Martin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and ... See full summary »
Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his ... See full summary »
A feature-length documentary starring Fran Lebowitz, a writer known for her unique take on modern life. The film weaves together extemporaneous monologues with archival footage and the ... See full summary »
William F. Buckley,
This concert took place at Madison Square Garden, shortly after the 9/11 attacks. Highlights include "New York State Of Mind" by Billy Joel, "Won't Get Fooled Again" by the Who, "I Want Love" by Elton John, and "Freedom" by Paul McCartney.
Film-maker Martin Scorsese looks back over the impact of The Statue of Liberty on the twentieth century, her evolution and what she meant to people of the past and what she continues to mean after September eleventh, 2001.
Despite its nearly four-hour running time, this is a uniquely personal look at movies from one of the late 20th century's great directors and film historians. The film consists of head & shoulder shots of Scorsese speaking into the camera for a minute or two, followed by 10-15 minutes of film clips with Scorsese voice-over. Scorsese approaches the films in terms of how they affected him as a director foremost and as a storyteller/film fan second. Segments include "The Director as Smuggler," "The Director as Iconoclast", and so on. The Journey begins with silent masters like D.W. Griffith and ends in 1969 - when Scorsese began to make films; as he says in closing, "I wouldn't feel right commenting on myself or my contemporaries." Written by
The machine gun spray that comes close to hitting James Cagney as he and EDward Woods turn the corner are real bullets fired by a real machine gun. See more »
Actually when I was a little younger,there was another journey I wanted to make, It was a relgious one. I wanted to be a priest. However, I soon realized that my real vocation, my real calling, was the movies. I don't really see a conflit between the church and movies - the sacred and the profane. Obviously there are many differences, but I also could see great similarities bwtween a church and a movie house. Both are places for people to come together and share a common experience. and I ...
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Huge, exhaustive and passionate summary of American cinema as seen through the eyes of Martin Scorcese. Needless to say, there is never a dull moment in all of its 4 hour running time. Many genres, periods and directors are all examined, discussed more from the perspective of cinephile rather than contemporary director. For anyone even remotely interested in American films, or cinema in general. A masterpiece, and the best of the BFI's Century of Cinema series.
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