Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential ...
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In 1927, in Kingdom County, Vermont, a large dam is to be built; however, Noel Lord, a logger and cedar-oil harvester, won't give up his lifetime lease on land that will be flooded. The dam... See full summary »
It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's ... See full summary »
Internationally acclaimed novelist Paul Auster ("New York Trilogy", "The Book of Illusions", "Man in the Dark") explores the art of writing in the darkly comical THE INNER LIFE OF MARTIN ... See full summary »
Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential humanity. Many of the same characters inhabiting Auggie Wren's Brooklyn Cigar Store in Smoke return here to expound on their philosophy of smoking, relationships, baseball, New York, and Belgian Waffles. Most of all, this is a movie about living life, off-the-cuff. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Victor Argo's character was supposed to continue to refuse Roseanne Barr's character's demand to go on a trip. But Argo found Roseanne so unrelenting that he broke down and agreed to go. Changes had to be made to later scenes to include this story change. See more »
Dot bolts the store door to talk with Auggie, then leaves without unlocking it. See more »
Man with Strange Glasses:
I don't know anyone in New York who doesn't say 'I'm leaving'. I've been thinking of leaving New York for... uh... thirty-five years now.
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Situations Created in collaboration with THE ACTORS See more »
A romantic view of Brooklyn, excellent improvisation.
Blue in the face might be boring to many because it doesn't follow a standard hollywood paradigm of rising action, climax, resolve. It is more documentary style, although fictitious, and quickly jumps from story to story and character to character. The editing is an interesting component because it successfully brings together disparate themes and characters (who are improvising their lines and stories to some degree). This and some fantastical elements provide a very romanticized view of Brooklyn. Altogether a cohesive piece with some nice performances and some insight into what it is to growup and live in a special loved place.
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