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| Index | 199 reviews in total |
53 out of 77 people found the following review useful:
Better than apple pie, 25 May 2000
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Author:
(sinoda@online.no) from Oslo, Norway
This Reiner flick is a gem of the nineties. In its genre probably the best
thing to hit the screens since Capra rounded them up over half a century
ago.
The story itself is nothing extraordinary. Set in Washington it is a
simple
tale of love between lobbyist Sidney Wade and widow President Andrew
Sheperd. Flung into love they both encounter obstacles as both opposition
and political differences tear them apart. No need to worry though, all is
well that ends well. And Reiner is not the one to slip one on
us.
What makes this film shine above most are not the development of
characters
or the underdeveloped political statements. Its the achievement of giving
audiences 90 minutes of pure bliss. Douglas is lovable as president,
Beattys
spouse makes you jealous as always, J. Fox never misses an opportunity to
display huge talent and Dreyfuss is just the kind of guy you love to hate.
Add a dose of victorious political correctness and top it of with a final
speech that raises the hair on any kinds of neck but rednecks, and you got
your evening made.
Enjoy !
35 out of 57 people found the following review useful:
My name is Andrew Shepherd and I AM the president of the United States!, 30 June 1999
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Author:
Dan Grant (dan.grant@bell.ca) from Toronto, Ontario
Is there a genre that Rob Reiner can't work in and make successful? He
captured comedy beautifully with The Sure Thing. Music was brilliant with
This is Spinal Tap. Horror? How about Misery? Courtroom drama was
awesome
with A Few Good Men. And now we have a political drama/comedy. There is
nothing this man can't do.
This movie works inspite of people's claims that it is too political. Well
you know what, it's about the president of the United States of America,
there's going to be a bit of poiltics in it. And guess what, guns do kill
people, so to have an issue at hand here that deals with gun control is
applaudable.
Okay, that's out of the way, let's talk about the film itself. Because it
is wonderful. It is funny, well acted, and it is written with a good ear.
The cast in this film is one to be envied by almost everyone except Oliver
Stone and Robert Altman who seem to get everyone to do their films. But
here we have Douglas as the president, Sheen as his aid, Michael J. Fox,
Samantha Mathis, Annette Bening as Sydney Ellen Wade and in my favourite
performance, Richard Dreyfuss as the sniveling weasle Senator Bob
Rumsen.
As the story goes, the president's character gets questioned when he ( a
widow ) finds a girlfriend in Sydney Wade. The issues are handled
wonderfully here. Nothing is really tip-toed around as the script writer (
Aaron Sorkin ) writes a brave script about what is right and wrong with
being the president and having a girlfriend.
I personally liked the politics in the film. I enjoyed how Shepherd
decides
to ignore the critisism leveled at him until the very end when he gives one
of the best written speeches I've ever seen in film. And when he flexes
his
authoritative muscles, you feel his power, you feel that the president has
spoken. And I was moved. This is a great film and one that should be
checked out for sure.
**** I also found it to be interesting that the character in the film that
tries to get the issue of gun control brought to the forefront is Michael
J.
Fox. He is Canadian and we don't have problems with guns here. Is it a
coincidence ( probably ) that he was chosen to play this role? Or was it
done deliberately? Interesting.
27 out of 45 people found the following review useful:
Warm, fun film with a big heart, 15 February 2002
Author:
bob the moo from Birmingham, UK
US President Andrew Shepherd is a widower who was sweep into power on the
back of great public sympathy. Three years into his presidency he meets and
falls for Sydney Ellen Wade, an environmental lobbyist. Eventually they
begin to date against the counsel of his advisors, giving his rivals (most
notably Senator Rumson) and the media the ammunition they need to begin to
attack his presidency.
This is not exactely a political thriller. In fact it is as far removed
from reality as you could imagine. However that's the point, this film
doesn't pretend to be anything other than a romantic comedy - it has some
political wranglings but it is very far from the (still very tidy and clean)
rule of Martin Sheen's President in TV's The West Wing. However the story
is nicely handled and Rob Reiner is natually very good at this type of
thing. Here it occasionally is far too sickly sweet and sentimental, but
most of it works well.
Douglas is good in the lead and looks quite acceptable as the President of
the US - lets be honest, if it was him or "oil baron" Bush who would you
pick? Bening is also good as Sydney but neither have anything outside of
the usual romantic leads to do. The real strength here is the supporting
cast - both in terms of class and sheer enterainment value.To name a few -
Sheen, MJ Fox, Mathis, Dreyfuss - all big names, all funny
performances.
