| Gordon Currie | ... | Boya | |
| Louis Ferreira | ... | Earl (as Justin Louis) | |
| Helene Clarkson | ... | Molly | |
| Fiona Reid | ... | Rita | |
| Frank Moore | ... | Pierce | |
| Hadley Kay | ... | Axel | |
| David Cronenberg | ... | Crime Boss | |
| J. Winston Carroll | ... | Bernie | |
| Earl Pastko | ... | Donut Shop Junkie | |
| Sam Malkin | ... | Hotel Clerk | |
| Susan Kottman | ... | Old Lady (as Susan Koffmann) | |
| Charles Hayter | ... | Old Wino |
Directed by | |||
| Holly Dale | |||
Writing credits | ||
| Andrew Rai Berzins | ||
Produced by | |||
| Colin Brunton | .... | executive producer | |
| Stephan Fanfara | .... | associate producer | |
| Steven Hoban | .... | producer | |
| Justine Whyte | .... | associate producer | |
Original Music by | |||
| Nash the Slash | (music composer) (as Nash The Slash) | ||
Cinematography by | |||
| Paul Sarossy | (director of photography) | ||
Film Editing by | |||
| Stephan Fanfara | |||
| Brett Sullivan | (as Brett C. Sullivan) | ||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| David Moe | |||
Art Direction by | |||
| Ingrid Jurek | (co-art director) | ||
| Mara Ravins | (co-art director) | ||
Set Decoration by | |||
| Ingrid Jurek | (co-set decorator) | ||
| Mara Ravins | (co-set decorator) | ||
Costume Design by | |||
| Emma England | |||
Makeup Department | |||
| Tony Chappell | .... | prosthetics | |
| Randy Daudlin | .... | special effects makeup | |
| Catherine Davies Irvine | .... | key makeup artist (as Cathie Davies Irvine) | |
| Sean Sansom | .... | prosthetics | |
| Heather Van Buren | .... | assistant hair stylist | |
| Heather Van Buren | .... | assistant makeup artist | |
Production Management | |||
| James C. Novak | .... | executive in charge of production | |
| Chuck Vergara | .... | unit manager | |
| Victoria Woods | .... | production manager | |
Art Department | |||
| Don Chan | .... | art department production assistant | |
| Rene Colbourne | .... | art department production assistant | |
| Brett Faubert | .... | art department production assistant | |
| Joanne Filleti | .... | painter (as Joanne Filletti) | |
| Craig Grant | .... | props master | |
| Kris Kearns | .... | props assistant | |
| Patrice Lefebvre | .... | art department production assistant | |
| Michael Lewis | .... | art department production assistant | |
| Nicole McGill | .... | art department production assistant | |
| Vincenzo Natali | .... | storyboard artist | |
| Kevin Pierson | .... | props master | |
| April Poppe | .... | art department production assistant | |
| John Reck | .... | construction manager | |
| Brian Sharp | .... | art department production assistant | |
Sound Department | |||
| Colin Baxter | .... | assistant sound editor | |
| Keith Elliott | .... | sound re-recording mixer (as Keith Elliot) | |
| Paul Germann | .... | additional dialogue recording | |
| Paul Germann | .... | dialogue editor | |
| Gina Gyles | .... | foley assistant | |
| Sandrine Isabelle | .... | adr editor | |
| Sandrine Isabelle | .... | assistant sound editor | |
| Peter Kelly | .... | sound re-recording mixer | |
| Steve Munro | .... | supervising sound editor | |
| Tim O'Connell | .... | foley recordist | |
| Jon Paxton | .... | boom operator | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| Erika Schengili-Roberts | .... | second boom operator (as Erika Schengeli-Roberts) | |
| Paul Shikata | .... | assistant sound editor | |
| John Sievert | .... | foley artist | |
| Virginia Storey | .... | foley assistant | |
| Robert Woolfson | .... | sound mixer | |
Special Effects by | |||
| Tony Chappell | .... | special effects technician | |
| Kenneth Coontz | .... | special effects props (as Ken Coontz) | |
| Michael Lennick | .... | special effects consultant | |
| Sean Sansom | .... | special effects technician | |
Visual Effects by | |||
| John Coldrick | .... | digital effects designer: Spin Productions Inc. | |
| Norm Stangl | .... | digital effects executive producer: Spin Productions Inc. | |
Stunts | |||
| Bobby Makin | .... | stunts (as Bob Makin) | |
| Dwayne McLean | .... | stunt coordinator | |
| Dwayne McLean | .... | stunts | |
| Larry A. McLean | .... | stunts (as Larry McLean) | |
| William Oliver | .... | stunts | |
| Shelley Cook | .... | stunt double (uncredited) | |
Costume and Wardrobe Department | |||
| Natalie Hoban | .... | wardrobe assistant | |
Editorial Department | |||
| John Bartle | .... | digital film transfer: EFilm | |
| Robert Borics | .... | color timer | |
| Michael Cooper | .... | digital film transfer: EFilm (as Mike Cooper) | |
| Doris Grenier | .... | first assistant editor | |
| David Hays | .... | digital film transfer: EFilm | |
| Tripp Hudson | .... | digital film transfer: EFilm | |
| Patrick King | .... | contributing editor | |
| Tanya Mazur | .... | editor trainee | |
| Don Miskowich | .... | digital film transfer: EFilm | |
| Peter Moc | .... | digital film transfer: EFilm | |
| Richard Moc | .... | digital film transfer: EFilm | |
| David St. Clair | .... | digital film transfer: EFilm (as David St. Claire) | |
| Valerie Weiss | .... | second assistant editor | |
Music Department | |||
| Antoine Moonen | .... | music consultant | |
| Daniel Pellerin | .... | mixer: "Blue Moon" and "Mister Sandman" | |
