Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies' man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other. Written by
James Hastie <email@example.com>
The film's production was extremely grueling for Michael Bay due to script problems (Bay would later call the screenplay a "piece of shit") and budget limits that often meant Bay would get only a single day to shoot action sequences that would have taken four days of work on more lavishly-funded projects. Bay sacrificed part of his salary so a key sequence during the film's climax wasn't eliminated. See more »
After Marcus is thrown off the taxi, it backs up with both its left hubcaps on. Yet after Mike has grabbed Marcus and their looking at the taxi getting away as it turns left in its last shot the front hubcap is missing. See more »
[while pursuing Fouchet, who is up ahead in a roadster]
You have the right to remain silent. Anything you say can, and will be used against you in a court of law.
Yo man, what the fuck are you doing?
Getting it out the way.
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Typically stylish cop flick that is better than the average - 76%
I don't know about you but there are two words that I associate with disastrously bad films. Two words that fill my soul with dread and my bowels with fear. And those two words are... "sports drama". Two OTHER words that carry similar feelings are "Martin Lawrence" so to find a film with him in that I like is something of a surprise. "Bad Boys" is as traditional an action-cop film as you can imagine, filled with hot action sequences, fast cars and beautiful women. And Martin Lawrence.
Lawrence is Det. Marcus Burnett, straight-laced family man and partner to Det. Mike Lowrey (Will Smith) who is Burnett's polar opposite. He's a fast-living ladies man with a passion for sports car and when $100 million dollars worth of heroin is stolen from the Miami PD, he and Burnett are put on the case. But in order to trace the drugs, they need to protect murder witness Julie Mott (Téa Leoni) from local hoodlums led by suave gangster Fouchet (Tchéky Karyo).
As you'd expect from a Bruckheimer & Simpson production, this follows a strict mantra of "style over substance" which makes "Bad Boys" feel like an update of another Miami-based cop show "Miami Vice". The suits are sharp, the action is loud and the cars look way beyond the economic means of cops. And despite the characters being way too familiar ("Lethal Weapon", anyone?), Smith and Lawrence bring humour and chemistry to their roles and lift the film beyond your expectations. In truth, this is the sort of film where you switch your brain off and just enjoy it and thanks to Smith and Lawrence, you can do just that. They spark off each other really well, seeing them in good stead for the almost inevitable sequel.
"Bad Boys" is not what you'd call a classic but it is an enjoyable movie that you can enjoy if it's on TV or a rental DVD. Sometimes, you just want to relax in front of something undemanding and while that may sound like criticism, it isn't. The male half of the species will enjoy this much more than their girlfriends (well, she didn't mind it...) but this sort of thing isn't likely to expand your mind that much. Get yourself some popcorn, slouch on the couch and watch the epitome of the blockbuster cop movie.
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