A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Based on the true story of the ill-fated 13th Apollo mission bound for the moon. Astronauts Lovell, Haise and Swigert were scheduled to fly Apollo 14, but are moved up to 13. It's 1970, and The US has already achieved their lunar landing goal, so there's little interest in this "routine" flight.. until that is, things go very wrong, and prospects of a safe return fade. Written by
While discussing Ken Mattingly's illness in the NASA Director's office, various prints can be seen hanging on the walls. In one photograph just behind the director's desk, the crew of Apollo 1, with Gus Grissom, Ed White, and Roger Chaffee is visible on the wall. A few pictures over, the crew of Gemini 9, featuring Elliot See and Charles Bassett, along with their back-up crew is seen in homage to these five Astronauts who were killed in the line of duty. See more »
The roll pattern painted on the Saturn V at launch was different from the actual Apollo 13 launch. The pattern depicted was that of the 500F facilities "Pathfinder" used to validate the launch pad and other facilities in 1967, and the paint scheme was changed, particularly the roll patterns on the first stage, and the black stripe at the top of the third stage. See more »
My first job as an engineering graduate in 1960 was with NASA. I was fortunate enough to have been a Project Engineer on the Apollo Program, and I am familiar with the technical aspects of the program. But this movie was not as much about the technical aspects of the program as it was about a thrilling, real-life drama that just happened to take place during a glorious time and a once-in-a-lifetime project. Despite all of the little technical errors, Ron Howard and his crew have put together a superb film, one that deserved the 9 Academy Award nominations which it received. I wish that present-day film-makers would concentrate on happy situations, like this one, instead of the constant barrage of drivel to which we, the movie-going public, are made subject. Long live NASA and long live courage!!
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