Blue in the Face (1995)

User Rating:

6.4/10   

Directors:

Paul Auster
Wayne Wang

Writers:

Paul Auster (situations) and
Wayne Wang (situations)

Release Date:

13 October 1995 (USA)

Genre:

Comedy

Tagline:

Welcome to the planet Brooklyn.

Plot:

Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together...

Plot Keywords:

Sequel | Ad Lib | Cigar Shop | Color In Title | Brooklyn New York

Awards:

2 nominations

Cast

Lou Reed	...	Man with Strange Glasses
Michael J. Fox	...	Pete Maloney
Roseanne	...	Dot
Mel Gorham	...	Violet
Jim Jarmusch	...	Bob
Lily Tomlin	...	Waffle Eater
Jared Harris	...	Jimmy Rose
Giancarlo Esposito	...	Tommy Finelli
Malik Yoba	...	Watch Man
José Zúñiga	...	Jerry (as Jose Zuniga)
Victor Argo	...	Vinnie
Stephen Gevedon	...	Dennis
The John Lurie National Orchestra	...	Street Band
Madonna	...	Singing Telegram
Sharif Rashed	...	Purse Snatcher

Also Known As:

Brooklyn Boogie (UK)

Runtime:

83 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Brazil:14 | USA:R (No. 33629) | Australia:M | Finland:S | Germany:12 | Italy:T | Portugal:M/12 | Spain:T | Sweden:7 | UK:15 | Iceland:L

Filming Locations:

Brooklyn, New York City, New York, USA

Company:

Miramax Films

Trivia:

Jim Jarmusch's scene was originally intended for William Hurt who was to reprise his role from Smoke (1995). But Hurt was unavailable.

Goofs:

Continuity: Dot bolts the store door to talk with Auggie, then leaves without unlocking it.

Quotes:

Man with Strange Glasses: I don't know anyone in New York who doesn't say 'I'm leaving'. I've been thinking of leaving New York for... uh... thirty-five years now.

Movie Connections:

Featured in "De zomer draait door: (#2.18)" (2009)

Soundtrack:

Himene Tatou

A romantic view of Brooklyn, excellent improvisation.

Blue in the face might be boring to many because it doesn't follow a standard hollywood paradigm of rising action, climax, resolve. It is more documentary style, although fictitious, and quickly jumps from story to story and character to character. The editing is an interesting component because it successfully brings together disparate themes and characters (who are improvising their lines and stories to some degree). This and some fantastical elements provide a very romanticized view of Brooklyn. Altogether a cohesive piece with some nice performances and some insight into what it is to growup and live in a special loved place.