A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Based on the true story of the ill-fated 13th Apollo mission bound for the moon. Astronauts Lovell, Haise and Swigert were scheduled to fly Apollo 14, but are moved up to 13. It's 1970, and The US has already achieved their lunar landing goal, so there's little interest in this "routine" flight.. until that is, things go very wrong, and prospects of a safe return fade. Written by
In the movie, Jim Lovell is shown driving a red Chevrolet Corvette. This is a nod to an actual program conceived by Jim Rathmann, a Florida Chevrolet dealer, and Ed Cole, who was President of GM at the time. The program offered astronauts a choice of two new cars every year, of which one choice was almost always a Corvette. Mr. Lovell did indeed own a 1968 Corvette, however, his Corvette was silver in color, not the red depicted in the movie. It recently sold through Mecum Auto Auctions. The Apollo 12 crew, Conrad, Gordon and Bean, had identical Corvettes. See more »
Each stage of the Saturn V in this film burns as a bright yellow flame.
The second and third stages of the Saturn V were fueled with liquid hydrogen, LH2, which would have burned pale blue, like the SSME's on the space shuttle. Only the first stage of the Saturn V burned bright yellow, because the fuel was kerosene. The hydrazine-fueled Service Module and LM burned blue in the film, and this was accurate. See more »
Gentlemen, what are your intentions?
[Jack Swigert and Fred Haise turn around and stare at Lovell]
I'd like to go home.
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My first job as an engineering graduate in 1960 was with NASA. I was fortunate enough to have been a Project Engineer on the Apollo Program, and I am familiar with the technical aspects of the program. But this movie was not as much about the technical aspects of the program as it was about a thrilling, real-life drama that just happened to take place during a glorious time and a once-in-a-lifetime project. Despite all of the little technical errors, Ron Howard and his crew have put together a superb film, one that deserved the 9 Academy Award nominations which it received. I wish that present-day film-makers would concentrate on happy situations, like this one, instead of the constant barrage of drivel to which we, the movie-going public, are made subject. Long live NASA and long live courage!!
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