Overall this is a big sloppy romantic comedy, but it's done with so much
class that it's hard not to like it. Not brillant, but very enjoyable all
the same.
16 out of 27 people found the following review useful:
Romantic, amusing, inspiring portrait of President's fish bowl life, 5 March 2006
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Author:
roghache from Canada
This is a great feel good movie about a charismatic, essentially very
decent, fictional U.S. President, played by Michael Douglas in an
extremely likable role. It's a political story as well as a love story.
Douglas is both commanding & assured in his presidential role and
charming & endearing in his romantic role. If anyone has not yet seen
this movie, you'll discover you're in for an unexpected treat. There's
something here for everyone...romance, comedy, politics, and drama.
Andrew Shepherd is a youngish, popular President soon up for re
election. Pressure is being put to bear on him to consolidate his
administration's high poll ratings by pushing through a moderate crime
bill which totally lacks Republican party support, yet is considered
too weak by the Democrats. Meanwhile he finds himself attracted to
Sydney Wade, an environmental lobbyist who is seeking legislation to
reduce carbon monoxide emissions. Shepherd has been widowed for three
years, and currently needs an escort for a State Dinner in honour of
the President of France. He invites Sydney to this function and during
this & subsequent encounters, the pair fall in love. Trouble ensues
when Shepherd is torn between the politically expedient crime bill and
the environmental legislation he has promised his new love interest.
In terms of romance, there is the ongoing love story between the
widowed President and the young lobbyist, Sydney, charmingly played by
Annette Benning. This lovely and intelligent lady is quite smitten but
at first obviously a bit overwhelmed by it all, feeling awkward and
uncertain as the President's date. Sydney looks absolutely radiant at
the state ball as she is swept off her feet by this handsome leader of
the free world. Their chemistry proves to be electric, the dialogue
clever, and the potential sexual situations quite tasteful by modern
standards. Naturally the course of true love never does run smooth so
it goes without saying that additionally, this unusual fishbowl
courtship would have some unique problems as politics and public
opinion intrude upon the couple's personal life.
A certain built in comedy natural for a dating President makes this
romance all the more enchanting. For instance, when Andrew attempts to
buy his sweetheart some roses, can't you just imagine the national
crisis that all but ensues? Despite his position as Head of State,
Andrew likes to do his courting the old fashioned, personal way. During
his initial phone call to Sydney, she believes he's one of her friends
pulling a prank, which of course results in some hilarity.
Naturally this tale is ripe with politics, and some reviewers even
claim that the film is something of a precursor to TV's West Wing.
Shepherd faces the dilemma of being forced to choose between the crime
bill that his party is after him to push, versus Sydney's particular
environmental cause. Not only party politics, but there is waning
public support to consider. Needless to say, the President has no lack
of advisers around who are more than eager to state their views, giving
at times unsolicited advice. Martin Sheen plays his Chief of Staff and
Michael J. Fox is cast as his Domestic Policy adviser. Shepherd must
also contend with mud slinging by a nasty, unscrupulous rival Senator
(portrayed by Richard Dreyfuss), who calls into question both
Shepherd's family values and his girlfriend's activist past. By the
way, any liberal political bias presented in this movie proved totally
inoffensive to me. I definitely didn't sense that the producers had a
nefarious grand agenda here.
Drama wise, there's a touching, close relationship depicted between the
President and his charming young teenage daughter, Lucy, and a definite
sense of his loneliness following the death of his wife from cancer.
Also, Shepherd is confronted with the choice of keeping his promise to
Sydney versus salvaging his political career. His Oval Office moral
dilemmas are not only relevant to the Presidency but can be
extrapolated to any person in any career.
This film delivers a powerful message about both personal and
presidential integrity. At one point there's a moving speech that is
inspiring for anyone, but may give American viewers in particular cause
for reflection about the real significance of their country's
Presidency and the qualities they might want to look for in the person
elected to that office. Personally, I was practically ready to start
flying the Stars and Stripes and I'm not even American! Whatever the
nation involved, pity we don't have more Andrew Shepherds in political
life today.
30 out of 55 people found the following review useful:
I love this film, 19 October 1998
Author:
Winnie-6 from London, England
This film sees the best acting from Michael Douglas (my God, he isn't a villain), Annette Bening (power woman), Michael J Fox (finally not a teen) and Martin Sheen (oh so amusing). This is such a warm film. It is innocent yet powerful. And the humour is second to none. Just fabulous.
