Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential ... See full summary »
Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential humanity. Many of the same characters inhabiting Auggie Wren's Brooklyn Cigar Store in Smoke return here to expound on their philosophy of smoking, relationships, baseball, New York, and Belgian Waffles. Most of all, this is a movie about living life, off-the-cuff. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Dot bolts the store door to talk with Auggie, then leaves without unlocking it. See more »
Man with Strange Glasses:
I'm scared 24 hours a day, but not necessarily in New York.I actually feel pretty comfortable in New York.I get scared like in Sweden.You know, it's kind of empty. They're all drunk.Everything works.If you, you know... If you stop at a stop light and don't turn your engine off... people come over and talk to you about it.You open the medicine cabinet and there'll be a poster saying..."In case of suicide, call..."
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Situations Created in collaboration with THE ACTORS See more »
Performed by David Byrne and Selena
Written by David Byrne
Published by Moldy Fig Music (BMI)
David Byrne appears courtesy of Luaka Bop/Warner Brothers Records Inc.
Selena appears courtesy of EMI Latin Records See more »
A companion piece to Smoke rather than a sequel, and as such it works well enough, but the fact that it's made mostly of outtakes and improvisations is easily detectable, and it feels far too disjointed, while still trying rather feebly for a coherent storyline, especially in the epilogue. However, the acting is good enough that many scenes shine through, some of the cameos feel forced but most of them are spot-on (brilliant appearances from Madonna, Roseanne and Jim Jarmusch especially) and it's enjoyable for fans of the original Smoke as well as Jarmusch fans, although all too often it feels like a Jarmusch carbon copy that doesn't have Jim's unique spark and vision.
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