| Photos (see all 15 | slideshow) |
| Jennifer Ehle | ... | Elizabeth Bennet (6 episodes, 1995) | |
| Colin Firth | ... | Mr. Darcy (6 episodes, 1995) | |
| Susannah Harker | ... | Jane Bennet (6 episodes, 1995) | |
| Julia Sawalha | ... | Lydia Bennet (6 episodes, 1995) | |
| Alison Steadman | ... | Mrs. Bennet (6 episodes, 1995) | |
| Benjamin Whitrow | ... | Mr. Bennet (6 episodes, 1995) | |
| Crispin Bonham-Carter | ... | Mr. Bingley (6 episodes, 1995) | |
| Polly Maberly | ... | Kitty Bennet (6 episodes, 1995) | |
| Lucy Briers | ... | Mary Bennet (6 episodes, 1995) | |
| Anna Chancellor | ... | Miss Bingley (6 episodes, 1995) | |
| Lucy Robinson | ... | Mrs. Hurst (6 episodes, 1995) | |
| Adrian Lukis | ... | Wickham (5 episodes, 1995) | |
| David Bamber | ... | Mr. Collins (5 episodes, 1995) | |
| Lucy Scott | ... | Charlotte Lucas (5 episodes, 1995) | |
| Marlene Sidaway | ... | Hill, the housekeeper (4 episodes, 1995) | |
| Barbara Leigh-Hunt | ... | Lady Catherine de Bourgh (4 episodes, 1995) | |
| Tim Wylton | ... | Mr. Gardiner (4 episodes, 1995) | |
| Rupert Vansittart | ... | Mr. Hurst (4 episodes, 1995) | |
| Joanna David | ... | Mrs. Gardiner (4 episodes, 1995) | |
| Nadia Chambers | ... | Miss Anne de Bourgh (4 episodes, 1995) | |
| David Bark-Jones | ... | Lt. Denny (4 episodes, 1995) | |
| Lynn Farleigh | ... | Mrs. Phillips (4 episodes, 1995) | |
| Lucy Davis | ... | Maria Lucas (4 episodes, 1995) | |
| Emilia Fox | ... | Georgiana Darcy (3 episodes, 1995) | |
| Christopher Benjamin | ... | Sir William Lucas (3 episodes, 1995) | |
| Kate O'Malley | ... | Sarah, the maid (3 episodes, 1995) | |
| Roger Barclay | ... | Capt. Carter (3 episodes, 1995) | |
| Norma Streader | ... | Lady Lucas (3 episodes, 1995) | |
| Paul Moriarty | ... | Col. Forster (3 episodes, 1995) | |
| Victoria Hamilton | ... | Mrs. Forster (3 episodes, 1995) | |
| Anthony Calf | ... | Col. Fitzwilliam (2 episodes, 1995) | |
| Sarah Legg | ... | Hannah (2 episodes, 1995) | |
| Annabel Taylor | ... | Maggie, the maid (2 episodes, 1995) | |
| Harriet Eastcott | ... | Mrs. Jenkinson (2 episodes, 1995) | |
| Natasha Isaacs | ... | Alice Gardiner (2 episodes, 1995) | |
| Marie-Louise Flamank | ... | Kate Gardiner (2 episodes, 1995) | |
| Roy Holder | ... | Hodge, the gardener (2 episodes, 1995) | |
| Julian Erleigh | ... | William Gardiner (2 episodes, 1995) | |
| Neville Phillips | ... | Fossett, the footman (2 episodes, 1995) | |
| Christopher Staines | ... | Lt. Sanderson (2 episodes, 1995) | |
| Jacob Casselden | ... | Robert Gardiner (2 episodes, 1995) |
Series Directed by | |||
| Simon Langton | (6 episodes, 1995) | ||
Series Writing credits | ||
| Jane Austen | (6 episodes, 1995) | |
| Andrew Davies | (6 episodes, 1995) | |
Series Produced by | |||
| Sue Birtwistle | .... | producer (6 episodes, 1995) | |
| Julie Scott | .... | associate producer (6 episodes, 1995) | |
| Michael Wearing | .... | executive producer (6 episodes, 1995) | |
Series Original Music by | |||
| Carl Davis | (6 episodes, 1995) | ||
Series Cinematography by | |||
| John Kenway | (6 episodes, 1995) | ||
Series Film Editing by | |||
| Peter Coulson | (6 episodes, 1995) | ||
Series Production Design by | |||
| Gerry Scott | (6 episodes, 1995) | ||
Series Art Direction by | |||
| John Collins | (6 episodes, 1995) | ||
| Mark Kebby | (6 episodes, 1995) | ||
Series Costume Design by | |||
| Dinah Collin | (6 episodes, 1995) | ||
Series Makeup Department | |||
| Caroline Noble | .... | hair designer / makeup designer (6 episodes, 1995) | |
| Jenny Eades | .... | assistant makeup artist (2 episodes, 1995) | |
| Philippa Hall | .... | assistant makeup artist (2 episodes, 1995) | |
| Ashley Johnson | .... | assistant makeup artist (2 episodes, 1995) | |
Series Production Management | |||
| Paul Brodrick | .... | production manager (6 episodes, 1995) | |
Series Second Unit Director or Assistant Director | |||
| Anne-Marie Crawford | .... | third assistant director (6 episodes, 1995) | |
| Amanda Neal | .... | first assistant director (6 episodes, 1995) | |
| Melanie Panario | .... | second assistant director (6 episodes, 1995) | |
| Pip Short | .... | first assistant director (6 episodes, 1995) | |
| Sarah White | .... | third assistant director (6 episodes, 1995) | |
