Angels and Insects (1995) 6.8
In the 1800s a naturalist marries into a family of British aristocrats. Director:Philip Haas |
|
| 0Share... |
Angels and Insects (1995) 6.8
In the 1800s a naturalist marries into a family of British aristocrats. Director:Philip Haas |
|
| 0Share... |
| Cast overview, first billed only: | |||
| Mark Rylance | ... |
William Adamson
|
|
| Kristin Scott Thomas | ... |
Matty Crompton
|
|
| Patsy Kensit | ... |
Eugenia Alabaster Adamson
|
|
| Jeremy Kemp | ... |
Sir Harald Alabaster
|
|
| Douglas Henshall | ... |
Edgar Alabaster
|
|
|
|
Annette Badland | ... |
Lady Alabaster
|
| Chris Larkin | ... |
Robin
|
|
| Anna Massey | ... |
Miss Mead
|
|
|
|
Saskia Wickham | ... |
Rowena Alabaster
|
|
|
Lindsay Thomas | ... |
Lady Alabaster's Maid
|
|
|
Michelle Sylvester | ... |
Margaret Alabaster
|
|
|
Clare Lovell | ... |
Elaine Alabaster
|
|
|
Jenny Lovell | ... |
Edith Alabaster
|
|
|
Oona Haas | ... |
Alice Alabaster
|
|
|
Angus Hodder | ... |
Guy Alabaster
|
The movie is a study of an aristocratic family in the Victorian England. William Adamson, a young scientist, is introduced into the aristocratic family Alabaster by reverend Alabaster who is also fascinated by insects. William marries the older daughter of the family and studies the amounts of insects in the garden of the villa. His - for the aristocrats - strange behaviours reveal at the same time their own failures and passions. Written by Volker Boehm
A U.S.-British co-production for PBS, from A.S. Byatt's story "Morpho Eugenia" (a better title!), this head-scratcher of a human drama involves a Victorian England bug-specialist who comes to stay with a wealthy family and falls in love with his benefactor's lovely but unstable daughter. A carefully plotted picture, which might mean slow or sluggish--yet the film is never boring. Moments of eccentricity, romance and surrealism are blended together with skill, and the actresses in particular (Kristen Scott Thomas and the wonderfully brave Patsy Kensit) are first-rate. It's a difficult film, but one worth staying with. **1/2 from ****