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| Index | 27 reviews in total |
16 out of 19 people found the following review useful:
Good gentle film - but you need patience!, 23 November 2001
Author:
bob the moo from Birmingham, UK
Young Razieh (Aida Mohammadkhani) needs to buy a goldfish to celebrate the
New Year in Iran. Her mother (Fereshteh Sadr Orfani) gives her the money
and she sets out to buy said fish. Along the way she continually loses the
money and must rely on the kindness of strangers to help
her.
This is a very slight film. It's plot is wafer thin in terms of traditional
narrative, it may well frustrate many viewers with it's gentling strolling
style. However it is quite funny on the surface. The many people who come
and go during Razieh's journey are amusing - from the tailor berating a
customer for having a small face causing his shirts to not look correctly
tailored to the antics of the honest snake charmers. It's not a laugh out
loud type of film but it does have a gentle humour throughout that is fun if
you are in the mood for it.
In fact you really need to be in the mood for the whole thing - if you're
lacking patience then you'll probably not last out this film but if you're
willing to stick with it then you may be pleasantly surprised by the whole
thing. The story doesn't grip you, but the humour helps to divert attention
from this. In fact the guts of this film seems to be a message on the
nature of society.
Throughout the film Razieh finds herself relying on the kindness or honesty
of strangers to help her get her money. The towards the end one of the
characters (a soldier played by Mohammad Shaani) talks to Razieh about his
sisters and about what he has in common with her. He then defends himself
when Ali (Mohsen Kalifi) attacks his sister for talking with strangers.
This is closely followed by a short scene where all the characters that had
interacted with Razieh cross the screen at the same time without really
acknowledging each other. The message here is clear - that society is a lot
closer knit than we think and it's only times of trouble where we turn to
others. Instead we should develop the relationships with strangers that we
easily could.
However this message is not delivered until the end of the film and it's
only then that you understand what you've been watching. However the gentle
comedy of the strangers make it easy to follow the film till this
conclusion. Unlike other reviewers I don't think Mohammadkani was that good
- she did come across as a very weepy brat and it was hard to sympathise
with the problems that are all her own fault. However the other roles are
good, Kalifi is the best child actor as Razieh and the other characters seem
natural and forced (although Shahani's soldier is a bit
preachy).
Overall a gently amusing film that is light on plot, but delivers it's
simple message intelligently without forcing it down your
throat.
13 out of 14 people found the following review useful:
The Adventures of Innocence, 26 April 2000
Author:
Ryan Tracy (woody-55) from Newark, DE
In his directorial debut, Jafar Panahi - a devoted pupil of Iranian
film-god
Abbas Kiarostami - is able to encapsulate the stubbornness and curiosity of
a seven-year-old Tehranian girl so authentically (by use of newcomer Aida
Mohammadkhani) that we forget that we are watching fiction unfold.
The White Balloon has a continuous feel that is obtained by allowing the
story to unravel in real time. An unseen radio informs us that the Iranian
New Year is almost upon the town; a tradition for this annual event is to
either catch or buy a fish (fish represent life). Razieh, the little girl,
is unsatisfied with the selection of fish in the family's pond. She
complains that the family's fish are too "skinny." Eventually, Razieh's
brother, Ali (Mohsen Kalifi's only role thus far), cons their mother into
letting Razieh have a 500 note (Iranian money) to buy the fish that she
wants. On her way to the market, Razieh loses the money two times. It is
the second loss that is the most serious - the money falls into the cellar
of a closed shop through a sidewalk drain. The remainder of the film is
devoted to the introduction of various strangers offering either to help
retrieve the note or pass the time with light-humored conversation.
Beautiful cinematography (winner of the Camera d'or at Cannes in 1994),
memorable characters, and stunning direction backed by Kiarostami's
expertly
written script make for a great film that was reminiscent of my viewing of
John Sayles' Secret of Roan Inish. Like Sayles' film, there is a magical,
absorbing quality to The White Balloon that spellbinds the viewer
regardless
of age.
10 out of 11 people found the following review useful:
Understated Elegance, 10 July 2005
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Author:
bazmeh from United States
This movie, as has been said before, enters the world of children. But it does it with such a lack of full credit for grace and feeling. It never belittles children - in fact, it makes adults look like the buffoons they are. You feel for every victory and defeat they have and get engrossed in their plots and problems. The encounters with common Iranians is also wonderful, especially the soldier at the end. Perhaps the most natural example of child acting is shown through Rezayeh - I am surprised she was never nominated for anything in this film. Her other films are also great, but nothing matches "The White Balloon" Not to be missed - one of the best Iranian films of all time, without question.
8 out of 8 people found the following review useful:
The quest of a little girl to buy a goldfish, and the swindlers in her way who try to take advantage of her innocence., 29 June 2007
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Author:
Evil_baron from Reykjavik, Iceland
It was my big sister's turn to pick a film to go to when we were gorging ourselves in what the Reykjavik cinema festival had to offer back in the days. Didn't expect anything but mushy boredom for an hour and a half. Instead of the sentimental torture I had braced myself for, I became spellbound by this beautiful story that totally held me captivated right from the beginning to the end. The little girl, Aida who plays the protagonist, was ever so sincere and true in her role that you forgot you were watching a film, and even I felt a couple of masculine tears running down my cheeks. The White Balloon is simply a gorgeous film and it's out of the blue quirky humor elevates it even further. Even with the wet towel slap in the end, I truly loved the whole of this Persian confect buffet down to it's last bit, ... and still do!
