Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies' man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other. Written by
James Hastie <email@example.com>
The Porsche 911 used in the opening scene of the film was lent to the production by director Michael Bay, who was already a successful director of TV commercials and music videos. See more »
The huge car-jacker's gun (the man on Marcus' side) switches hands between shots (right-left-right). See more »
[while looking at a photo album with Marcus's wife, Theresa and answers the phone, which Marcus dials]
Hey, is this you, man?
No, no. Put that back in, c'mon put that back in.
[Marcus hears this over the phone, thinking that Mike and Theresa are having sex, and becomes overly upset]
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Typically stylish cop flick that is better than the average - 76%
I don't know about you but there are two words that I associate with disastrously bad films. Two words that fill my soul with dread and my bowels with fear. And those two words are... "sports drama". Two OTHER words that carry similar feelings are "Martin Lawrence" so to find a film with him in that I like is something of a surprise. "Bad Boys" is as traditional an action-cop film as you can imagine, filled with hot action sequences, fast cars and beautiful women. And Martin Lawrence.
Lawrence is Det. Marcus Burnett, straight-laced family man and partner to Det. Mike Lowrey (Will Smith) who is Burnett's polar opposite. He's a fast-living ladies man with a passion for sports car and when $100 million dollars worth of heroin is stolen from the Miami PD, he and Burnett are put on the case. But in order to trace the drugs, they need to protect murder witness Julie Mott (Téa Leoni) from local hoodlums led by suave gangster Fouchet (Tchéky Karyo).
As you'd expect from a Bruckheimer & Simpson production, this follows a strict mantra of "style over substance" which makes "Bad Boys" feel like an update of another Miami-based cop show "Miami Vice". The suits are sharp, the action is loud and the cars look way beyond the economic means of cops. And despite the characters being way too familiar ("Lethal Weapon", anyone?), Smith and Lawrence bring humour and chemistry to their roles and lift the film beyond your expectations. In truth, this is the sort of film where you switch your brain off and just enjoy it and thanks to Smith and Lawrence, you can do just that. They spark off each other really well, seeing them in good stead for the almost inevitable sequel.
"Bad Boys" is not what you'd call a classic but it is an enjoyable movie that you can enjoy if it's on TV or a rental DVD. Sometimes, you just want to relax in front of something undemanding and while that may sound like criticism, it isn't. The male half of the species will enjoy this much more than their girlfriends (well, she didn't mind it...) but this sort of thing isn't likely to expand your mind that much. Get yourself some popcorn, slouch on the couch and watch the epitome of the blockbuster cop movie.
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