The Parent 'Hood (1995–1999)

TV Series  |   |  Comedy
6.9
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Ratings: 6.9/10 from 456 users  
Reviews: 7 user | 1 critic

A college professor copes with contemporary fatherhood.

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Title: The Parent 'Hood (1995–1999)

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Episodes

Seasons


Years



5   4   3   2   1  
1999   1998   1997   1996   1995  
3 wins & 7 nominations. See more awards »
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An actor limited to stereotypical roles because of his ethnicity, dreams of making it big as a highly respected performer. As he makes his rounds, the film takes a satiric look at African American actors in Hollywood.

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Cast

Series cast summary:
...
 Robert Peterson (90 episodes, 1995-1999)
...
 Jerri Peterson / ... (90 episodes, 1995-1999)
...
 Zaria Peterson (90 episodes, 1995-1999)
...
 Nicholas Peterson (90 episodes, 1995-1999)
Ashli Adams ...
 Cece Peterson / ... (90 episodes, 1995-1999)
...
 Wendell Wilcox (68 episodes, 1995-1998)
Kenn Michael ...
 Michael Peterson (57 episodes, 1995-1997)
Tyrone Burton ...
 T.K. Anderson (33 episodes, 1997-1999)
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Storyline

A college professor copes with contemporary fatherhood.

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Genres:

Comedy

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Release Date:

18 January 1995 (USA)  »

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Aspect Ratio:

1.33 : 1
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Connections

Referenced in TV in Black: The First Fifty Years (2004) See more »

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User Reviews

An admirable but amateurish "family show"
7 June 2002 | by (Irving, TX) – See all my reviews

Robert Townsend, for some reason, felt the need to make a show that would uplift, present a positive model of a modern African-American family, etc, etc. Kind of a slightly more modern, slightly less establishment "Cosby Show." To this he added a few of his more anarchic comedy touches, like a couple of silly friends and brief fantasy sequences. Unfortunately, the writing and acting were often terrible, especially the actors playing the younger children. In later years, especially after older son Michael (Kenny Blank) left the show and troubled youth TK was taken in by the family after he mugged Geri, the show became dreadfully earnest, delving into "important issues" and sledgehammering the viewer with pathos. Any residual charm was gone after a year or two, and the fantasy sequences (the only unique element of the show) never rose above silly; every attempt at "hipness" and "street cred" failed miserably too. All involved deserve points for effort, but the show is often almost painful to watch.


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