Biohazard: The Alien Force (Video 1995)

Triton Indutries has created a genetically-engineered creature using DNA from human sources. During the course of the experiment, however, the host mother carrying the mutant escapes from ... See full summary »

Director:

Steve Latshaw

Writers:

Steve Latshaw (screenplay), Patrick Moran (screenplay)

Stars:

James L. Miles, John Alexander, Dorothy Best

Cast

Credited cast:
James L. Miles	...	The BioMonster
Rest of cast listed alphabetically:
John Alexander	...	Det. Morley
Dorothy Best	...	Caitlan Palmer
Robin Chapman	...	Newspaper Editor
Katherine Culliver	...	Shana Alexander
Trevor David	...	Donner
Tom Ferguson	...	Quint
Susan Fronsoe	...	Nicki Carstairs
William Grefe	...	Mr. Babb (as Bill Grefe)
Maddisen K. Krown	...	Mutating Pregnant Wife (as Rebecca Wicks)
Ken Kupstis	...	Male Model
John Latshaw	...	Kelly
Ryan Latshaw	...	Ryan Palmer
Charles Maginnis	...	Brandon Wellesley
John Maynard	...	Lt. Warren

Storyline

Triton Indutries has created a genetically-engineered creature using DNA from human sources. During the course of the experiment, however, the host mother carrying the mutant escapes from the laboratory compound, giving birth shortly thereafter. The intellient "baby" beings hunting down and killing its male DNA donors, while at the same time trying to mate with its female donors. The head of the lab wants to destroy the monster before the press can get wind of the story, but the former head of security wants to expose the whole thing.

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Plot Keywords:

monster | kidnapping | birth to monster | multiple murders | sequel | 

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Taglines:

The End Of The World Has Just Been Born.

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Genres:

Horror | Sci-Fi

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Motion Picture Rating (MPAA)

Rated R for sci-fi violence and gore, and for some sexuality and language

Details

Country:

USA

Language:

English

Also Known As:

Biohazard II

Filming Locations:

Apopka, Florida, USA

Company Credits

Technical Specs

Runtime:

88 min

Color:

Color

Did You Know?

Connections

Follows Biohazard (1985)

User Reviews

A post-euclidean tour de force

I never thought that a straight to video, EP format film could be so engrossingly luscious. The sparse, unembellished dialougue would make Hemingway proud, and the Faulkneresque surrealism tops it off. A bold, yet flawless combination results. For example, when the bio-baby's mother uses a basketball under her shirt to simulate pregnancy, the sport's inherent physical violence foreshadows the creature's ultimate nature. Conversely, when the four-door Pontiac, just before being struck by the missile, is replaced by a two-door Buick, it becomes apparent that means of this sort will only reveal the chaos that must ensue whenever anyone employs violence. The only virtue of the car which remains unchanged is its color, red, which needs no explanation. Similarly, when the editor inverts the negative of the crashing helicopter, well, the imagery is readily apparent. This film, while disturbing, will forever change not only the way you look at filmmaking, but your view of life itself.