| Photos (See all 11 | slideshow) | Videos (see all 2) |
| Patricia Arquette | ... | Laura Bowman | |
| U Aung Ko | ... | U Aung Ko | |
| Frances McDormand | ... | Andy Bowman | |
| Spalding Gray | ... | Jeremy Watt | |
| Tiara Jacquelina | ... | San San, Hotel Desk Clerk | |
| Kuswadinath Bujang | ... | Colonel at Hotel | |
| Victor Slezak | ... | Mr. Scott | |
| Jit Murad | ... | Sein Htoo | |
| Ye Myint | ... | Zaw Win | |
| Cho Cho Myint | ... | Zabai | |
| Johnny Cheah | ... | Min Han | |
| Haji Mohd Rajoli | ... | Karen Father | |
| Azmi Hassan | ... | Older Karen Boy | |
| Ahmad Fithi | ... | Younger Karen Boy | |
| Adelle Lutz | ... | Aung San Suu Kyi | |
| Mohd Wan Nazri | ... | Checkpoint Soldier #1 at Train | |
| Zaidi Omar | ... | Checkpoint Officer #1 at Train | |
| Roslee Mansor | ... | Checkpoint Soldier #2 at Train | |
| Michael Pickells | ... | Nick Bowman | |
| Enzo Rossi | ... | Danny Bowman | |
| Ridzuan Hashim | ... | Officer Min | |
| Samko | ... | Bird Man | |
| Norlela Ismail | ... | Young Sula Woman | |
| Ramona Sánchez-Waggoner | ... | Female Tourist #1 | |
| Nyak Osman | ... | Village Headman | |
| Yusof Abdul Hamid | ... | River Trader | |
| Lutang Anyie | ... | Karen Leader | |
| Dion Abu Bakar | ... | Rapist | |
| Ali Fiji | ... | Fuel Vendor | |
| Yeoh Keat Chye | ... | BLK Beret Major | |
| Johari Ismail | ... | BLK Beret Sergeant | |
| Rashidi Mohd | ... | Secret Policeman | |
| William Saw | ... | Bandana Man | |
| Ann Howard | ... | Australian Doctor | |
| Manisah Mandin | ... | Aung Ko's Daughter | |
| Charley Boorman | ... | Photographer | |
| Hani Mohsin Hanafi | ... | Young Monk / Soldier | |
| Ismail Din | ... | Myanmar Official | |
| Jamaludin Rejab | ... | Cig Soldier #1 | |
| Aung | ... | Cig Soldier #2 | |
| Peter Win | ... | Aung Ko's Helper | |
| John Mindy | ... | Myanmar Soldier | |
| U Kyaw Win | ... | Sula Aide / Budda Monk (as Dr. U Kyaw Win) | |
| Gael D'Oliviera | ... | French Boy #1 | |
| Pascale D'Oliviera | ... | French Mother | |
| Gilles D'Oliviera | ... | French Father | |
| Asmi Wahab | ... | Sula Commander | |
| Albert Thaw | ... | Sula Officer | |
| Mansell Rivers-Bland | ... | Hotel Guest | |
| Siti Abdullah | ... | Village Woman | |
| Satish Chand Bhandari | ... | Aung Ko's Friend |
Directed by | |||
| John Boorman | |||
Writing credits(WGA) | ||
| Alex Lasker | (written by) & | |
| Bill Rubenstein | (written by) | |
Produced by | |||
| John Boorman | .... | producer | |
| Walter Donohue | .... | associate producer | |
| Mark Egerton | .... | associate producer | |
| Alex Lasker | .... | co-producer | |
| Eric Pleskow | .... | producer | |
| Bill Rubenstein | .... | co-producer | |
| Sean Ryerson | .... | executive producer | |
| Sean Ryerson | .... | producer | |
| Barry Spikings | .... | producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| John Seale | |||
Film Editing by | |||
| Ron Davis | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Anthony Pratt | |||
Art Direction by | |||
| Errol Kelly | |||
Set Decoration by | |||
| Eddie Fowlie | |||
Costume Design by | |||
| Deborah Kramer | |||
Makeup Department | |||
| Felicity Bowring | .... | key makeup artist | |
| Maire O'Sullivan | .... | assistant makeup artist | |
| Lloyd Yeoh Seng Chee | .... | assistant hair stylist | |
| Larry Waggoner | .... | key hair stylist | |
Production Management | |||
| Asoka Perera | .... | unit production manager | |
| Chandran Rutnam | .... | production supervisor | |
Art Department | |||
| Martin Atkinson | .... | draughtsman | |
| Aloysius Chan | .... | props buyer | |
| John Davey | .... | scenic artist | |
| Daya Dollapihila | .... | sculptor | |
| Eddie Fowlie | .... | property master | |
| Kathleen Fowlie | .... | assistant set dresser | |
| Charles Green | .... | plasterer foreman | |
| Lal Harindranath | .... | property master | |
| U.U. Illangakoon | .... | sculptor | |
| Wimal Jayawardene | .... | sculptor | |
| K.D. Justin | .... | construction coordinator | |
| Sena Mabulage | .... | chief props | |
| Sena Mabulage | .... | painter foreman | |
| Sena Mabulage | .... | stand-by painter | |
| Senaka Nawaratne | .... | scenic artist | |
| Christina Phun | .... | assistant props buyer | |
| Sunil Premaratine | .... | second stand-by props | |
| Mansell Rivers-Bland | .... | head sculptor | |
| Ajith Seneviratne | .... | general foreman | |
| Peter Singho | .... | sculptor | |
| Derek Wallace | .... | stand-by props | |
| Sunil Wijeratne | .... | assistant art director | |
| Sunil Wijeratne | .... | propmaker foreman | |
| Nimal Wijesiri | .... | labor foreman | |
| Adrian Start | .... | supervising painter (uncredited) | |
Sound Department | |||
| Pat Brennan | .... | dialogue editor | |
| Scott Crafford | .... | assistant sound editor | |
| Mike Dowson | .... | foley mixer | |
| Ian Fuller | .... | supervising sound editor | |
| John Hayward | .... | sound re-recording mixer | |
| John Ireland | .... | foley supervisor | |
| Robert Ireland | .... | assistant sound editor | |
| Jenny Lee Wright | .... | foley artist | |
| Pauline Martin | .... | foley artist | |
| Teddy Mason | .... | adr supervisor (as Ted Mason) | |
| Geoff Mist | .... | foley recordist | |
| Christine Newell | .... | assistant sound editor | |
