The sliders arrive on a world that has dwindling natural resources. While there, Rembrandt gets sidetracked by his number one fan. Meanwhile, Quinn and the others meet a group of scientists trying to...
A century before Captain Kirk's five-year mission, Jonathan Archer captains Earth ship Enterprise NX-01 during the early years of Starfleet leading up to the formation of the Federation and the Earth-Romulan War.
Living among the citizens of the infamous New Mexico city of Roswell are some who are not there by choice. They are there to follow a destiny given to them by the members of their dying ... See full summary »
Quinn Mallory, while working on an anti-gravity machine, accidentally creates a portal to a parallel universe. Eventually, his friends and an unwilling participant accidentally get stuck traveling among parallel worlds, trying to survive, and learning that sliding can lead to fatal results. Meanwhile, among many changes in their group, they try to rescue the multiverse from the Kromagg Dynasty. Written by
Jerry O'Connell (Quinn) wrote an episode treatment entitled "Narcotica", which took place on an Earth where drugs had been legalized. The story was rejected by the network for being "too dark," but later found life as a 'Sliders' comic book. See more »
In season one "The King is back" Rembrandt is on stage when the other Rembrandt joins him there, telling the audience that "our" Rembrandt is only an impersonator. Therefore Rembrandt leaves the stage and is welcomed by his friends backstage. The next shot is showing the stage from the front again and there you can still see "our" Rembrandt in the background, still on stage. See more »
The original Sliders, featuring O'Connell, Rhys-Davies, Lloyd and Derricks, had potential: a Quantum Leap that held up better from a hard sci-fi POV.
Sure, the alternate worlds differed along only a narrow spectrum (no worlds where Aristotle's corpus was lost at sea or where the Spanish were beaten back by the Aztecs and Mayans--in short, nothing compared to Poul Anderson's Time Patrol novels), but for TV, it was forgiveable. The show could have served a real allegorical purpose, like the original Star Trek episodes, smuggling in controversy in veiled, science-fiction form under the radars of network censors.
And maybe it tried, and maybe it would have tried harder, but either the writing so petered out that the original stars split or the stars bolted and the writers scrambled to patch together the vehicle that had been abandoned. Down goes Sabrina Lloyd, then John Rhys-Davies, then the star, Jerry O'Connell. By the time Cleavant Derricks' seniority finally grants him the dubious honor of doing the opening voiceover narration, the show's been utterly gutted.
Maybe there's something philosophical in the program's blandness: an episode on a world without aluminum doesn't use that lack for anything more than a plot complication amid a standard good-guys vs. bad-guys story. Maybe the message in these all-too-similar worlds is that no matter how wacky the axiomatic differences among quantum realities, it's all same-old, same-old.
Network TV should be relieved at that news.
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