The Dark Knight of Gotham City confronts a dastardly duo: Two-Face and the Riddler. Formerly District Attorney Harvey Dent, Two-Face incorrectly believes Batman caused the courtroom accident which left him disfigured on one side; he has unleashed a reign of terror on the good people of Gotham. Edward Nygma, computer-genius and former employee of millionaire Bruce Wayne, is out to get the philanthropist; as The Riddler he perfects a device for draining information from all the brains in Gotham, including Bruce Wayne's knowledge of his other identity. Batman/Wayne is/are the love focus of Dr. Chase Meridan. Former circus acrobat Dick Grayson, his family killed by Two-Face, becomes Wayne's ward and Batman's new partner Robin the Boy Wonder. Written by
Ed Stephan <firstname.lastname@example.org>
Joel Schumacher's decision to put nipples and enlarged codpieces on the Bat-costumes, as well as an earring on Robin caused controversy - it even bothered Batman creator Bob Kane. Schumacher said he wanted the costumes to have an anatomic look, while the earring was supposed to make Robin more hip. He also claimed that the basis for the Batman and Robin suits came from statues of the gods of ancient Greece. See more »
When the Riddler and Two Face break into Wayne Manor and knock Alfred to the floor the tray of candy falls blocking the door, Alfred's hand moves the tray away so that the Riddler can open the door. See more »
While the Batman franchise has been much maligned in recent years due to the disappointing performance of the last live-action film, Forever was second in quality only to the first Bat-film. It added color back into a Gotham that had gotten way too claustrophobic, and brought the tone back to something resembling the comics. Jim Carrey is a scene-stealer and dead on as The Riddler, and Val Kilmer is the perfect Bruce Wayne and Batman. Tommy Lee Jones does a great turn as Two-Face, unfortunately he isn't given enough to do and therefore comes across too cartoony, minus the angst of the character in the comics. One other big complaint is the new score - gone are Danny Elfman's orchestrations. Elliot Goldenthal's music would have been fine if not for his predecessor. Most people tend to lump this one in the 'lousy' section, it seems, but it was one of the biggest movies of '95 and a very faithful adaption overall. Now if they'd only release the director's cut
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