| Bob Robinson | .... | dialogue editor | |
| Mark J. Wasiutak | .... | boom operator | |
| Gary Wilkins | .... | sound mixer | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Tom Meadows | .... | sound mixer (uncredited) | |
| Richard Pryke | .... | assistant re-recording mixer (uncredited) | |
Special Effects by | |||
| Ron Cartwright | .... | special effects | |
| Kevin Draycott | .... | special effects | |
| John Evans | .... | special effects coordinator | |
| Bill Hansard | .... | projectionist: special effects (as Billy Hansard) | |
| Garth Inns | .... | special effects | |
| Digby Milner | .... | special effects | |
| Robert Nugent | .... | special effects | |
| Harry Stokes | .... | special effects | |
| Phil Stokes | .... | special effects | |
| Barry Whitrod | .... | special effects | |
Visual Effects by | |||
| Craig Zerouni | .... | digital opticals effects | |
Stunts | |||
| Raymond Chia | .... | stunts | |
| William Ong | .... | stunt coordinator | |
| Francie Phang | .... | stunts | |
Casting Department | |||
| Zul Akbar | .... | extras casting | |
| Hafis Hafim | .... | extras casting | |
| Amy Elisabeth Sabel | .... | casting assistant | |
| Mohd Wan Nazzi | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kathleen Gore-Misko | .... | on-set costumer (as Kathleen Misko) | |
| Amber Jordyn | .... | assistant costumer | |
| For Soon Lap Ang | .... | seamstress | |
| Alvin Lew | .... | assistant costumer | |
| Arabella Lockhart | .... | assistant costumer | |
| Ernest Misko | .... | costume department head | |
| Rob Nevis | .... | assistant costumer | |
Editorial Department | |||
| John Stanborough | .... | color timer | |
| Sylvia Wheeler | .... | negative cutter | |
Music Department | |||
| Nick Glennie-Smith | .... | composer: additional music | |
| Nick Glennie-Smith | .... | conductor | |
| Gavin Greenaway | .... | orchestrator | |
| Richard Harvey | .... | composer: additional music | |
| Graham Prescott | .... | orchestrator | |
| Maggie Rodford | .... | score producer | |
| Adam Milo Smalley | .... | music editor | |
| Adam Milo Smalley | .... | music producer | |
| Marc Streitenfeld | .... | assistant composer | |
| Fiachra Trench | .... | orchestrator | |
| Hans Zimmer | .... | music producer | |
| Richard Harvey | .... | musician: flute and ethnic pipes (uncredited) | |
Transportation Department | |||
| Brian Hathaway | .... | transportation captain | |
| Rudy Neoh Kok Wah | .... | transportation coordinator | |
| David Marder | .... | transportation coordinator | |
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| Missing | Persepolis | The Quiet American | Children of Men | The Best of Youth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
This movie was working toward two goals: to make a political point and to tell a scary adventure story. It's often difficult to do make a political point and still tell a good story (consider the highly political but rarely-entertaining final season of Ellen). Beyond Rangoon finds a good balance between politics and storytelling.
I already knew that Aung San Suu Kyi had won the 1991 Nobel Peace Prize, and knew something about the oppressive political situation in Burma, so the political message of the movie was mostly a dramatization of what I already knew. But I thought the movie did a good job of telling about Aung San Suu Kyi and the mostly-faceless dictators who have for years tried to silence her. The device of presenting an unfamiliar setting through the eyes of a character that viewers can identify with is fairly common, but it's quite well done in this movie.
Of course, the real measure of the movie was its entertainment value. Arquette was excellent as a young woman whose sister took her to a distant, unfamiliar place to shake her out of her depression over the violent deaths of her husband and son. She is convincingly detached and depressed. Her grieving condition gives her a clear reason for her distracted wanderings into the thick of a dangerous situation she does not understand, something she'd otherwise be much too intelligent to stumble into.
Once the dangers become so obvious that she can see through them even through the cloud of grief, she's trapped, with no easy escape. That sets her on a path of adventure where she needs her intelligence to survive. The writers deserve much credit for making her intelligent and resourceful enough to deal with numerous dangerous situations, while still finding a plausible reason for her to be foolish enough to get into trouble in the first place. The directing is strong also, keeping up the tension throughout the race to escape the forces of the dictatorship.
This movie had additional impact on me and my wife because of other events of the same time period. We were preparing for a trip to India, and heard news reports of Western tourists who had been taken hostage by a terrorist group in India. Avoiding isolated terrorists in a peaceful democratic country is quite a different matter from escaping an oppressive dictatorship. But the movie and the news shared the element of avoiding danger in an unfamiliar country. That common characteristic gave the movie meaning beyond the strength of its own skillful storytelling. The movie illustrates the international tourist's worst nightmare.