Series Art Department | |||
| Sara Richardson | .... | property master (6 episodes, 1995) | |
| Liz Friedman | .... | graphic designer (2 episodes, 1995) | |
| Barry Moll | .... | construction manager (2 episodes, 1995) | |
| Marjorie Pratt | .... | set dresser (2 episodes, 1995) | |
| John Salisbury | .... | graphic designer (2 episodes, 1995) | |
| Richard Kelloway | .... | dressing props (unknown episodes) | |
Series Sound Department | |||
| John Downer | .... | dubbing editor (6 episodes, 1995) | |
| Michael Feinberg | .... | dubbing editor (6 episodes, 1995) | |
| Brian Marshall | .... | sound recordist (6 episodes, 1995) | |
| Rupert Scrivener | .... | dubbing mixer (6 episodes, 1995) | |
| Keith Pamplin | .... | boom operator (2 episodes, 1995) | |
| Julie Ankerson | .... | foley artist (unknown episodes) | |
Series Visual Effects by | |||
| Graham Brown | .... | visual effects designer (2 episodes, 1995) | |
Series Camera and Electrical Department | |||
| Phil Brookes | .... | best boy (6 episodes, 1995) | |
| Liam McGill | .... | lighting gaffer (6 episodes, 1995) | |
| Roger Pearce | .... | camera operator (6 episodes, 1995) | |
| Brendan Judge | .... | grip (2 episodes, 1995) | |
| Rob Southam | .... | focus puller (2 episodes, 1995) | |
| Alf Tramontin | .... | Steadicam operator (2 episodes, 1995) | |
Series Costume and Wardrobe Department | |||
| Yves Barre | .... | costume design assistant (2 episodes, 1995) | |
| Donna Nicholls | .... | wardrobe mistress (2 episodes, 1995) | |
| Michael Purcell | .... | wardrobe master (2 episodes, 1995) | |
| Richard Cooke | .... | costume trainee (unknown episodes) | |
Series Editorial Department | |||
| Fiona B. McTavish | .... | post-production (6 episodes, 1995) | |
| Julius Gladwell | .... | first assistant film editor (2 episodes, 1995) | |
Series Music Department | |||
| Andrew Shulman | .... | musician: cello soloist (6 episodes, 1995) | |
Series Transportation Department | |||
| Wayne Thompson | .... | transportation captain (1 episode, 1995) | |
Series Other crew | |||
| Sam Breckman | .... | location manager (6 episodes, 1995) | |
| Sue Clegg | .... | continuity (6 episodes, 1995) | |
| Susie Conklin | .... | script editor (6 episodes, 1995) | |
| Janet Radenkovic | .... | production coordinator (6 episodes, 1995) | |
| Melvyn Tan | .... | fortepiano (6 episodes, 1995) | |
| Jane Gibson | .... | choreographer (4 episodes, 1995) | |
| Maggie Anson | .... | contracts executive (2 episodes, 1995) | |
| Elaine Dawson | .... | assistant production accountant (2 episodes, 1995) | |
| Vic Young | .... | production operative supervisor (2 episodes, 1995) | |
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| Pride & Prejudice | Emma | "Pride and Prejudice" | Emma | "Mansfield Park" |
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After so many years of seeing adaptations of Pride and Prejudice on stage, screen and television, I had long given up hope of an entertaining and faithful adaptation. Then a miracle! Class, style, humor and intelligence is alive and well! Direction, script and cinematography are all exceptional in A&E's production. Imagine watching a six-hour program over and over and over. It has to be done. Jennifer Ehle gives Elisabeth all the archness, tenderness, and homey wit that Austen could desire. Each individual cast member gives a memorable performance that makes the character real. Simon Langton, as director, has a real ear for dialogue and silence. Indeed, it is often the silences in conversation that are the most hilarious. The most serious fault in most previous productions was the casting of Darcy. A stiff actor in a stiff part gives you only a stiff character (even, God bless him, Olivier). If Darcy fails, the entire production is a waste. The inspired casting of Colin Firth in this production was defining. Putting Firth, a naturally lively chap, in the role was like harnessing energy. You can often feel that intensity of containment, which is just perfect for Darcy. This is a must-see for any loyal Austen reader or anyone else who likes romance, wit and social commentary all rolled into one. And pity Emma Thompson's Sense and Sensibility, which opened in the U.S. shortly after Pride and Prejudice debuted. Comparisons were inevitable and did not favor S&S.