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Directed by | |||
| Melanie Mayron | |||
Writing credits(WGA) | ||
| Ann M. Martin | (book series) | |
| Dalene Young | (written by) | |
Original Music by | |||
| David Michael Frank | |||
Cinematography by | |||
| Willy Kurant | (director of photography) | ||
Film Editing by | |||
| Christopher Greenbury | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Larry Fulton | |||
Art Direction by | |||
| Charles Collum | |||
Set Decoration by | |||
| Douglas A. Mowat | (as Douglas Mowat) | ||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Louisa V. Anthony | .... | assistant hair stylist (as Louisa Anthony) | |
| Kathryn Fenton | .... | makeup artist (as Kathryn Kelly) | |
| Joseph Michael Regina | .... | key makeup artist (as Joseph Regina) | |
| Cheri Ruff | .... | hair stylist | |
| Taurance F. Williams | .... | assistant hair stylist: Ms. Lori Scrignoli | |
Production Management | |||
| Phyllis Amdurer | .... | post-production supervisor | |
| David Dwiggins | .... | assistant unit production manager | |
| Tina Stern | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Yudi Bennett | .... | first assistant director | |
| Robert A. Neft | .... | second second assistant director (as Rob Neft) | |
| Daniel Silverberg | .... | second assistant director | |
| Rosemarie Unite | .... | dga trainee (as Rose Unite) | |
| Diana E. Williams | .... | second second assistant director (as Diana Williams) | |
Art Department | |||
| Peter Borck | .... | leadman | |
| Daniel Bradford | .... | set designer | |
| Adam Braid | .... | set dresser | |
| Keith P. Cunningham | .... | set designer (as Keith Cunningham) | |
| Jeffrey Paul Johnson | .... | assistant property master | |
| Ray Maxwell | .... | construction coordinator | |
| Eugene McCarthy | .... | property master | |
| Robert Piser | .... | scenic artist | |
| Cynthia C. Rebman | .... | on-set dresser | |
| Amy Skjonsby-Winslow | .... | art department production assistant (as Amy K. Skjonsby-Winslow) | |
| Macie Vener | .... | art department production assistant (as Macie Jill Vener) | |
| Chris L. Winslow | .... | lead scenic artist | |
| D.W. Kann | .... | third assistant property master (uncredited) | |
Special Effects by | |||
| Josh Hakian | .... | special effects | |
Visual Effects by | |||
| Dan Winthrop | .... | opticals | |
Stunts | |||
| Pat Romano | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jon Archibald | .... | best boy grip (as Jon C. Archibald) | |
| Dustin Blauvelt | .... | camera operator | |
| Kevin Brown | .... | electrician | |
| Don Cerrone | .... | key grip | |
| Jacob Cerrone | .... | grip | |
| Peter Cornford | .... | electrician | |
| Eugene C. DePasquale | .... | grip (as Eugene de Pasquale III) | |
| David Diamond | .... | electrician | |
| Scott Drinon | .... | dolly grip | |
| Sam Emerson | .... | still photographer | |
| Niles McElroy | .... | electrician | |
| Robert Oliva Jr. | .... | electrician | |
| Gustavo Oliva | .... | best boy electric | |
| Perry H. Patterson | .... | film loader | |
| David 'D.R.' Rhineer | .... | second assistant camera (as David Rhineer) | |
| Greg Rhineer | .... | first assistant camera | |
| Wendy Schmidt | .... | grip (as Wendy J. Schmidt) | |
| Walter Stewart | .... | rigging gaffer | |
| Bobby Vercruse | .... | chief lighting technician (as Bob Vercruse) | |
| Mark Volpe | .... | grip | |
Casting Department | |||
| Lynda Halligan | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Nancy Collini | .... | key set costumer | |
| Kathy Davis | .... | wardrobe supervisor | |
| Susan Kistler | .... | key costumer | |
| Sonya Ooten | .... | costumer | |
| Jennifer Amdurer Wichinsky | .... | costumer (as Jennifer Wichinsky) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Carter DeHaven | .... | assistant film editor | |
| Jana Lynn Gold | .... | assistant film editor | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Bobbie Thomas | .... | colorist | |
Music Department | |||
| George Doering | .... | musician | |
| Virginia S. Ellsworth | .... | music editor (as Virginia Ellsworth) | |
| Gary Lux | .... | music mixer | |
| Gary Lux | .... | music recordist | |
| Helle O'Connell | .... | music coordinator | |
| G. Marq Roswell | .... | music supervisor | |
Transportation Department | |||
| John Aliano | .... | driver | |
| Craig Lietzke | .... | transportation captain | |
| Sean Neel | .... | driver | |
| Bob Rosen | .... | driver | |
| Kevin C. Scott | .... | driver (as Kevin Scott) | |
| David Shaffer | .... | transportation coordinator (as David Shafer) | |
| Randy Tenhaeff | .... | driver | |
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| An Education | A Walk on the Moon | Persepolis | The Kids Are All Right | Leave It to Beaver |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The babysitters club were a very popular line of books that all the girls were reading, and now it came on a feature length film. all 6 or 7 of the girls have a different personality, and come together with the purpose of earning some extra cash.. and staying friends forever. I believe that the girl power isnt faked, unlike the spice girls views of the power that girls possess. the friends all go through this summer, with a lot of teenage drama that leads us down the path of growing up. and there is no loss when they bring 2 attactive young men to be falling in love with some of the babysitters. kristy was not a favorite of mine, she seemed to be into the club for the wrong reasons, but in the end she puts the problems on the table rather than her sneaking around and not telling her friends that care the truth. dawn, the earth loving plant eater, falls for an 18 year old and they have some fun together. the art girl (dont remember her name) wants to go to new york to fill her artsy moods, and the others were there to fill in the void. mary anne was the conservative organized one with the babe of a boyfriend. rachael leigh cook and larisa o. probably launched their movie careers from this, making them the teen screens. its a good movie for the potential babysitters across the nation, and the moral is friends will always be there for each other. isnt that a unique moral? (B- C+)