8 out of 10 people found the following review useful:
Excellent, 30 May 2003
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Author:
zetes from Saint Paul, MN
Abbas Kiarostami wrote this film, which is very much like his 1987 masterpiece, Where Is the Friend's Home? That film had a young boy trying to give back some other boy's homework that he accidentally took home. This one has a little girl having all kinds of problems trying to buy a goldfish on New Year's Eve. Each of these children have to navigate their way through a world of adults in a culture where the young are to be seen, but not heard. The earlier film is quite a bit better than The White Balloon, but this is a wonderful film in its own right. It has a wonderful set piece where a street performer thinks that the girl is donating the money she has for her goldfish to a snake charmer. She has to work up the courage to speak up for herself, and then to take the money when it has been wrapped around a snake. My only real problem with the film was the lead performance, by Aida Mohammadkhani. She has really nice facial expressions, but her voice and line delivery are monotonous; truth be told, she gets kind of obnoxious after a while. Mohsen Kalifi, who plays her older brother, is wonderful, on the other hand. I really liked the way the sibling relationship was developed. Kiarostami, genius that he is, adds some small details that give the film a much deeper resonance than one might find at first glance (I'd almost call this a trademark of his). The sequence with the titular balloon, along with the haunting final shot, is the kind of thing that could make this film last forever inside of me.
6 out of 7 people found the following review useful:
a girl loses the money to pay for a goldfish and goes on a quest to find it., 21 May 2006
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Author:
Yahdancy from United States
I just finished watching this delightful movie about a five-year old Iranian girl who is given money to buy a goldfish but loses it. The film, innocent yet interesting and enthralling takes the viewer along on her journey to find the money so that she can get her fish. She encounters many people along the way, all who try to help her to get back the money. There are many underlying themes throughout the movie as well, but above all, we learn to help each other and see each other as more than just strangers. Also, the plot summary given about this film is misleading and downright false. No one tries to take advantage of this little girl at all!
6 out of 7 people found the following review useful:
A Drama for children and adults who like children, 16 December 2002
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Author:
fnbrill from Portland, Oregon, USA
Most of the respondents have reviewed "White Balloon" as an art film. I
would like to advocate its a great kids' movie. My kids (9 and 10) watched
it entranced. To them its a movie about a real life situation that any kid
could get into. It never patronizes children but treats them as the center
of the film with their own lives and needs.
Something else which escapes the other reviewers is the filming is all
done
from a child's level.
4 out of 4 people found the following review useful:
wonderful, 7 May 2001
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Author:
jookyseacaptain from Los Angeles
I had the pleasure of watching this movie last year. I have recommended it to countless others since. There is something about this movie that stays with you and is absolutely unforgettable. I can't quite put my finger on it. The pace is slow and purposeful. The little girl and her brother are adorable. The minor characters are fantastic, including the tailor and the difficult customer. I found myself laughing out loud several times during the movie, The themes are universal. It was very easy to forget it took place in a different country in another language. It is all familiar and at the same time, revolutionary. I can watch this over and over. It may be a perfect film.
3 out of 3 people found the following review useful:
Where's The Beauty Here?, 27 January 2009
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Author:
DarkTear from Canada
*** This review may contain spoilers ***
I've read many other user's comments about this movie and most of them
talk about the beautiful story of a Iranian little girl who is very
worried for she has lost the money her mother gave to her. Well, the
little girl's very cute, indeed, but the story, from my point of view,
is far from being that beautiful.
First off, the trouble she gets involved is all her fault. She just
doesn't follow her mother's advices/orders like passing by a
"dangerous" place or talking with strangers. Second, all she can do is
cry and wait for others to solve the problem she caused by herself.
Third, she's not capable of saying at least a small "Thank you" when
everything becomes fine for her. Is this beautiful? I don't think so.
Alright, you can say that she's so young and innocence is all she's
got, so let's give her a little chance here. Now, what can you tell me
about her brother? It's very obvious that he's a way more clever and,
let's say it this way, more experienced than the little girl. He's
always concerned about her little sister's well-being and that's great,
but this is something that most of the brothers around the world do, so
there's no need to say that his actions are "beautiful". And on the
other hand, the way he treats the Afghani kid is not kind at all.
First, by rudely taking his stick and then (here I go again), by not
saying a little "Thank you" to him even when the Afghani kid bought
with his own money the chewing gum and then let the Iranian ones use
his stick, just to help the little girl... All the Afghani kid gets is
loneliness when the new year comes... is this beautiful?
I clearly understand that the movie is a big metaphor about trying to
help each other and being able to show gratitude. And I stick myself to
this meaning for the movie didn't leave me a "beautiful" feeling for
one way or another, the grown-ups tried to help the little girl in
their very own way, so there's not such an adult indifference here. But
when another kid really helps them out, all he gets is the indifference
that most of the viewers thought the sister and brother were suffering.
Anyway, and now talking about the movie in a general way, I think that
the Director could save at least 20 minutes of film by avoiding some
long and useless scenes. For example, the one where the kid brings soap
instead of shampoo; all the repetitive dialogues the little girls has
as well as the long and boring one when the old man explains to his
friends why he was arguing with a client. This extra-material makes the
movie a little bit slow and, sometimes, boring. That's why I give this
7 out of ten stars.
6 out of 9 people found the following review useful:
Charming in a small way, 25 July 2001
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Author:
KFL from Bloomington, IN
The White Balloon has much in common with another Iranian movie about
children, "Children of Heaven". In both, the children find themselves in a
bind, and use their ingenuity to work out a solution of sorts. Overall, The
White Balloon is somewhat slower, perhaps requires more patience on the
viewer's part, but it may be more realistic about current-day Tehran and its
residents. Children of Heaven has a bit more action and suspense, and might
be a better choice for the typical Western moviegoer.
Both movies, however, feature excellent acting by the children, some
heartbreaking scenes, some minor triumphs, and an intriguing glimpse of life
in a truly foreign culture. Both might be called "artless" in the best sense
of the word.
7/10 (vs. 8/10 for Children of Heaven)
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