| Leanne Poole | .... | recording engineer: "Blue Moon" and "Mister Sandman" | |
| Bob Shindle | .... | recording engineer: "Blue Moon" and "Mister Sandman" | |
Transportation Department | |||
| David Jedikin | .... | driver | |
| Kevin Robbin | .... | transport coordinator | |
Other crew | |||
| Marie Thérése Boily | .... | script supervisor (as Marie Therese Boily) | |
| Nuria Bronfman | .... | unit publicist | |
| Bruce Carr | .... | rat wrangler | |
| Kevin Chassie | .... | craft service | |
| Lorraine Clark | .... | producer: EPK (as Loraine Clark) | |
| Janis Cole | .... | story consultant | |
| Pamela Fisher | .... | production coordinator | |
| Ron Gwynne | .... | location manager | |
| Natalie Hoban | .... | production secretary | |
| Lisa Jackson | .... | craft service | |
| Lisa Jackson | .... | product placement | |
| Peter Janigan | .... | location manager | |
| Lisa Lavorato | .... | production accountant | |
| Phil McGregor | .... | location assistant | |
| Brian Morey | .... | script editor | |
| Brian Morey | .... | story editor | |
| Rick Parker | .... | rat wrangler | |
| Hugo Paz | .... | office production assistant | |
| Peter Pumpkinhead | .... | wrangler: dead bird | |
| Charles Robertson | .... | bat wrangler | |
| Daphne Syme | .... | bat wrangler | |
Thanks | |||
| Dave Barker | .... | the filmmakers wish to thank | |
| Linda Beath | .... | the filmmakers wish to thank | |
| Thomas Berner | .... | the filmmakers wish to thank (as Tom Berner) | |
| Michael Burns | .... | the filmmakers wish to thank | |
| Louise Clark | .... | the filmmakers wish to thank | |
| Wayne Clarkson | .... | the filmmakers wish to thank | |
| Rob Clyde | .... | the filmmakers wish to thank | |
| Andy Crosbie | .... | the filmmakers wish to thank | |
| Kevin Crothers | .... | the filmmakers wish to thank | |
| Janet E. Cuddy | .... | the filmmakers wish to thank (as Janet Cuddy) | |
| Katherine Emslie | .... | the filmmakers wish to thank (as Kathryn Emslie) | |
| Beryl Fox | .... | the filmmakers wish to thank | |
| Karen German | .... | the filmmakers wish to thank | |
| Roy Harris | .... | the filmmakers wish to thank | |
| Debra Henderson | .... | the filmmakers wish to thank | |
| Michael Jewison | .... | the filmmakers wish to thank | |
| Norman Jewison | .... | the filmmakers wish to thank | |
| Douglas Leiterman | .... | the filmmakers wish to thank | |
| Allan Magee | .... | the filmmakers wish to thank (as Allan McGee) | |
| Michael McCarty | .... | the filmmakers wish to thank | |
| Mike McConnell | .... | the filmmakers wish to thank | |
| Barry McMann | .... | the filmmakers wish to thank | |
| Lori Moorhouse | .... | the filmmakers wish to thank | |
| Johnette Napolitano | .... | the filmmakers wish to thank | |
| Peter O'Brian | .... | the filmmakers wish to thank | |
| Bob Presner | .... | the filmmakers wish to thank (as Robert Presner) | |
| Alexandra Raffe | .... | the filmmakers wish to thank | |
| Peter Rehdner | .... | the filmmakers wish to thank (as Peter Redner) | |
| Randi Richmond | .... | the filmmakers wish to thank | |
| Lisa Robertson | .... | the filmmakers wish to thank | |
| Carlo Roletti | .... | the filmmakers wish to thank | |
| Casey Sebert | .... | the filmmakers wish to thank | |
| Tim Sebert | .... | the filmmakers wish to thank | |
| Joanne Smale | .... | the filmmakers wish to thank | |
| Jack Spears | .... | the filmmakers wish to thank | |
| Frank Volpe | .... | the filmmakers wish to thank | |
| David Wellington | .... | the filmmakers wish to thank | |
| Recent Posts (updated daily) | User |
|---|---|
| Earl | IlleDawn |
| Blood + Donuts, Blood + Chocolate | toneloak |
| Bath/Sleep Scene question | ZiggyStar43 |
| On Netflix | anti__alias |
| DVD rating | shimmyshamma |
| This movie needs to be on DVD. | Engelhast |
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| Black Christmas | Performance | Hard Core Logo | Skipped Parts | Paris, je t'aime |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Canada section |
Blood & Donuts is a unique, creative film that adds much needed "new blood" to the tired vampire genre. Gordon Currie is remarkable as Boya, a shy and sensitive "humanist" vampire who comes out of hiding after hibernating for 25 years since the moon landing. Boya is rather unkempt and freaky, but has a winning kind of innocence and a wild mane of Jim Morrison hair. He goes to a late night donut shop to re-familiarize himself with humans and comes to the defense of a slow-witted but endearing young cabbie who is being threatened by murderous mobsters. Meanwhile, an old flame who has aged for the past 25 years stalks the still young looking Boya, demanding that he give her the "gift" of eternal life. Viewers can't help getting caught up because the characters are so well acted and well-written. There is a good deal of humor along the way, although in the final analysis it's a sad and touching story. This film is astonishingly entertaining, innovative and effective despite its low budget. Far more so than other bigger budgeted films like "Tale of a Vampire" and "The Wisdom of Crocodiles" Thanks to Currie's and Louis' wonderful characterizations, audiences will not soon forget the charming, winsome Boya and his new-found human buddy Earl.