5 out of 6 people found the following review useful:
One of the best political films that has ever been done, 13 May 2007
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Author:
walsh-22 from United Kingdom
*** This review may contain spoilers ***
No offence to Michael Douglas but I'm not a fan of his movies but in
The American President I thought he was brilliant and enjoyed watching
him in the movie. He makes the character very charming, warm and
compassionate.
This film was really the first to show the audience an insight into The
White House and what it is like for the President, all the problems and
dilemmas he has to go through and the expectations ordinary people have
for their elected officials. In this film, Michael Douglas plays the
President who has a daughter and has had to juggle his job with raising
his daughter after his wife died and the public have been sympathetic
to him but a threat comes along in the guise of Sydney Ellen Wade
played by Annette Bening who Andrew Shepherd takes an interest in and
wants to have a relationship with but soon the relationship is under
scrutiny and everything from his and her pasts are used to undermine
them.
What I find interesting about the film is that American schools teach
their students about their government. I think the UK is lacking in
this as there is no effort to teach kids about their government and as
a result they don't care about politics and that is a shame.
The film is intelligent and yet Rob Reiner does it in such a way that
anyone can understand what is being said and you don't need to have an
degree to gasp what lies beneath the words.
Richard Dreyfuss plays a right pantomime villain in this, I found
myself hissing at him every time he came on the screen and he really
played him well as this smug, unscrupulous person who uses muck to
discredit Shepherd's character but can't discredit the president's
policies.
Annette Bening is just great in this. She is funny and beautiful and
has some of the most amusing scenes. Scenes such as her trying to walk
out the wrong door in the oval office and not knowing the President was
on the phone and her thinking it was a prank.
I have to say I love Michael J. Fox in this, Personally, I think he had
some of the best lines in the film. His character looks up to the
President and you see him wanting his idol to speak up and tell the
American people the way it is and not the way Rumson is telling it.
Martin Sheen is the President's adviser in this and then went on to
become the President in The West Wing.
A fine cast, inspiring writing especially at the end and a talented
director made this film so popular with the audience.
7 out of 10 people found the following review useful:
A First Rate Film, 3 March 2009
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Author:
Matthew Kresal from United States
Director Rob Reiner and Aaron Sorkin, fresh off their success with the
film A Few Good Men, came up with this gem more then thirteen years
ago. With a top notch cast and production values The American President
is the continuation of an old Hollywood tradition of films where
nobility wins out in the game of politics. While that might seem like a
bad thing the fact is the film is all the better for it.
First off there's the cast. Michael Douglas gives one of his finest
performances as President Andrew Shepherd. The same can be said of his
love interest and co-star Annette Benning in her performance as
lobbyist Sydney Ellen Wade. Together they have a strong chemistry
whether it be the film's comedic, romantic or dramatic moments.
Then there's the supporting cast. Martin Sheen, Anna Deavere Smith,
Samantha Mathis, David Paymer and Michael J. Fox give fantastic
performances as the White House staff with Sheen and Fox in particular
getting moments to shine. Richard Dreyfuss gives a delicious
performance as Presidential contender Bob Rumson. Even in the small
roles the actors (like Joshua Malina and John Mahoney) give good
performances.
The film's production values are just as strong as its cast. The White
House sets are excellent and give the feeling of being in the real
place. The same can be said of virtually all the sets in the film. Also
of special mention is the score by Marc Shaiman, especially in the
opening credits of the film.
Then there is the script by Arraon Sorkin. Sorkin's effortlessly blends
together the elements of a good romantic comedy and a good political
based film to create a hybrid of the two. Unlike other attempts at
mixing comedy/satire with a political film that often end up failing to
be successful as either (such as the more recent film Man of the Year
for instance) here it works. In one scene you can have a speech about
something political and have a romantic comedy scene the next. The
result is that the styles don't clash but rather compliment each other
nicely. It's easy to see where the genesis of Sorkin's later magnum
opus The West Wing came from.
The American President is a first rate film. With its top notch
performances, excellent production values and a first rate script it's
hard to beat that. The only shame of the film is the fact it didn't any
major awards because it definitely deserved to.
