician: RGA/LA (uncredited) | |
Casting Department | |||
| Anne Campbell | .... | extras casting coordinator | |
| Leo Davis | .... | casting associate | |
| Julia Duff | .... | casting associate | |
| Manus Hingerty | .... | extras casting coordinator | |
| Jina Jay | .... | casting associate | |
| Georgina O'Connor | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Barber | .... | costumer | |
| Al Barnett | .... | costume assistant | |
| Russell Barnett | .... | costumer | |
| Frances Hill | .... | costumer | |
| Justine Luxton | .... | costume design assistant | |
| Rhona McGuirke | .... | wardrobe supervisor | |
| Penny McVitie | .... | costumer | |
| Mathilde Sandberg | .... | costume painting and dyeing | |
| David Whiteing | .... | wardrobe master | |
| Allison Wyldeck | .... | wardrobe mistress | |
| Elvis Davis | .... | key set costumer (uncredited) | |
| Edwin Francis | .... | costume coordinator: Rome (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Victor Du Bois | .... | additional film editor (as Victor DuBois) | |
| Paula Greatbatch | .... | assistant film editor (as Paula Suhy) | |
| Terry Haggar | .... | color timer | |
| Sheila MacDowell | .... | assistant editor: lightworks | |
| Paul Martinez | .... | assistant film editor | |
| Pablo Prietto | .... | apprentice film editor | |
| Laura Steiger | .... | apprentice film editor | |
| Cynthia E. Thornton | .... | first assistant film editor | |
| Paul Topping | .... | assistant film editor: location unit | |
| Matthew Tucker | .... | assistant film editor: location unit | |
| Ben Yeates | .... | assistant film editor: location unit | |
| William Yeh | .... | assistant editor: lightworks | |
| Jim Suhy | .... | assistant editor: lightworks (uncredited) | |
Music Department | |||
| Christine Cholvin | .... | assistant music editor | |
| Jim Henrikson | .... | music editor | |
| Tony Hinnigan | .... | musician: kena/whistle, London Symphony Orchestra (as Tony Hinnegan) | |
| James Horner | .... | musician: keyboards | |
| James Horner | .... | orchestrator | |
| Shawn Murphy | .... | music mixer | |
| Shawn Murphy | .... | music recordist | |
| Eric Rigler | .... | london symphony orchestra - uilleann pipes | |
| Mike Taylor | .... | london symphony orchestra - bodhran drum & whistle | |
| Ian Underwood | .... | london symphony orchestra - synth programming | |
| Dennis Dreith | .... | additional orchestrator (uncredited) | |
| James Horner | .... | conductor (uncredited) | |
| Lee Scott | .... | music editor (uncredited) | |
| Andrew Silver | .... | preview music editor (uncredited) | |
Transportation Department | |||
| Brian Baverstock | .... | transportation liaison | |
| Fred Chiverton | .... | transportation | |
| Peter Devlin | .... | transportation | |
| Gerry Fearon | .... | transportation captain | |
| Willie Fonfe | .... | transportation coordinator | |
| Bob 'Heart Attack' Lilley | .... | transportation | |
| Peter Doyle | .... | unit car driver (uncredited) | |
| Andrew Simpson | .... | atv operator (uncredited) | |
| Andy Thomson | .... | driver: facility/truck (uncredited) | |
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| Beowulf | The Lord of the Rings: The Return of the King | The Lord of the Rings: The Two Towers | Gladiator | 300 |
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This epic tale of patriotism, love and conflict opens with a birds eye view which takes you through mist and air out onto an open loch with scenic mountains in the background. This is accompanied by stirring bagpipe music, and shortly by the start of a narrative by Robert the Bruce.
After a short introduction of a young William Wallace, involving his fathers death and his first step into warrior-hood, we are taken to present day England where Edward Longshank's tight rule over Scotland is getting increasingly harsh. Enter a fully grown Wallace (a rugged long-haired Gibson) who is back to start a family and a new life. He soon meets Muran, a girl who he remembered from way back. He and Muran fall in love and shortly get a private nighttime marriage, as a public one would result in the 'Prima Nocte' rule being enforced.
Unfortunately, one of the English soldiers controlling their village confronts a scared Muran and forces her into a quiet spot. William leaps to Muran's rescue and all hell ensues. The commanding officer executes Muran promptly for assault on one of the King's men as she bit him whilst defending herself. She was supposed to meet William at a secret spot after she was rescued but was knocked off the horse.
William returns to the village on horseback to give himself in, but he has other plans. The uprising that ensues is one of the most pulse racing and exciting fights that has ever graced the silver screen IMO. This is the spark that starts off the Scottish revolution for freedom. Soon, other clans join Wallace, then whole towns stand by him. He soon finds himself on the fields of Stirling for a real showdown. I thought I'd give you the first hour in a nutshell, the rest of the movie revolves around Wallace, Longshanks and the Queen of France as they all fight for their own cause.
The battle scenes are ground breaking and upfront, the senses of comradeship, love, patriotism and courage all take a stand throughout the film. The music adds further to the epic, be it sad and haunting tunes, or strong and stirring bagpipe anthems. Wallace is portrayed as a beacon of strength and power, not to mention a much honoured leader. Sometimes Gibson takes his character a little too far, but the title Braveheart is one that is implied to Wallace's qualities. The films dramatic and moving ending is a good finish to a superb and powerful film.