Xena, a mighty Warrior Princess with a dark past, sets out to redeem herself. She is joined by small town bard, Gabrielle. Together they journey the ancient world and fight for the greater good against ruthless Warlords and Gods.
An archangel called Lucifer is sent to Earth to force Xena to go to Hell as the new Queen and thus close the portal to Hell before evil takes control of the people, but the Warrior Princess decides ...
Gabrielles comes home to Potedaia, where she meets her sister Lila. There, Lila tells her that a man called Gurkhan kidnapped her daughter, Sarah, and eventually killed her parents and her husband. ...
Hercules and Iolaus take time out from Iolaus' wedding preparations, to help a distant village under attack from "monsters". When they reach their destination, they find the monsters are in... See full summary »
Hercules is provoked till he has no other choice then fight Gargan, a giant who had absolutely no quarrel with him- and decks the mountain of aggression easily. Then the last survivor of a ... See full summary »
Hercules has settled down with his wife and children, but misses the good old days travelling around having exciting adventures. Then one day he is persuaded out of his farming "retirement"... See full summary »
Aeon Flux is a mysterious and amoral secret agent from the country of Monica. Her motives or background are left unexplained, as are those of her antagonist/love, Trevor Goodchild. On her ... See full summary »
John Rafter Lee,
Xena,once known as "Destroyer of Nations," tries to redeem herself by fighting for the greater good. On her quest, she meets Gabrielle, a small town bard hungry for adventure. Together they take down some of the worlds most formidable opponents, even the gods! Written by
Willie Nelson Crane Jr
The majority of Gabrielle's stunts and fight scenes was performed by Renee O'Connor herself, including the backflip from "The Abyss" where Gabrielle kicks a cannibal in the face mid-flight, which was done without any wirework. See more »
Life as a priestess to the virgin goddess Hestia isn't all that hard, the most important rule is to know who you are.
Believe me, if I have to go the rest of my life without companionship, knowing myself won't be a problem.
See more »
Starting with episode 4, Cradle of Hope, most episodes feature a witty disclaimer at the end of the end credits. See more »
Here's the thing, see, about XENA - the fantasy action show telling the tale of the formerly evil Xena, now a force for good, and Gabrielle the Amazon Queen, her warrior/bard partner.
You have two really beautiful women dressed in impractical leather goods flitting about the Ancient World wielding shiny weapons with great skill and nary a thought to chronology or historical accuracy. You have the relentless modern American speech. You have the over-discussed, over-analysed and highly subjective element of "lesbian subtext". You have campy humour, sly winks at the audience, over-the-top fight sequences, and more dialogue limited to the screaming of each other's names than the second half of Titanic.
You have re-used extras, recycled sets, a bikini-clad Aphrodite spouting Valley-girl speech, a penchant for killing off popular guest stars, TWO man-free pregnancies, high angst levels, a range of episodes that swing madly from dark violence to Andrew Lloyd-Webber style musicals and from intense drama to slapstick comedy.
You have strong female leads who accept responsibility for their choices and their actions, good and bad. You have really beautiful scenery in the form of New Zealand. You have great chemistry between the two stars, and you have enough smarts to know how to combine all of these things into a show that succeeds more than it fails.
Give it a chance. I promise, ten episodes and you'll be hooked. In short, XENA: WARRIOR PRINCESS is smart TV pretending that it's dumb. Which is just fine by me, thanks.
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