Once famous football player must rent part of his house in order to support himself. A single mother and her two kids are the latest tenants. He also owns a sports clinic that he barely manages to run with a little help from his friends.
Malcolm McGee is a responsible and sensible 20-something who ends up sharing a Kansas City apartment and a business venture with relentlessly enthusiastic tow truck owner Eddie Sherman. A ... See full summary »
Karen Malina White
Jamie King (Jamie Foxx) is an aspiring actor from Terrell, Texas, who has come to Los Angeles to pursue a career in entertainment. To support himself, he works in his family's hotel, the ... See full summary »
Darryl Hughley, who owns his own vending machine business, moving out of from South Central to West Hills, a predominately white neighborhood within the San Fernando Valley. Darryl and his ... See full summary »
Eric Allan Kramer
Deacon Frye, head of the First Community Church of Philadelphia, is trying to keep everything in his church firmly under control. His new assistant, Rev. Reuben Gregory, however, has some ... See full summary »
Anna Maria Horsford
Carl Kanisky is chief of police in Glenlawn, California. After the death of his wife, Margaret, he asks her friend, Nell Harper, to come in to keep house and take care of his children, ... See full summary »
Lara Jill Miller
Robert Townsend, for some reason, felt the need to make a show that would uplift, present a positive model of a modern African-American family, etc, etc. Kind of a slightly more modern, slightly less establishment "Cosby Show." To this he added a few of his more anarchic comedy touches, like a couple of silly friends and brief fantasy sequences. Unfortunately, the writing and acting were often terrible, especially the actors playing the younger children. In later years, especially after older son Michael (Kenny Blank) left the show and troubled youth TK was taken in by the family after he mugged Geri, the show became dreadfully earnest, delving into "important issues" and sledgehammering the viewer with pathos. Any residual charm was gone after a year or two, and the fantasy sequences (the only unique element of the show) never rose above silly; every attempt at "hipness" and "street cred" failed miserably too. All involved deserve points for effort, but the show is often almost painful to watch.
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