2 out of 2 people found the following review useful:
Our "West Wing", 15 March 2004
Author:
jmhardin from Boston, MA
I finally got a chance to see this movie, and fell in love with it. I am a
huge fan of the real show (the first four seasons) and this has all the
elements I fell in love with. Great acting, real issues faced head on, and
writing that you don't find in many movies or television series. You can't
watch this while doing other things. You have to pay attention, rewinding
frequently to catch that one incredible line of dialog that pops up
frequently. It makes you want to buy a copy of the shooting script to
catch
those wonderful lines over and over again.
You can say what you will about the politics, and there will always be
disagreements, but after seeing it you want to talk about it. Maybe you'll
agree with it, maybe you won't, but if you remain quiet it's your own
fault.
I'm hoping there will be another edition of the DVD with more even extras.
I
think it would be a great part of a boxed set once the show goes off the
air. It's too bad WB chose to go straight into the movie instead of giving
us the menu straight off.
4 out of 6 people found the following review useful:
Perhaps the Best Comedy in Three Decades; Moving, Human and Believable, 20 March 2007
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Author:
silverscreen888
"The American President" was the source of the later dramatic television series success "The West Wing". Apparently, statist influencers in the U.S. have become so successful at warping the real by "spin" that many people could not understand this seminal film, especially those incompetent reviewers who masquerade as professional critics. It is by any standard of reason I suggest 1. authentic in its meticulously presented milieu, characters and dialogue, 2. an appealing classically romantic comedy and 3. a wonderfully satiric juxtaposition between the American--the self-responsible--qualities of even a president and his vulnerability to pseudo-religious moralizing attacks as he tries to access his individual rights in a nation gone constitutionally insane under the urging of Postmodernists. All this widower president wants at the beginning is a date with a feisty environmental lobbyist; later he wants her as a girl friend, and vice versa, with a a chance to explore their growing relationship. This simple human dignity is compromised as a right by the opposition party's leading candidate, who uses innuendo and false headlining to undermine the man's public popularity and threaten two vital bills both the president and the lobbyist are trying to get through a stone-walling Congress. Rob Reiner directs in a serious and lyrical way dialogue and character revelations that in lesser hands might have been slow or worse; in my judgment the pace never falters for an instant. Aaron Sorkin 's memorable script takes in issues, personalities, levels of relationship and supervision that I believe were both difficult and rewarding with uncommon precision and skill. As the "American"--individual, realist, pro- rights--president, Michael Douglas achieves award level simplicity and command at the same time, something which he had been growing toward for two decades. Only players with shorter roles--John Mahoney, and White House staffers--are really exactly right in their roles; but the clarity of the characters presented in the film's script is so strong, owing the the power of the central character and his categorical value of individualism, that sincere performances become exceptional. Annette Benning is attractive and passable as the lobbyist--first girl friend; Martin Sheen is acceptable as Douglas's aide; but no one is outstandingly good I claim nor unacceptable; their believability I suggest is produced by the ideas and values they are representing. Michael J. Fox's speech level is inadequate as the committed, immature aide; Samantha Mathis and Shawna Waldron and Leon Kodak, Anna Deavere Smith, Richard Dreyfuss, Gail Strickland, and many others get small telling moments; the film centers so well I claim on the president and his lady that all else become background, mosaic pieces in a larger picture, observing, relating to, or commenting on the main thrust of action--a president doing his job and asking his rights. This centrality leading to unforgettable scenes is a quality only the best films possess--"The Guns of Navarone", "The Fountainhead", "Gone With the Wind" and "Bend of the River", for instance. In a comedy, this is a rare achievement therefore. Marc Shaiman's music is unobtrusive and occasionally moving; Gloria Gresham's costumes and the production design by Lilly Kilvert aid the film's hard-won credibility. Cinematography by John Seale and Art Direction by John Warnke are outstandingly believable. I suggest the producers Charles Newirth, Rob Reiner, Barbara Maltby and Jeffrey Stott have achieved something as rare here as was achieved in "An Affait to Remember", "The Bridal Path", "You Came Along" and "Operation Petticoat" and other service-based idea-level satires--something lasting, emotionally satisfying and unusually profound for any genre.
15 out of 28 people found the following review useful:
good romance, 20 December 2002
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Author:
enmussak (enmussak@yahoo.com) from madison, WI USA
This film worked for the same reason the West Wing works... it humanizes the President. Yes, the most powerful man in the world has feelings and falls in love. I liked one reviewer's comment saying that this film is Capra-esque. It certainly is because of its overall feel-good aspect and optimism. I enjoyed this film, and Michael Douglas seldom disappoints me. 8/10.
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