Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies' man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other. Written by
James Hastie <firstname.lastname@example.org>
The film's production was extremely grueling for Michael Bay due to script problems (Bay would later call the screenplay a "piece of shit") and budget limits that often meant Bay would get only a single day to shoot action sequences that would have taken four days of work on more lavishly-funded projects. Bay sacrificed part of his salary so a key sequence during the film's climax wasn't eliminated. See more »
As Marcus and Mike are about to break into the air conditioner contractor's house, the camera's reflection can be seen on the hood of the car in the foreground. See more »
The 'buddy comedy' genre is fairly well-known, there have been plenty of them, all of them primarily based on the basic idea of having two main characters who are, well, buddies; they act like friends to each other, they get in fights, they help each other out, they compliment each other. It's a fairly easy genre to master, and an easy way to make a good movie. This is one of the best examples, since Smith and Lawrence really do compliment each other so well; Smith's the sleek, cool one who is popular with the ladies, while Lawrence is often nervous, and pretty much a direct opposite of Smith. They have pretty good on-screen chemistry, too; you believe that these are good friends and partners. My only real problem with the film is the way the comedy almost all is generated by stereotypes, and, worse, the age-old complications that arise from certain situations. I think that's a little unoriginal, but, hey, that's the only complaint about it, and the film does have some very entertaining comedy parts. The plot is pretty good, it keeps the film going and supplies every single scene with comedy, action, or both. It takes off immediately, and keeps a good pace throughout the 2 hour duration. The acting is all pretty good. The characters are well-written, well, for stereotypes at least(because, lets face it; they are). The comedy is well-done and often made me laugh out loud, and, believe me, I am not, in any way, shape or form, a Will Smith fan. The action was well-done too, intense and exciting. The film, all in all, was pretty good, very entertaining. For a buddy comedy, it's good. For an action comedy, it's good too. I recommend it to all fans of action comedies, and buddy comedies. 7/10
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